I don't know if it's question than a statement but the France draft is quite like The Saint movie or even a bit of TLD, Too much of Russian involvement and less Bond like.
It was
damned Bond-like; there's even an homage to the SPECTRE bait-and-switch kill scenes!

GE dealt with the Bond world in perfect balance. Bond escapes and destroys anything in his path while maintaining some form reality... if that's possible.
Highly
impossible; there's no consequences for rampaging through St. Petersburg in a tank! Granted, there's no real consequences
here for Bond's involvement in the whole affair, but I'm sure France would've included more of a Russian-involved closure scene had the second draft not started to trend in another direction...
I can't understand the True Lies connection.
The chase on horseback was done in
True Lies; I don't know if it was parallel development, or if someone nicked the idea from France.
One thing I do like is mixing Dalton into the thick of action.
Indeed; he also gets to show his knowledge of foreign languages and chess -- he's smart, but not an encyclopedia, like Roger Moore's Bond was...

A weird thing about this script is is, at the beginning it appears the Soviet Union is still together.
I'm pretty sure they were
not; only the apparati left over, like the KGB, remained, which was why Trevelyan was jumping ship with the weapon in the first place.
Ah, thanks; that must be it. Actually, an ejector seat would have made more sense: Bond's car 'bumps' the helicopter causing it to crash? A bit rubbish; and very lucky! If he'd fired his ejector seat into it as he drove underneath it'd be a bit more impressive.
He bumps it while it's in the tunnel, causing it to crash against the side and lose altitude; it's a wonder EON didn't sue Paramount, the two sequences are so close...
I didn't think Bond ripped off a film that hadn't been made yet! 
True; just look at how Disney's
Aladdin borrowed part-and-parcel (even character design!) from the long-gestating Richard Williams project
The Thief and the Cobbler, mainly through Williams going through so many animators who later went to work at Disney -- similarly, both
Bond 17 and the
M:I movie had been in gestation in Hollywood for so long that sequences were bound to be passed from writer to writer.
Hey, I want that script NOW!!!!!
PM me your e-mail address, and you'll get a copy.