Moonraker a reaction to Star Wars?
#31
Posted 22 July 2004 - 01:31 PM
Moonraker had to be about space, whatever one might say, but I feel that the film certainly was influenced greatly by the style of Lucas and the lucre that could be gained by the bandwagon-jumping.
#32
Posted 22 July 2004 - 01:33 PM
I wonder if the MR that Cubby discussed back in '76 might not have been more like the book. (Pitty such a film was never made.)
Maybe Drax would give England a space shuttle which in reality was a doomsday weapon whcih immediately after take off would turn towards London and destroy it?
I think sending Bond up into space was a reaction to Star Wars and a bad one at that.
I remember seeing MR in the theaters and enjoying the 1st half but by the time Jaws starts falling off of cliffs I became nauseous. I thought "well there goes the franchise!"
#33
Posted 22 July 2004 - 04:15 PM
I am very interested in reading those articles...... will we see them up on CBN?I also found some articles about how Eon sued Mego in 1980 over non-payment of fees in connection with their Moonraker merchandise. This was also news to me.
#34
Posted 22 July 2004 - 04:16 PM
You just might...I am very interested in reading those articles...... will we see them up on CBN?I also found some articles about how Eon sued Mego in 1980 over non-payment of fees in connection with their Moonraker merchandise. This was also news to me.
#35
Posted 22 July 2004 - 04:18 PM
Broccoli said the plot was a little tame considering that in the previous movie the villain had wanted to destroy the world.Good point Jim.
I wonder if the MR that Cubby discussed back in '76 might not have been more like the book. (Pitty such a film was never made.)
#36
Posted 22 July 2004 - 04:19 PM
I've heard rumors about a 3 3/4 inch series of Moonraker figures were in the planning stages from Mego and that they were in a couple of catalogs, but have never seen any pictures of this proposed line. A while back there was a little bit of discussion about the figures in this thread: http://debrief.comma...showtopic=16809 We found some photos of the catalogs, but not of the contents. You wouldn't be able to post any pictures of the figures and these spacestation and spaceship would you?A while ago I a saw xerox of a MEGO catalogue in which they not only announced the 12" characters, but also a more elaborate range of Moonraker toys including a Spacestation and spaceship... obviously something happened along the way
#37
Posted 22 July 2004 - 04:31 PM
Kind of sad that the destruction of London wasn't big enough for the Bond franchise by then.Broccoli said the plot was a little tame considering that in the previous movie the villain had wanted to destroy the world.Good point Jim.
I wonder if the MR that Cubby discussed back in '76 might not have been more like the book. (Pitty such a film was never made.)
Its amazing that FYEO ever got made!
#38
Posted 22 July 2004 - 04:42 PM
Well actually the plot of For Your Eyes Only was diabolical and grand in scope. Think about it, in The Spy Who Loved Me we were talking about three nuclear submarines and their payloads.Kind of sad that the destruction of London wasn't big enough for the Bond franchise by then.
Broccoli said the plot was a little tame considering that in the previous movie the villain had wanted to destroy the world.Good point Jim.
I wonder if the MR that Cubby discussed back in '76 might not have been more like the book. (Pitty such a film was never made.)
Its amazing that FYEO ever got made!
Then in For Your Eyes Only we are talking about control of every nuclear submarine in the British Royal Navy and conceivably total destruction of every NATO country. It certainly is a grand scale and scary plot.
Interestingly the plot for 1995's GoldenEye revolved around the destruction of London |
#39
Posted 22 July 2004 - 06:16 PM
While control of all subs was the potential of the FYEO plot that was a few steps down the road. The film really concerns itself with getting back the ATAC which could have been called "the McGuffin Machine".Well actually the plot of For Your Eyes Only was diabolical and grand in scope. Think about it, in The Spy Who Loved Me we were talking about three nuclear submarines and their payloads.
Kind of sad that the destruction of London wasn't big enough for the Bond franchise by then.
Broccoli said the plot was a little tame considering that in the previous movie the villain had wanted to destroy the world.Good point Jim.
I wonder if the MR that Cubby discussed back in '76 might not have been more like the book. (Pitty such a film was never made.)
Its amazing that FYEO ever got made!
Then in For Your Eyes Only we are talking about control of every nuclear submarine in the British Royal Navy and conceivably total destruction of every NATO country. It certainly is a grand scale and scary plot./spoiler.gif???/gen_line.gif
Interestingly the plot for 1995's GoldenEye revolved around the destruction of London
There is no "Countdown to Armageddon" like in TSWLM or MR or a half a dozen other Bond films.
#40
Posted 22 July 2004 - 07:06 PM
#41
Posted 22 July 2004 - 07:19 PM
The idea to turn Moonraker into a plot based around space was undeniably themed around Star Wars- the title just came in handy. If it was called For Your Eyes Only would that have changed anything?
#42
Posted 22 July 2004 - 07:46 PM
I wonder if the destruction of London element in Moonraker would have made it to the film version if it had been made before The Spy Who Loved Me which had the monumental plot of Armageddon.Kind of sad that the destruction of London wasn't big enough for the Bond franchise by then.
Broccoli said the plot was a little tame considering that in the previous movie the villain had wanted to destroy the world.Good point Jim.
I wonder if the MR that Cubby discussed back in '76 might not have been more like the book. (Pitty such a film was never made.)
Its amazing that FYEO ever got made!
#43
Posted 22 July 2004 - 08:06 PM
#44
Posted 22 July 2004 - 08:08 PM
#45
Posted 23 July 2004 - 01:13 AM
John says MR was to be Cubby's space-themed Bond, but has no evidence... The idea to turn Moonraker into a plot based around space was undeniably themed around Star Wars- the title just came in handy. If it was called For Your Eyes Only would that have changed anything?
Maybe for the same reason that even years before they were made we could assume that OHMSS would be snow-themed, YOLT would be set in Japan, Thunderball would have an underwater element, LALD would have African-American villains, DAF would be set in Las Vegas, TMWTGG would feature...well, a man with a golden gun!Why is everyone assuming that this 1977 Moonraker would be space themed?
The Spy Who Loved Me was a completely original story only because it had to be contractually. Up until then, the essence of each novel was very much the essence of the film. Moonraker has a rocket/space technology theme bigtime. Take a look at any paperback edition of the book and tell me it doesn
#46
Posted 23 July 2004 - 01:32 AM
Exactly. I wish that For Your Eyes Only had placed greater emphasis on the element that the Russians could use the ATAC to order British submarines to attack U.K. cities. They could have done that without sacrificing the more serious and less sci-fi(relative to both Moonraker and The Spy Who Loved Me anyway) aspect of the film.For Your Eyes Only does indeed have a scary plot and the consequences of the villain winning are grave. However they never really seemed to put too much focus on what Kristatos selling it to the Soviets would do. There was talks of what they could do, but I think because the didn't highlight it enough, it didn't have as large an impact as the plot for The Spy Who Loved Me for example.
#47
Posted 23 July 2004 - 01:37 AM
Quite so Prince Kamal Khan. I think that's what kind of seperates this serious Moore film from Connery's serious From Russia With Love. In From Russia With Love there was more emphasis on all the objects in the plot and that sort. For Your Eyes Only could have worked on it.Exactly. I wish that For Your Eyes Only had placed greater emphasis on the element that the Russians could use the ATAC to order British submarines to attack U.K. cities. They could have done that without sacrificing the more serious and less sci-fi(relative to both Moonraker and The Spy Who Loved Me anyway) aspect of the film.For Your Eyes Only does indeed have a scary plot and the consequences of the villain winning are grave. However they never really seemed to put too much focus on what Kristatos selling it to the Soviets would do. There was talks of what they could do, but I think because the didn't highlight it enough, it didn't have as large an impact as the plot for The Spy Who Loved Me for example.
#48
Posted 23 July 2004 - 04:02 AM
But a greater emphasis on the potential danger that the ATAC transmitter posed to the Western democracies may have run counter with Eon Production's goal of creating a fun action/adventure with a dash of light comedy.Exactly. I wish that For Your Eyes Only had placed greater emphasis on the element that the Russians could use the ATAC to order British submarines to attack U.K. cities. They could have done that without sacrificing the more serious and less sci-fi(relative to both Moonraker and The Spy Who Loved Me anyway) aspect of the film.For Your Eyes Only does indeed have a scary plot and the consequences of the villain winning are grave. However they never really seemed to put too much focus on what Kristatos selling it to the Soviets would do. There was talks of what they could do, but I think because the didn't highlight it enough, it didn't have as large an impact as the plot for The Spy Who Loved Me for example.
Did audiences at the time really want to have images in their minds of a nuclear Holocaust or reminded of the anti-Soviet "evil empire" speeches of Margaret Thatcher and Ronald Reagan?
I believe that stories featuring weapons of mass destruction need to have a big dose of fantasy to be palatable to audiences. Who really wants to go into a movie theatre and be reminded that death from nuclear war was a very real possibility?
#49
Posted 23 July 2004 - 04:05 AM
However Triton, For Your Eyes Only was supposed to be the film that downsized the fantasy after two such dazzling fantasy laden Bond films, The Spy Who Loved Me and Moonraker. It makes sense to me that there wasn't that same amount in For Your Eyes Only, but there is a point of explaining the plot elements (ATAC) to let them create an impact.But a greater emphasis on the potential danger that the ATAC transmitter posed to the Western democracies may have run counter with Eon Production's goal of creating a fun action/adventure with a dash of light comedy.
Exactly. I wish that For Your Eyes Only had placed greater emphasis on the element that the Russians could use the ATAC to order British submarines to attack U.K. cities. They could have done that without sacrificing the more serious and less sci-fi(relative to both Moonraker and The Spy Who Loved Me anyway) aspect of the film.For Your Eyes Only does indeed have a scary plot and the consequences of the villain winning are grave. However they never really seemed to put too much focus on what Kristatos selling it to the Soviets would do. There was talks of what they could do, but I think because the didn't highlight it enough, it didn't have as large an impact as the plot for The Spy Who Loved Me for example.
Did audiences at the time really want to have images in their minds of a nuclear Holocaust or reminded of the anti-Soviet "evil empire" speeches of Margaret Thatcher and Ronald Reagan?
I believe that stories featuring weapons of mass destruction need to have a big dose of fantasy to be palatable to audiences. Who really wants to go into a movie theatre and be reminded that death from nuclear war was a very real possibility?
#50
Posted 23 July 2004 - 04:39 AM
But EON did do that in 1983 with Octopussy. Remember Orlov's speech in the Soviet war room with the Kutzov computer? And the down-to-the-last-second scene with the bomb in the circus tent?But a greater emphasis on the potential danger that the ATAC transmitter posed to the Western democracies may have run counter with Eon Production's goal of creating a fun action/adventure with a dash of light comedy.
Exactly. I wish that For Your Eyes Only had placed greater emphasis on the element that the Russians could use the ATAC to order British submarines to attack U.K. cities. They could have done that without sacrificing the more serious and less sci-fi(relative to both Moonraker and The Spy Who Loved Me anyway) aspect of the film.For Your Eyes Only does indeed have a scary plot and the consequences of the villain winning are grave. However they never really seemed to put too much focus on what Kristatos selling it to the Soviets would do. There was talks of what they could do, but I think because the didn't highlight it enough, it didn't have as large an impact as the plot for The Spy Who Loved Me for example.
Did audiences at the time really want to have images in their minds of a nuclear Holocaust or reminded of the anti-Soviet "evil empire" speeches of Margaret Thatcher and Ronald Reagan?
I believe that stories featuring weapons of mass destruction need to have a big dose of fantasy to be palatable to audiences. Who really wants to go into a movie theatre and be reminded that death from nuclear war was a very real possibility?
#51
Posted 23 July 2004 - 04:41 AM
#52
Posted 23 July 2004 - 05:00 AM
True but Octopussy mainly relegated its comic elements to the India scenes. The East & West Germany scenes were played very straight and were a lot more intense than For Your Eyes Only IMHO.I think, that can be attributed to the fact that while For Your Eyes Only was a clear cut serious Bond film with very minimal amounts of fantasy compared to Moonraker for example, Octopussy had a larger dose of the fantasy elements than For Your Eyes Only did.
#53
Posted 23 July 2004 - 05:02 AM
You are right, some of the scenes in Octopussy such as those are very serious and deadly in nature. However you also make the point that there is some comic elements also, something IMO, For Your Eyes Only had a much lower amount of, along with fantasy spectacle.True but Octopussy mainly relegated its comic elements to the India scenes. The East & West Germany scenes were played very straight and were a lot more intense than For Your Eyes Only IMHO.I think, that can be attributed to the fact that while For Your Eyes Only was a clear cut serious Bond film with very minimal amounts of fantasy compared to Moonraker for example, Octopussy had a larger dose of the fantasy elements than For Your Eyes Only did.
#54
Posted 23 July 2004 - 02:26 PM
#55
Posted 23 July 2004 - 04:57 PM
1) Even pushing the consequences of the ATAC, FYEO is a cracking good cold war thriller. I caught a little of it on SPike the other night- the scene where BOnd and Melina retrieve the ATAC. Is holds up almost 25 years later.
2) Of course Cubby was influenced by Star Wars. the entire Moore cannon (except TSWLM) up to 1979 was influenced by other genres:
LALD - Blaxploitation
TMWTGG - Bruce Lee Chop-socky flicks
TSWLM - (every Bond before but rolled into one)
MR - Star Wars.
I personally find it a little sad how the 70s Bonds did follow those trends when in the 60s they were the trend to be followed. (THe BOnd influence on "Enter the Dragon" is far greater than the Bruce Lee influence on MWTGG but that influence is still there.)
I have a feeling that I'm mixing up my points a bit so I'm going to stop now.
#56
Posted 23 July 2004 - 06:25 PM
I would agree B007GLE. While not my favorite of the Roger Moore Bond films, it is definitely a very good one nonetheless. Scenes like that, the keelhauling, the climb, and others all do contribute to supporting the word thrilling as a description. I think this movie could have been even better if they had better followed and described the ATAC plot. Still good though.1) Even pushing the consequences of the ATAC, FYEO is a cracking good cold war thriller. I caught a little of it on SPike the other night- the scene where BOnd and Melina retrieve the ATAC. Is holds up almost 25 years later.
#57
Posted 24 July 2004 - 12:40 AM
Some people have said OP was influenced somewhat by Raiders of the Lost Ark, while others think AVTAK was influenced by GF.2) Of course Cubby was influenced by Star Wars. the entire Moore cannon (except TSWLM) up to 1979 was influenced by other genres:
LALD - Blaxploitation
TMWTGG - Bruce Lee Chop-socky flicks
TSWLM - (every Bond before but rolled into one)
MR - Star Wars.
I personally find it a little sad how the 70s Bonds did follow those trends when in the 60s they were the trend to be followed. (THe BOnd influence on "Enter the Dragon" is far greater than the Bruce Lee influence on MWTGG but that influence is still there.)
I have a feeling that I'm mixing up my points a bit so I'm going to stop now.
#58
Posted 24 July 2004 - 02:19 AM
I read that A View To A Kill was somewhat influenced also by The Temple of Doom, in that the finale is quite similar.Some people have said OP was influenced somewhat by Raiders of the Lost Ark, while others think AVTAK was influenced by GF.2) Of course Cubby was influenced by Star Wars. the entire Moore cannon (except TSWLM) up to 1979 was influenced by other genres:
LALD - Blaxploitation
TMWTGG - Bruce Lee Chop-socky flicks
TSWLM - (every Bond before but rolled into one)
MR - Star Wars.
I personally find it a little sad how the 70s Bonds did follow those trends when in the 60s they were the trend to be followed. (THe BOnd influence on "Enter the Dragon" is far greater than the Bruce Lee influence on MWTGG but that influence is still there.)
I have a feeling that I'm mixing up my points a bit so I'm going to stop now.
#59
Posted 24 July 2004 - 07:03 PM
I believe that Richard Attenborough's best picture winning bio-pic Gandhi in 1981 had something to do with the decision to shoot the film in India. The early 1980's had many films and television series set in India after Gandhi:Some people have said OP was influenced somewhat by Raiders of the Lost Ark, while others think AVTAK was influenced by GF.2) Of course Cubby was influenced by Star Wars. the entire Moore cannon (except TSWLM) up to 1979 was influenced by other genres:
LALD - Blaxploitation
TMWTGG - Bruce Lee Chop-socky flicks
TSWLM - (every Bond before but rolled into one)
MR - Star Wars.
I personally find it a little sad how the 70s Bonds did follow those trends when in the 60s they were the trend to be followed. (THe BOnd influence on "Enter the Dragon" is far greater than the Bruce Lee influence on MWTGG but that influence is still there.)
I have a feeling that I'm mixing up my points a bit so I'm going to stop now.
Heat and Dust (1983)
The Jewel in the Crown miniseries (1984).
Indiana Jones and the Last Crusade (1984)
A Passage to India (1984)
#60
Posted 14 August 2004 - 04:35 PM