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DIE ANOTHER DAY as directed by....


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#1 Loomis

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Posted 02 June 2004 - 08:27 PM

SOFIA COPPOLA - Bond travels to South Korea in preparation for an incursion into the Communist North to sabotage the plans of the evil Colonel Moon. At a posh Seoul hotel, he meets a sexy American agent, Jinx. They spend a couple of days "hanging out" with a mixture of Western film/media gadflies and trendy locals, getting mildly drunk and high, ripping the piss out of the silly yellow people, appearing on Korean "yoof" TV, and uncovering touching little insights about life and love. A deep bond forms between them, although they do not (for some reason) have sex. At the end, they go their separate ways. (Alternate title: SOULLESS IN SEOUL.)

MICHAEL MOORE - Bond travels to South Korea in preparation for an incursion into the Communist North to sabotage the plans of the evil Colonel Moon. Bond discovers that Colonel Moon is not evil at all, and neither is North Korea - the wicked governments of the West, led by Washington, have simply cooked up pretexts to invade North Korea should oil be discovered there, and to make South Koreans buy lots and lots of lovely guns. Bond befriends the North Koreans and becomes a left wing hippy type, smoking funny hand-rolled cigarettes that give off a curious aroma, and growing long hair and a beard. He and his new chums pretend that he's been held captive for 14 months, as part of a plot against the West, which 007 realises is the real enemy. Bond then makes his way to Hong Kong, which is thriving under Communist China, and then to Cuba, which our hero thinks is a splendid country. Back in London, he investigates a posh, slightly effeminate Englishman with an irritating toothy grin who appears to want to be all things to all men (Argentinian orphan, diamond tycoon, champion fencer, Bransonite British businessman, environmentalist, adventurer, scientific pioneer, capitalist, socıalıst, etc. etc.). Yes, we're talking about Tony Blair, folks - turns out that the Prime Minister is actually a crook who underwent gene therapy as part of a crazy plot to dominate the world by pretending that various piss-poor, basket case countries possess weapons of mass destruction capable of obliterating the West within, oh, let's say 45 minutes. He's misspent billions of pounds originally earmarked for the National Health Service and various Islington-based gay and lesbian organisations in order to build a gigantic boondoggle in outer space, which is actually quite harmless but which he insists is a fearsome North Korean weapon called Icarus. "We must tread carefully," M warns. "Blair is politically connected." "Is he?" Bond asks. "Oh, yes," M answers earnestly. "He's the British Prime Minister." "Hmmm....," 007 muses. "From nothing to everything in 14 months." (Note: the film features numerous appearances by the director, culminating in butt-kissing interviews with Robin Cook, George Galloway and Ken Livingstone just prior to Bond's final confrontation with Blair.)

Okay. Next. :)

#2 ChandlerBing

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Posted 02 June 2004 - 08:31 PM

James Bond Episode 20: Attack of the North Koreans. Directed By George Lucas.

James Bond goes into North Korea and saves the life of a character to be played totally in CGI, who spends the rest of the film alternating between being annoying, saving Bond's life, and being totally un-PC. Graves and Frost are either all CGI or CGI enhanced. Bond's car? Totally CGI. North Korea? Totally CGI. Dialogue? Wooden.

#3 ChandlerBing

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Posted 02 June 2004 - 08:35 PM

James Bond and the North Koreans of Doom, Directed By Steven Spielberg.

James Bond is captured in North Korea and brainwashed to be one of them. Jinx saves his life by burning him with a torch, which causes him to wake up and come back over to the west with her so they can go after Graves.
During the course of the movie, it is revealed that Moon and his father have a dysfunctional relationship which causes Bond to recall his own relationship with his father.

#4 Von Hammerstein

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Posted 02 June 2004 - 09:25 PM

Chandler,
I posted this maybe a year or so back. This was my version of Lucas' DAD

INT KOREAN ANTONOV COMMAND PLANE
Gustav Graves looks out of the glass nose to watch the devastation that the Icarus beam is visiting upon the Korean DMZ. He wears the bionic exo-skeleton that allows him to control the weapon satellite. The Korean Generals including General Moon are escorted into the command center under armed guard.

GRAVES: A new day is dawning upon the land.

GENERAL MOON: Don

#5 Jim

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Posted 03 June 2004 - 07:35 AM

Die Another Day
Directed by John Waters

Night, Chesapeake Bay. Three surfers, all dressed in body tight rubber, surf onto the shore, determined to infiltrate the lair of the sinister Raymond Marble (Patrick Duffy) and largely very annoying Connie Marble (Heather Locklear). James Bond (played by aging fat queen with enormous, pendulous breasts and an unbelievably grating voice - for the sake of clarity, that's Divine, not Pierce Brosnan) fails in his mission, having chased Connie Marble through the streets of Baltimore on a child's tricycle. Although Connie Marble apparently meets her death in a bizarre jitterbugging accident, Bond is captured by Raymond Marble and forced to eat dog poo for 14 months.

Cue titles; silly images accompanied by nonsensical title song shrieked artlessly by fading harridan gay icon. Um...hang on...

Baltimore, 14 months later. Slightly tiring of feeding him faecal matter, Bond is released by Raymond Marble in exchange for a nice hamper from Pottery Barn tied up with a big pink ribbon. Bond returns to his best pal, the Egg Woman. A lot of silly shrieking ensues (this is getting too close to the real thing for comfort) and then for an utterly inexplicable reason, a very camp and entirely underdressed black female "artiste" with a whole lotta sass, yo mamma, enters the frame and things go a bit wrong, particularly in the cock-fight sequence which involves ungratuitous rubber-clad fetish lesbianism delivered by withered sexually ambiguous minger (Anna Nicole Smith), and Bond wearing a big white nappy, and then things go a bit right again and there's even more stupid shrieking and the plot "kinda" disappears, although it seems to involve Connie Marble reappearing in the form of special guest star Tom Selleck, a development which nobody stops to think about being utterly, monstrously cretinous. At one point, Bond is forced to flee a killer death ray from space, which nobody seemed to have mentioned before, by hijacking a skateboard. His miraculous and daring surfing escape is depicted by a series of slides crayoned by several underchromosomed, backward children with metal plates in their heads. Later, in the middle of the climactic handjive number, which takes place on Death Row, for no readily explicable reason, Connie Marble decides to reunite North and South Carolina. Increasingly, fetidly annoying by this point, Bond realises that the only option is for the newly male Connie Marble to be sucked off to his death. The things he does for New England.

The world safe once more, Bond and sassy mo'fo yo momma be-Atch ho retire to a broken down caravan in the Pennsylvania hinterland to eat onions as if t'were apples. The twist ending is precisely that; for no apparent reason, the entire cast reappears and performs The Twist whilst an unseen sniper picks them off at his leisure until the screen goes blank.

#6 Loomis

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Posted 03 June 2004 - 08:39 AM

QUENTIN TARANTINO - We open with Scorpion Girl torturing James Bond in North Korea. "I bet I could fry an egg on your forehead right about now," Scorpion Girl observes. "I know a good recipe for scrambled eggs," Bond quips. (This is a "clever" reference to the works of Ian Fleming for the 40th anniversary Bond film, and a line surviving a pre-Quentin first draft by Purvis and Wade.) There follows a Maurice Binder-style opening credits sequence, over which plays music from John Barry's score for GAME OF DEATH. Next we see 007 in Cuba, causing all manner of mayhem and chasing a strapping bald bloke with diamonds embedded in his face. Cut to: Bond on a British Airways jet, discussing martinis with Roger Moore's daughter. The (ludicrously fake-looking) plane comes in to land so low over central London that it almost touches Big Ben. (Note: Tarantino's London is a 1960s retro, "swinging" London reminiscent of that in the Austin Powers movies.) And then Bond is standing infront of an intentionally unconvincing back projection of Piccadilly Circus, looking straight at the camera as he talks. He explains he's on "a roaring rampage of revenge" following his betrayal by MI6 and imprisonment in North Korea. Over a montage of action scenes, Bond talks about Gustav Graves. "Just how did an Argentinian orphan become a British knight and boss of all bosses in the diamond industry within only 14 months?" The rest of the tale unfolds, as before, in non-chronological order, with an anime sequence (well, not anime, but good old-fashioned British animation, done by the folks at Cosgrove Hall) showing 007 arriving at Colonel Moon's HQ and getting rumbled, and a black and white training scene with Bond's irascible old bachelor mentor (Pai Mei, a.k.a. Q). The climax of DIE ANOTHER DAY VOL 1: a hideously bloody swordfight at Blades, at which dozens of Colonel Blimps get sliced up in the carnage.

#7 Blofeld's Cat

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Posted 03 June 2004 - 08:43 AM

The climax of DIE ANOTHER DAY VOL 1: a hideously bloody swordfight at Blades,....

Now, how did I know this was coming. :)

Well done Loomis.
:)

#8 Jim

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Posted 03 June 2004 - 10:25 AM

Die Another Day
Directed by Ingmar Bergman

The beach. A beach. The beach.
Hmm.
Stare into the waves.
Are those surfers I see, or merely spirits?
Hmm.
Bleak beach.
Darkness. There will be death. It is the way of all things.

(Continues for several hours)

You changed your face. But what, my friend, is identity? I cannot say.
The hot sunshine withers me.
Come sit in the sand and let us sing sad songs.
Hmm.
Those surfers haven't got any nearer.

The End.

#9 RITZ

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Posted 03 June 2004 - 10:35 AM

Die Another Day
Directed by John Waters

Night, Chesapeake Bay. Three surfers, all dressed in body tight rubber, surf onto the shore, determined to infiltrate the lair of the sinister Raymond Marble (Patrick Duffy) and largely very annoying Connie Marble (Heather Locklear). James Bond (played by aging fat queen with enormous, pendulous breasts and an unbelievably grating voice - for the sake of clarity, that's Divine, not Pierce Brosnan) fails in his mission, having chased Connie Marble through the streets of Baltimore on a child's tricycle. Although Connie Marble apparently meets her death in a bizarre jitterbugging accident, Bond is captured by Raymond Marble and forced to eat dog poo for 14 months.

Cue titles; silly images accompanied by nonsensical title song shrieked artlessly by fading harridan gay icon. Um...hang on...

Baltimore, 14 months later. Slightly tiring of feeding him faecal matter, Bond is released by Raymond Marble in exchange for a nice hamper from Pottery Barn tied up with a big pink ribbon. Bond returns to his best pal, the Egg Woman. A lot of silly shrieking ensues (this is getting too close to the real thing for comfort) and then for an utterly inexplicable reason, a very camp and entirely underdressed black female "artiste" with a whole lotta sass, yo mamma, enters the frame and things go a bit wrong, particularly in the cock-fight sequence which involves ungratuitous rubber-clad fetish lesbianism delivered by withered sexually ambiguous minger (Anna Nicole Smith), and Bond wearing a big white nappy, and then things go a bit right again and there's even more stupid shrieking and the plot "kinda" disappears, although it seems to involve Connie Marble reappearing in the form of special guest star Tom Selleck, a development which nobody stops to think about being utterly, monstrously cretinous. At one point, Bond is forced to flee a killer death ray from space, which nobody seemed to have mentioned before, by hijacking a skateboard. His miraculous and daring surfing escape is depicted by a series of slides crayoned by several underchromosomed, backward children with metal plates in their heads. Later, in the middle of the climactic handjive number, which takes place on Death Row, for no readily explicable reason, Connie Marble decides to reunite North and South Carolina. Increasingly, fetidly annoying by this point, Bond realises that the only option is for the newly male Connie Marble to be sucked off to his death. The things he does for New England.

The world safe once more, Bond and sassy mo'fo yo momma be-Atch ho retire to a broken down caravan in the Pennsylvania hinterland to eat onions as if t'were apples. The twist ending is precisely that; for no apparent reason, the entire cast reappears and performs The Twist whilst an unseen sniper picks them off at his leisure until the screen goes blank.

Pure genius. I love it :)

#10 Jim

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Posted 03 June 2004 - 10:41 AM

Die Another Day
Directed by Francis Ford Coppola

I want helicopters. I want helicopters coming in over the surf. Two of those surfers are gooks? C'mon, Charlie don't surf. OK, get him onto the beach. I want explosions on the beach; just keep going by like you're really fighting. OK, when this Bond guy gets in the helicopter, I want him to start thinking out loud about his mission; no, better, have him recite some William Blake for no obvious reason, because if there's no obvious reason there must be a much deeper reason. Can we have Bond in eleven helicopters, y'know, coming in low, blaring out the Bond theme? No? Just the one? Whaddya mean? Has Marcos taken the helicopters back? Jeez. OK, OK, he lands at gook central, yeahyeahyeah, dialogue, dialogue, dialogue. Can he slaughter a cow, or something? Can we stop feeding Dennis Hopper drugs now, people? Y'know? OK. What I see is this whole gook camp getting napalmed. Whaddya mean that's too expensive? OK, OK, we'll do that later. Later! Later later. OK, OK, he gets captured. Can we cut his head off? Why not? It's metaphysical for Chrissakes. Get out of my way. Give me the frickin' sword, I'll do it myself. What's that singing? Who's frickin' singing?

#11 RITZ

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Posted 03 June 2004 - 10:49 AM

Nice one Jim!

"THE HORROR.....THE HORROR......HORROR"

#12 M_Balje

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Posted 03 June 2004 - 10:54 AM

Die Another Day directed by Martin Campbell

At the end of the movie:

When he going down together with Jinx,Madonna is back and shoot Jinx in here head.
When Bond wil take his gun fast and fire a second bulet going besides his head and missing.
An other shot is hearing and Bond see that Madonna is kild too.
But who died this,who save James Bond his life ?

We are going back to the Mi6 Office and see that Moneypenny scene.

We see 2 people who kissing in a Airplane and after a importent line like:
Iam happy that i can fly a way for a whyle..

And Everbody know that it are 007 and the Earlyer Airplane girl.. :)

We heard The End credits..

#13 Jim

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Posted 03 June 2004 - 11:14 AM

Die Another Day
Directed and Writed by Richard Curtis.

"Oh buggery :) whoops", said international agent and secondhand bookselling Prime Minister James Bond (Hugh Grant), falling off the surfboard and making a bit of a clot of himself. "Ha ha ha, you're very silly and charming and daffy and British and I hated you for a bit but now I love you" said winsome American tart (Pick one; anyone'll do).

"Aren't we lucky to have such a wide circle of friends who don't appear to do anything?", said Bond. "That M, for instance. The alcoholic". A cloud came over the girl's face. "Ah, yes, the superficially serious bit of the script; a real social issue. How shall we deal with that? I know - we'll ignore it completely and tell her we love her."

Bond unzipped his wetsuit. "Shall we just sit on the beach for a bit and read some books? I could dig a big hole and fall in it and be daffy and silly and charming and British." The girl looked up at him, charming upper-middle class adoration in her eyes. "Yes, I'd like that." Cue cover version of song. Cue "what happened next" credits.

(That'll be $12 million thanks. RC)

#14 Genrewriter

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Posted 03 June 2004 - 11:18 AM

Die Another Day as directed by John Carpenter:

After being removed from North Korea, Bond coldly tells M to screw off and goes on his own to track down the informant.

At the end he walks off after embarrassing the hell out of Falco in front of M after ignoring her offer of reinstatement.

#15 Double-Oh-Zero

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Posted 05 June 2004 - 01:27 AM

Die Another Day

Directed
Written
Financed
Acted
Drawn
Planned
Built
Scored
Distributed
Designed
Craft Services

by James Cameron

On the beach in North Korea. Oh, the beach. Look at it, dammit. Camera pans back, cuts to waves, then a breeze drifts by. A breeze that picks up into a large draft. You're not looking. The wind forms huge wave across the sea, and emerges James Bond on a surfboard, oddly, screaming "I'm the king of the world! Woo-hoo!" The guards notice him, and begin shooting. James Bond whips out a large automatic weapon, although now he isn't surfing, he's swimming. Because this is a SMART action film, by God. And you can't surf AND shoot at the same time, you know. Some over-produced, sappy drivel happens, and suddenly---

Oh, cut! Cut! Jeez, people. You're ruining my film! Good Lord, let's do this right! You two guards reading MY script wrong; you're fired. Pierce, you do NOT hop off the board like that. You must take out your gun, load it, cock it, lean, turn, hop, one leg up sort of like this but not quite, in the water, swim, shoot, swim. Hmm? What? Your knee again? Christ, didn't you take that medication I specially ordered myself from Switzerland and then just made up myself when I found out it was done up wrong? No? What? Alright. Just...er...here...no...oh, for the love of God, I'll do the scene myself. Give me that gun. Yes, I know how it works, I designed and formed the molds for it myself, you know. Where's Arnie? Governing the state of California? Since when? Well, get him down here, then. I don't know, let him use my jet, I suppose. Wait, just let me finish this scene and I'll fly him over myself. Where's Stan Winston? Stan? Make sure that big industrial power loader over there that tries to kill Bond will work. It had better, I made that thing this morning from scratch. OK, er, yes. Now, give me your wetsuit. You, assistant cameraperson. You're shooting this thing. Work out some way to involve the Titanic in this film, as well. Oh, I don't know how, what do I look like? The master of all? Now...hey, where's everyone going? Fine then, I'll make the damn film myself.

#16 Tarl_Cabot

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Posted 05 June 2004 - 01:38 AM

I'd rather see any of these than the real Die another day! :)