James Bond: The Authorized Bio of 007
#31
Posted 02 May 2004 - 05:02 AM
I rather like this book. It has such spirit. I have often dreamt of this book being turned into a film. A James Bond documentary made like a propaganda film.
Again, thanks! I am inspired to crack open my worn paperback copy again after many years.
#32
Posted 02 May 2004 - 05:01 PM
#33
Posted 02 May 2004 - 05:09 PM
#34
Posted 02 May 2004 - 05:49 PM
#35
Posted 02 May 2004 - 06:05 PM
#36
Posted 02 May 2004 - 06:45 PM
I'm still hunting for the 1985 hardcover editions by HaperCollins or Granada. If anyone come across either of these in their search, please let me know.
#38
Posted 17 May 2004 - 02:32 PM
Yes, I have both these. This is a case where the reprints are harder to find than the first editions.Zen, do you have either the Sidgwick & Jackson or Morrow 1st edition? Biblioz have a listing for these.I'm still hunting for the 1985 hardcover editions by HaperCollins or Granada. If anyone come across either of these in their search, please let me know.
But thanks for the link anyway, BC.
#39
Posted 18 May 2004 - 10:07 AM
Weird.Yes, I have both these. This is a case where the reprints are harder to find than the first editions.
Why would that be the case here though? HarperCollins are a major mainstream publisher so I gather there would've been a fairly large 1st run in the first place.
#40
Posted 18 May 2004 - 11:48 PM
#41
Posted 19 May 2004 - 02:50 AM
Hmmm...I don't reacall that. But I don't really know Matt Helm that well so it's possible I missed it.Any recent readers of this book remember if there's a reference made to Bond meeting Matt Helm, or a thinly-veiled version? Someone said this happened in a Matt Helm Yahoo Group. As my copy is in storage, I have no way of verifying for myself.
Btw, CBn now has an official section for this book, thanks to Mister Asterix.
#42
Posted 19 May 2004 - 02:52 AM
So I see! Very nice job on that! Nice to see the review there.Btw, CBn now has an official section for this book, thanks to Mister Asterix.
#43
Posted 19 May 2004 - 10:46 AM
#44
Posted 30 July 2004 - 04:29 PM
#46
Posted 30 July 2004 - 05:55 PM
Check out the review/overview I wrote for our lit section here on CBn.
http://www.commander...es/2358-1.shtml
#47
Posted 02 August 2004 - 02:21 PM
#48
Posted 11 September 2004 - 02:45 AM
#49
Posted 22 November 2004 - 09:56 PM
#50
Posted 23 November 2004 - 04:48 PM
Welcome to CBn.
#51
Posted 04 December 2004 - 12:55 AM
#52
Posted 04 December 2004 - 01:19 AM
#53
Posted 04 December 2004 - 04:57 AM
#54
Posted 05 May 2005 - 08:40 PM
#55
Posted 05 May 2005 - 11:46 PM
#56
Posted 05 May 2005 - 11:57 PM
Darn, after seeing that article, it makes me want to go find another copy!
#57
Posted 09 May 2005 - 10:33 AM
#58
Posted 29 May 2005 - 07:31 PM
Honeychile Ryder as the snobby golddigger...foreshadowing Paris Carver (whom I heard was originally supposed to be Natalya of GE)? A cutesy idea, but I can't quite forgive Pearson for it. It smacks of a gimic, like Lazenby's Bond pulling a bunch of ex-gadgets out of his drawer. "See, guys? See? It really IS Bond! Toldyaso!" Marthe de Brandt. Something about their relationship gives me the creeps. Maybe it's the Mary Kay Letourneau case, but, my God. No matter how tall Bond was or how old he looked, he was still a child. What if it had been a sixteen-year-old girl with a Bond in his late twenties? How many people would present that relationship in such a positive light? The fact that sixteen-year-old boys are generally hornier, and that men are percieved, despite current reactionary feministic sentiments, to be more emotionally stolid than women, doesn't make me feel any better about it. Bond was clearly Marthe's pet, pawn, and surrogate incestuous son. The relationship wasn't healthy for either one, especially not the boy. IMHO if this had really happened to Bond, he'd be MUCH more screwed up than he ever was. Particularly after the little exhibitionist stunt with Marthe's ex-lover. Which brings me to the murder/possible attempted suicide. When Bond drove the car off the cliff, he was doing the sort of thing that an immature teenager WOULD do. Despite how Pearson portrays him dealing with the death of his parents, the fact is that childhood trauma causes arrested emotional development. Fleming understood this, at least on some level: in his books Bond is constantly saying ridiculous things just to nettle people, and pushing the boundaries of polite society in exactly the way that a twelve-year-old boy would. When he's shot down by a woman, he reacts like a petulant child. Pearson, however, seems to want to have it both ways. Bond is both spectacularly mature, sixteen going on sixty, and enough of an emotional mess to at least contemplate dying along with Marthe. It's not completely clear whether or not he intended suicide, I'll grant you that, but either he was immature enough not to think through the consequeunces, or immature enough to believe that it would be better to die than to live without her. Pearon's repeated descriptions of Bond as a "romantic" make me wonder what, exactly, he means by that. I don't think Bond's afraid of his women being real people. That may be his self-diagnosis, but then why did he ever consider marrying? He's afraid of love, maybe, afraid of commitment and intimacy and being challenged emotionally, but that's not the same thing. One thing I like is Pearson's perception of Monique and James' relationship. Motherly dissaproval, while unnervingly Freudian, definitely fits the bill. However, the older brother issue complicates things, and it does make one wonder whatever became of him, later in the series. |
Ultimately, Pearson's book reads like a Bible version of Bond's life. It covers a grand scope with a sort of dispassionate glaze, which ultimately does little save make the reader yearn for a more detailed view.
#59
Posted 11 July 2005 - 09:01 AM
It truly is an enjoyable book, well worth seeking out. The postmodern premise alone is worth the read (the end result is played straight, but it is impossible not to see it as tongue-in-cheek), but Pearson concocts an elaborate back story to Fleming's character that manages to stay distant enough for you to believe it's a seperate entity to Fleming's Bond, on which he was "based".
There are parts that don't quite gel and would be considered blasphemous to hardcore Fleming fans (the incident with M was particularly off-putting when I first read it, although my mindset has slightly eased since). And, as John says, the final third of the book, in which the "real" Bond recounts the missions relayed by Fleming in his novels, never quite works on the basis that there's not enough of a logical link between the books' publication and what the Secret Service is getting out of it. Having said that, the final third is perhaps the most enjoyable for hearing a different take on Fleming's stories (the backgrounds to Moonraker and The Spy Who Loved Me are particularly amusing!). As ardent fans, we know the whole thing is poppycock, but the enjoyment comes from not only the What if? factor, but also the way Pearson manages to create an almost plausible alternate reality.
I confess to struggling a bit through the chapters discussing Bond's formative years (I've never been too interested in Bond's personal history), but the book hits its stride once Bond reaches adulthood. Yet there are so many anecdotes discussed during the book that it moves at a quick enough pace not to lag anywhere.
As a post-script to Fleming's 14 books (and, even though it's only mentioned in passing, Amis' Colonel Sun), Pearson's novel is a must-read (but, for maximum enjoymet, only after reading those books).
Now onto SilverFin!
#60
Posted 20 July 2005 - 08:39 PM
Hate to break this to you - James Bond (the ornithologist) was an American.James Bond was a real man. It's said that Fleming took the name from the book "Birds of the West Indies", by a real British ornithologist named James Bond.
As for the secret agent James Bond being real. No. John Pearson wrote this book as if Bond were real. It's a faked authorized Bio, a novel of sorts. An "if Bond were real, this would be his story". -- FUN STUFF if you ask me.
I read this book years ago when it first appeared in paperback in the states.
Counted over three dozen instances where he diviated from what Fleming had wrote. Can't consider it part of the canon.
(Although Raymond Benson made a sly reference to this book in his first short story.)