What do you mean Benson totally Gardner's Books..?
#1
Posted 11 March 2004 - 02:33 AM
........is there anything?
#2
Posted 11 March 2004 - 02:35 AM
There was a thread similar to this somewhere, but I see what you mean.
#3
Posted 11 March 2004 - 04:45 PM
#4
Posted 11 March 2004 - 05:14 PM
........actually, I kind of like the Captain Bond....... I don't see anything wrong with that.........
..........and bringing back the PPK...... well, I don't really care actually...... I do think Gardner did a good job of giving a reason for the ASP........
#5
Posted 11 March 2004 - 05:39 PM
#6
Posted 11 March 2004 - 05:59 PM
Once I'm home from work, I can drag out the Bedside Companion and some old Benson interviews to give some quotes, but Raymond had some nice things to say about the Gardner novels. It's just that the things he disliked, and chose to ignore, or write off, in his own novels, received more attention.If I'm not mistaken (and I hope zencat, clinkeroo, Jim or someone equally au fait with the literary Bond will correct me if I am), Benson didn't think much of Gardner or his books. So he may have been only too pleased to change things that Gardner had written.
BTW- personal thing, but thank God for the death of MicroGlobe One.
#7
Posted 11 March 2004 - 06:12 PM
Perhaps, but I do think he could have shown more concern for Gardner's feelings on occasion (I'm not blaming him for not being a big Gardner fan, though). For instance, didn't he once interview Amis for a Bond fans' magazine, an interview that turned into a Gardner-bashing festival?Raymond had some nice things to say about the Gardner novels. It's just that the things he disliked, and chose to ignore, or write off, in his own novels, received more attention.
Also, there's Benson's famous putdown: "Fleming's works are to be savored at Sardi's, while Gardner's are to be munched at McDonalds."
#8
Posted 11 March 2004 - 06:18 PM
#9
Posted 11 March 2004 - 06:21 PM
It's in the Bedside Companion - I no longer own a copy, so I can't give you the exact quotation, but I'm 100% sure it's in there.And where exactly did that "McDonalds" quote come from? I know I've heard it but, again, I don't remember it being Benson who said it.
As for the Bondage interview, I seem to remember a thread on this site a few months ago ("New Interview With Gardner", or something like that) in which Gardner complained of being slagged by Amis and Benson.
#10
Posted 11 March 2004 - 06:38 PM
Fair point, Loomis.Perhaps, but I do think he could have shown more concern for Gardner's feelings on occasion (I'm not blaming him for not being a big Gardner fan, though). For instance, didn't he once interview Amis for a Bond fans' magazine, an interview that turned into a Gardner-bashing festival?
Also, there's Benson's famous putdown: "Fleming's works are to be savored at Sardi's, while Gardner's are to be munched at McDonalds."
I would love to have the complete text of the Amis interview; it was always fascinating to hear him talk Bond. Can anyone remember the magazine and issue?
I always loved the McDonald's quote; Stephen King often quotes a reviewer who said something similar of his (King's) writing.
Although I'm not a huge fan of his Bond work, I have to agree with you, in that, Gardner usually gives a steadfast "no comment" when asked about his opinions of Benson's Bond work. It takes a class act to refuse such a chance at reprisal.
In Raymond's defense, he spent much of his pre-Bond writing life as a fan, writing and speaking as such. As I recall, Gardner had some rather unfriendly things to say about Bond and Fleming himself before he took over the mantle.
#11
Posted 11 March 2004 - 07:00 PM
I agree. He drops little hints, though - for instance, in the thread I refer to in my above post I think he remarks (in response to a question like "How did you get on with the other continuation novelists?): "Kingsley was always very nice to my face."Although I'm not a huge fan of his Bond work, I have to agree with you, in that, Gardner usually gives a steadfast "no comment" when asked about his opinions of Benson's Bond work. It takes a class act to refuse such a chance at reprisal.
A class act, indeed.
#12
Posted 11 March 2004 - 07:07 PM
There is a semblance of a
#13Posted 11 March 2004 - 07:08 PM
[quote name='Mister Asterix' date='11 March 2004 - 19:07'] There is a semblance of a
#14Posted 11 March 2004 - 07:17 PM 'Twould seem he didn't learn then from other's perceived mistakes as this is one such criticism I would lie at the door of Mr Benson. The number of times I had found myself having read a paragraph and realised that Bond had defeated the bad guy, bedded the good girl and crossed three continents... #15Posted 11 March 2004 - 07:21 PM LOL. Exactly. #16Posted 11 March 2004 - 07:33 PM
Perhaps it was a subconcious attempt to give his audience less to do to get to the end.
(I'll stop sniping now - it's not very dignified) #17Posted 12 March 2004 - 05:22 AM How does one no longer own a copy of, quite possibly, the best thing Benson has ever written? #18Posted 12 March 2004 - 08:46 AM
Yeah, the McDonald's thing... oh dear.
That unwise Amis interview aside - (which is simply embarassing kowtowing and not an appealing interview as such - although marginally less cringe-inducing than "that was so fresh!" when agreeing with Timothy Dalton on how his reading of "Bond, James Bond" had been in LTK) - really is poor form and exposes a lack of class - Mr Benson does seem to value the Gardner output. He didn't abandon everything (after all, technically, Mr Gardner did introduce the female M into the literary Bond world, even if as a result, GoldenEye is out of sync with Cold. I appreciate that this was not Gardner's artistic decision. however; but then neither was it Mr Benson's). It is noticeable, however, that Mr Benson does tend to jettison some of Mr Gardner's more outre (and accordingly, "interesting") elements - Q'ute (like it or not, she was something new), plain cars (although the Jaguar XK8 is a bit of a "middle management hair loss recapture youth" tragi-wagon), traitortraitortraitortraitor (which, granted, became very silly), MicroGlobe One (pretty stupid idea, but it's an idea) - and as a result, the Benson books are terribly conservative (small c). And yes, he was probably forced to do them (I hesitate to venture "write them", naughty Jim) that way... but I still can't see what the Benson selection added (good ideas or bad). The only remotely "interesting" ones are High Time to Kill and Doubleshot, where he tried to play with the structure (but they are shockingly poorly written; however, that's another argument). However, in terms of moving Bond's world on, which is rather what I suspect Mr Gardner was intending to do, where do the Benson books go? Most of (even the sparse positive) criticism of Mr Benson's books are that they are a "return" or "take Bond back...[to wherever]"; not forward. The Gardner books, far from perfect, several far from good, seem, in retrospect, to be trying new ideas out. The Benson books, generally, don't. Again, this may well be the result of strict limitations on what he could write, so save that it's his name on the cover, it probably isn't his fault. But it's interesting to see the Benson advocates blaming the publishers' dicta for the things they don't like but ever-so-slightly inconsistently they seem unwilling to recognise that it may well be the result of the publishers and editor that produce the moments in the Benson books that they do appreciate. Funny, that. And then instantly depressing. #19Posted 12 March 2004 - 11:27 PM
yes, good point Jim....... I agree that Gardner does seem to be often trying out new ideas...... I think TMFB actually worked..... (maybe that's just me)...... I can't say for the MicroGlobe thing for another couple weeks (I'm reading Seafire and then Cold)
...... If Benson did indeed put down Gardner's work like that, then his work is very ironic........ (Q'ute should have been kept...... nothing at all wrong with that.... In fact, I felt Gardner handled that well..... he could easily have given her a bigger role all the way through his books..... instead he minimzed it.... that was wise) #20Posted 13 March 2004 - 12:23 PM
Spot on Jim. Gardner is interesting and professional. With mixed results, but you don't feel like you've wasted your time quite as much as you do when you've let a Benson fall past your eyes.
#21Posted 18 March 2004 - 08:29 PM
what is the best Bond book by Benson? some advice to buy...
#22Posted 18 March 2004 - 08:34 PM
It's all a matter of taste, Agent76, personally, I feel High Time to Kill and The Facts of Death are his two best, but I like all 9 of his novels.
Many others will point out DoubleShot or The Man With the Red Tattoo or any of them, with Benson, I feel you have to just pick one and try it out. #23Posted 18 March 2004 - 08:40 PM
Benson even threw out Pearson's ending of The James Bond Biography - that Irma Bunt was in Australia.
While you have to give an author flexibility - the number of things he threw out from his predecessors was just too high. Either reward me for being a fan and reading all the books or make each adventure entirely self contained. But I am sure soon enough, when Benson's successor is named by IFP - that he will learn what it feels like when someone eliminates ideas, concepts, and characters you spent time developing. |