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MOVIES: What Have You Seen Today? (2017)


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#331 Odd Jobbies

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Posted 01 August 2016 - 07:53 PM

Jason Bourne....

 

How many times did someone need to see Bourne by chance (Vikander seeing him at Paddington Plaza), or Bourne see someone by chance (sees Vikander in the white van / sees Cassel in the stolen police Humby) in order for the action to move forward?

Lazy writing.

And when it suits the plot the CIA can find anyone almost instantly on CCTV.... And when it suits the plot Bourne can move around unhindered (eg. Paddington Plaza), or it takes 2 hours to spot him landing at Vegas (you think they'd have had an eye on Vegas Arrivals...!)

Buuuut, the action is superb. The Snowden-esque story and the Bourne-still-remembering-stuff plot didn't irk me as much as i'd anticipated. And Damon is great - whether down to him or the whether the script was really so laconic the scarcity of his dialogue really does work in the film's favour; no cheesy comebacks - instead he'll just walk off 'cos he's already said those lines enough already.



#332 thecasinoroyale

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Posted 03 August 2016 - 06:54 AM

'Finding Dory' (2016)

I do love the Pixar films, and there isn’t one I dis-like. However out of them all, ‘Finding Nemo’ is my least favourite. I don’t know why, but everyone needs to have a lesser popular film, and this is mine. I think it’s the aquatic setting; I found it a little boring at times. But 13 years later we get a fresh new take on the original idea with ‘Finding Dory’, and it works so much better for me.

There is much more land-based action this time around, balanced with a fair amount of aquatic adventure as you’d expect. This just makes the idea seem much more different to the original, with less room to accuse Pixar of recycling an old idea. Set in an around a Californian Marine Life Institute, we have lots of excuses to meet a host of new characters and see them in amusing situations that aren’t just based on swimming around.

The thing that stood out for me in this fun film is the attention to detail and the quality of animation we watch. So good, that we don’t even notice the little things that make the film feel as real as possible; be it Nemo and Marlin bobbing underwater every few seconds to take a breath when they tread water in conversation, or the ripples and light effects reflecting from the surface down below, or simply the texture and residue left by the animals where they move around. It’s these key moments that make everything so well presented and thought out, that the quality of the whole package is automatically upped and respected.

With familiar faces (and voices) from the original, Ellen DeGeneres maintains her slightly one-trick pony Dory character well and brings lots more heart to this outing than the first at times in searching for her parents. Due to the fact Dory has a mental issue, it’s even more tender and heart-breaking when you look past the bright colours and silly sounds. There are plenty of moments especially with Dory as a child that will make you fight back your quivering bottom lip. Still, as always, there is never a dull moment and never too much focus on the emotional side that reduces children to tears, and there are plenty of visual and vocal jokes and quirky moments and comedic characters popping up to make young and old fans chuckle out loud.

We have enough action and chase sequences leaning to classic Pixar mad-cap fun, but there is also a strong character backbone to this, with each character playing an important part and easy to like from the off. We don’t have any real “villains” this time, and it’s simply a big group effort to help our fin-tastic heroes find where they need to go before time runs out.

It’s bright, it’s vibrant and it’s gorgeous to look at both under and above the ocean. The ‘Open Ocean’ setting particularly is stunning on its reveal. It's moments like this that Pixar step so close to blending animation with reality - it's hard to find the line that separates it at times. A stellar voice cast bring their lovable characters to life and so many big names pop up here and there like Idris Elba, Bill Hader, John Ratzenburger and even Sigourney Weaver.

It’s the usual top-class Pixar production that makes this sequel, to me, better than the first and different enough to stand alone from its predecessor without looking like a recycled attempt to cash in.

#333 Eskyfall

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Posted 03 August 2016 - 07:33 PM

Jason Bourne (2016)- ** 1/2

 

Star Trek: Beyond (2016)- ****



#334 Eskyfall

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Posted 08 August 2016 - 12:50 AM

Suicide Squad (2016)- * 1/2

 

It's time to either get rid of Zack Snyder as the architect of the DC Cinematic Universe or just scrap it all together. DC has spent so much time being the anti-Marvel that they have lost what made their characters great. Suicide Squad looked so promising from the trailers and promotional footage (minus Jared Leto's Joker), but it fell flat on its face. The funniest bits were all already shown in the trailers. The Joker's and Harley Quinn's relationship did not match the comics at all. The Joker was shoehorned in and, honestly, this version is just an embarrassment. If the Joker was going to be included, he should have been the villain. He had nothing to do here. Without Batman, the Joker loses what makes him the Joker. I had such high hopes for this movie and after seeing it, I am no longer interested in anything the DC Cinematic Universe has to offer. Such a disappointment.



#335 Professor Pi

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Posted 11 August 2016 - 05:14 AM

Suicide Squad (2016)- * 1/2

 

It's time to either get rid of Zack Snyder as the architect of the DC Cinematic Universe or just scrap it all together. DC has spent so much time being the anti-Marvel that they have lost what made their characters great. Suicide Squad looked so promising from the trailers and promotional footage (minus Jared Leto's Joker), but it fell flat on its face. The funniest bits were all already shown in the trailers. The Joker's and Harley Quinn's relationship did not match the comics at all. The Joker was shoehorned in and, honestly, this version is just an embarrassment. If the Joker was going to be included, he should have been the villain. He had nothing to do here. Without Batman, the Joker loses what makes him the Joker. I had such high hopes for this movie and after seeing it, I am no longer interested in anything the DC Cinematic Universe has to offer. Such a disappointment.

 

And yet they keep making money (Suicide Squad grossed more than Star Trek Beyond and Jason Bourne combined.)  It's almost like that's DC's shtick now, making the movies so bad that people flock to theaters just to see how awful they are.  Then they buy the home versions hoping the alternate director's cut salvages something better.  We feel we have to see these movies just to be in on the conversation of how bad they are.



#336 thecasinoroyale

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Posted 11 August 2016 - 07:13 AM

However bad DC make their movies, it's the audiences curiosity that will fund them with iconic characters people simply want to see how they look on the big screen; more so than 'Captain Kirk' or 'Jason Bourne' sadly, regardless of quality of film.

 

DC just don't seem to get how to make a decent film with said iconic characters, and the end result, regardless how much money it makes, is one big disappointment.



#337 Matt_13

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Posted 14 August 2016 - 05:19 AM

Jason Bourne

Very good. I was surprised to see the Outcome program from Legacy referenced. Guess they're including that in canon after all.

#338 DaveBond21

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Posted 23 August 2016 - 10:55 PM

The Revenant (2015)

 

I was impressed, it was beautifully photographed, and well acted - in particular Tom Hardy.

 

Good action scenes, a bit over the top in places, but well worth sitting through.

 

I watched it on a flight from Singapore to Sydney.

 

__________________________________________________________________________________________________



#339 thecasinoroyale

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Posted 24 August 2016 - 02:49 PM

'David Brent: Life On The Road' (2016)

Many people have waited 15 years for the return of David Brent, or 12 years if you count his brief return for Comic Relief. Ricky Gervais created the first major mockumentary comedy that launched many imitations around the world, including the successful US version, and paved the way for a new style of comedy.

Gervais has since launched a number of other comedy projects such as 'Derek', the 'Idiot Abroad' series and a handful of other ventures in both Europe and America, yet David Brent is the original and best in my eyes - totally British humour for the British market.

Set in around the English county of Berkshire, we are treated to a simple plot of Brent leaving his mundane 9-5 "life on the road" to play a number of low-key gigs with his reluctant band in an attempt to hit a record deal. But from the off we know it's not going to go that way, and that's half the fun - seeing things constantly play out differently to what Brent expects and his reactions to them.

The key Gervais qualities are here - laughing with Brent and at him, but then feeling sorry for him and his ambition. We feel bad for laughing at him one minute later when we see glimpses of ourselves in his lifestyle; it's mundane and driven by routine, and all he wants is to be liked and be someone successful. How many times have we all had that dream, but how many have had the courage to try and succeed in it? At the end of the film, we at least have a respect for Brent for doing just that.

However for a format that was groundbreaking in 2000, here in 2016 after every genre of this comedy has used the glances to camera, awkward silences, "fly on the wall" setting, you can't help feel the novelty has worn off and all the supporting stars grew up watching 'The Office' and want to replicate that style for this essential 90min special.

While a cast of near unknowns do their roles as basic as you'd expect for a "documentary" feel, there are too many glimpses to camera and long silences to make this feel new. And while the comedy comes mostly from Gervais, you miss the chemistry forged with previous co-stars like Martin Freeman, Mackenzie Crook and Lucy Davis. They are missed here, and their substitutes don't have enough time to gel with you. Except one, actress Jo Hartley, who provides many of the "aww" moments and who brings out the real David Brent more than the cameras do.

And the comedy, in a nutshell, continues to be cringe inducing, awkward and pushing the PC line as much as Gervais can using Brent as a man who thinks he understands society, but often puts his foot in it more times than he'd like. We have mild racism, sexism and gags about fat people but all delivered by a man who thinks he's being just and understanding, when really he's just...well...cringe worthy, as a good David Brent must be. There are a number of gags from his older, pre-Office days which fans may notice too.

While the story starts to feel like a number of extended comedic sketches at each gig, there is a heart-warming and tender drive to Brent that Gervais plays out well, and has you changing your view on things as the film progresses and really get behind his story. The stand-out comedy moments for me are the tattoo parlor and the hotel mini-bar. And if the end feels a little rushed, it may well be, as things fall into place a little too quickly, but still tugs your heartstrings as Gervais knows what makes even the most embarrassing people human.

Fans of Gervais and his comedy will love this. While it's not as fresh or witty as 'The Office', it more than delivers a nice resolution to the story of David Brent as much as you'd like 15 years on. It's very British in style and look, and nice to have Gervais returning to his iconic comedy character who will always be a winner in my eyes. And the songs ain't half bad either!

#340 SecretAgentFan

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Posted 25 August 2016 - 12:35 PM

Good to hear, TCR, I´m still a fan of Gervais and look forward to this one.

 

Speaking of internet and media hate, by the way...

 

 

BATMAN V SUPERMAN: DAWN OF JUSTICE

 

I avoided this.  Reading all the reviews made me scared of watching the film.  I´ve always loved Superman as a comic book character, still adore the first movie with Christopher Reeve, and can enjoy all the other films as well, consider Brandon Routh as underrated as SUPERMAN RETURNS and even appreciated MAN OF STEEL which got lots of hate already.

 

But this one got to be the punching bag for everybody, it seems.  Too dark, totally incoherent, a narrative mess, Jesse Eisenberg as Lex Luthor is annoying, this is not how Superman is supposed to be.  Only Affleck´s Batman got some positive notes.  Zack Snyder, however, was singled out as the culprit, the bad director who ruins everything.  

 

WB got in panic mode, scrapped the planned two-parter for JUSTICE LEAGUE and sneaked in the news that this upcoming film, again directed by Snyder, would be a stand-alone film with LOTS of humour, of course.  And that may be actually even creatively good for that film.

 

But BATMAN V SUPERMAN is a different story, and IMO it needed to be this dark.  It also is a clear MAN OF STEEL sequel despite people complaining that Superman is only a supporting character in this one and Batman steals the film.

 

He doesn´t.  This is a direct continuation of MAN OF STEEL and deals with the way the world now views this alien creature nicknamed Superman.  A god-like entity who instills joy but also great fear.  Who knows what he decides to do?  Who knows which alien enemies he attracts to Earth, resulting in bloodshed and carnage again?

 

But this story is not told through Superman´s eyes alone, it is told through from Batman´s viewpoint as well - and that, folks, is a great and mightily interesting idea since Batman is also a self-appointed authority who says he wants to fight crime but does so like a true vigilante, not shying away from the kind of violence that his opponents employ.  To have these two conflicting heroes/anti-heroes oppose each other, first in a welcome long stretch through their alter egos with words and behaviour, and only later on with actual fighting - yes, that was clever of Snyder and transformed a movie which could have been just another blow-em-up-destruction-porn into a character piece.

 

And while Affleck indeed is in fine form as Bruce Wayne/Batman (IMO miles ahead of the one-note Christian Bale), it is Henry Cavill as Clark Kent/Superman has the more difficult role and still pulls it off without showing off, in a controlled and restrained performance, the kind which only looks easy but in fact is so difficult and rare - most actors would have overacted this in order to steal the attention.  Cavill´s Superman is charismatic yet introverted, powerful yet afraid of what the world will think of him and how he really puts them all at risk.

 

Jesse Eisenberg is annoying?  Of course, he is - because he must be!  He is putting a fresh spin on the Lex Luthor character, making him a young tech mogul who thinks he is cleverer then everybody and is an unashamed sadist, taking a sheer delight in hurting other people, manipulating them so he still can feel superior to the world.  It is, IMO, the best Luthor on film yet.

 

Gal Gadot convinces as Wonder Woman as well - but this truly is only a small supporting part.  A whole Wonder Woman film with her will be interesting - and this film has established her very well.

 

The main idea of the film, however, and this is what totally surprised me, is something that lifts Snyder´s film from being a thoughtful, visually brilliant take on the Superman/Batman stories to a story about our current world climate.

 

Yes, it does, bear with me.  Since Batman represents cynicism which is considered cool and disregards rules and laws of his own, it is no wonder that so many people prefer this character nowadays.  We live in such a world.  Superman, in contrast, represents pure idealism, and these days easily gets ridiculed as the "boyscout" - as if being selfless and doing good deeds is silly.  BATMAN V SUPERMAN even goes further and depicts a world which either falls into religious worshipping of Superman or blatant hatred against this god-like creature descending from heaven.  Batman rather wants to destroy Superman because even if, he says, there is only a one percent chance that Superman could be dangerous he already has to be viewed as dangerous and therefore must be killed.

 

The film therefore basically is a story about how our modern world has become so cruel and disillusioned that it cannot bear the thought of someone who actually wants to be human and even acts more humane than those people he constantly saves.  But when these two sides get into conflict, there can be no winner.  In fact, Batman has to realize that he is fighting the wrong enemy and that he has lost what Superman represents: a basic humanity.  Superman´s final act in the film enforces this again and puts every doubt to shame.  At the end, it is not cynicism that prevails but idealism - and even Batman is fueled by it to move forward.

 

Wouldn´t that be a better world for us, too, in which people could start to drop their cynic side again and start to behave constructively, acknowledging that the greater good is something to strive for and, yes, much more cool then everything else?

 

So why did the film fare so badly this spring with the fanboys and the critics?  Mass hysteria, it seems, a lynchmob mentality that was fueled by the first bad reviews and snowballed into a common need for hate and putting something down which did not offer what was expected.  That this film was so much better was sadly overlooked.

 

By the way - this is a review for the cinematic cut.  I´m looking forward to watching the expanded cut with half an hour more footage.  Call me crazy.  Or give this film another try.



#341 Dustin

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Posted 25 August 2016 - 01:27 PM

This has got me intrigued now, I'm going to check out BvsS soon.

#342 SecretAgentFan

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Posted 25 August 2016 - 02:18 PM

Looking forward to read your verdict!



#343 SecretAgentFan

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Posted 02 September 2016 - 09:11 AM

I have to absolutely apologize and retract my previous ramblings on "The Man from U.N.C.L.E."

 

The first time I saw it I turned it off half way.  I found it forced and unfocussed.  

 

Obviously, those words better described my state of mind at that time.

 

I tried it again today - and, man, I was entertained completely.  Loved it.  Cavill and Hammer are splendid, the direction is highly inventive (I adored the way Richie handled the attack of the armed forces on the villain´s base - something we have seen so often yet never done this way, major kudos!).  Beautifully shot, edited and scored (Daniel Pemberton should do a Bond score in the future!), it also features great action (but no overkill), great humour and even character building sequences. 

 

It all just comes together so nicely, I can only rave about it.  Probably my favourite scene: the boat chase, ending for one of the chracters mid-stream, the way this character takes his time then to finally end the chase in his own way.  - But I also love the way a villain gets a taste of his own medicine and the way it is played mainly off-screen and can still deliver a sardonic laugh.

 

Again, my apologies.  Sometimes you just have to be in the right mood for a particular film.  This one will now stay in my personal library and consulted whenever I feel like watching a fun action movie that delivers its thrills in the old-fashioned way and still feels modern.

 

Totally underrated movie.



#344 Matt_13

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Posted 02 September 2016 - 11:36 AM

I actually had the exact same experience with the UNCLE movie. The first time I watched it I was really underwhelmed and had no desire to watch it again. I recently gave it another go and loved it. As you said, sometimes it really depends on your mood.

#345 SecretAgentFan

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Posted 03 September 2016 - 08:08 AM

Interesting.  Unfortunately, the film wasn´t successful - I would have loved to see more installments.



#346 Matt_13

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Posted 05 September 2016 - 05:14 PM

Finally watched The November Man. Pierce gave an excellent performance but the movie itself is nonsense. Unless you want to entertain the idea of what an edgier Brosnan Bond would have been like I'd say give this one a miss.

#347 Dustin

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Posted 05 September 2016 - 08:16 PM

By chance I got to watch The Equalizer today, found it quite okay for a beat-'em-up film. Washington gives a solid performance of a largely introverted character who keeps relations to the world at a manageable limit and distance. Forced by circumstances he opens doors to where he keeps the other side of his personality firmly locked away. The rest somehow comes automatically from there, beatings, some shootings, quite a number of violent encounters of the ultimately final variety, you get the idea.

Grace Moretz is a most memorable hooker abused by her pimp; Marton Csokas plays a Russian problem solver, somewhat unconvincingly but nonetheless intriguing. Most will already have seen the film, improvised weapons from a DIY-market play a role, it's a kind of Equalizer Begins approach and only loosely based on the idea of the old tv series, in part probably also because it aims to establish the character for the audience.

Somewhere in the middle I wondered if this couldn't just as well have been a - rather bloody - entry in the Batman series of films. McCall doesn't wear a cape and instead of a Batmobile he's taking the bus. But otherwise the two would get on well enough with each other.

After roughly two hours of fighting a one-man-war against the Russian Mafia and her staffers - mostly corrupt cops - in Boston the mob is cleaned out and a wide-angle lakeside shot in the evening sun signals to the viewer how events have broadened McCall's horizon and how he now opens up himself to help those in need with his talents on a professional basis now.

All in all it's not a terribly surprising tale, most of the events you can already guess from a good distance if you've seen the odd genre production before. But still, it's entertaining and McCall is an interesting specimen of this particular brand of hero, with the obligatory testosterone machismo mostly absent. The only thing that gives the game of Hollywood make-believe away is the total and complete superiority of the protagonist in every fight, even outnumbered and against numerous professional killers. This is where you start wondering if this McCall doesn't have a kinky outfit in black leathers in his closet.

3.5 out of 5; no, make that 3.75 out of 5 because I like Denzel Washington.

#348 Dustin

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Posted 13 September 2016 - 11:55 AM

Finally got around to check out BATMAN v SUPERMAN. Perhaps unfortunately I watched this right on the back of X-MEN: DAYS OF FUTURE PAST. Because while both apparently set out to provide a looking-glass commentary on our present reality the X-Men film has a greater diversity of characters and thus a far easier game with actually being engaging and entertaining.

I largely agree that this film isn't by any stretch of the imagination as bad as the Internet made it out to be. Sadly, it's still a big deal less involving than it ought to have been for the tentpole production of the DC franchise. Yes, it is about the basic conflict between humanist idealism and cynic rejection of just this idealism; the conditio humana of our present in a nutshell - but my oh my, it is really heavy. Not just the tone of the film, the entire story, the characters, the conclusion, all of it is just a tad away from Titus Andronicus. I suppose what I really missed, inside of all of this existential clash of philosophy, is some simple element of fun.

Superman has only just arrived on stage, with an earth-shattering bang that was also saving the Earth. But he's already solemn and serious like Batman after beating up baddies for twenty years. Batman on the other hand to me seems the main problem of the entire direction, since here we meet pretty much the Frank Miller version of him, cynic, weary, worn-out and downright nasty. Affleck delivers that part fine - but shouldn't we see him eager and motivated and still fresh enough to start up this Justice-League-thingy? The problem with starting out with a Batman-nearly-done is that there is only one direction he can go from there. I have no doubt that they will gloss this over in the next production; nonetheless it seems like an odd way to start a new face in the role.

Originally, Superman and Batman used to be simply 'the good guys ™' - there was no reason to pit them against one another. Somewhere in the seventies that changed and a sort of odd rivalry between them appeared in the comics, but never with any lasting consequence. The two were buddies and each knew about the other's secret, crossovers were not so frequent and in the end nothing of consequence changed. Batman also was much less of a reckless vigilante he is depicted as today. Or rather, he was a reckless vigilante, only nobody did much object. Certainly not Superman, stones, glasshouses and so on...

Insofar this film pulls a clever trick with showing the fallout of a classic superhuman clash, a scene directly lifted from the pages of The Boys. It explains Batman's mistrust, but... That mistrust is also what motivates him for nearly the entire film. And for me his change of heart comes too fast and easy just when it's required for the needs of the final confrontation.

Also, it's not really meaningful that this Batman sees Superman as a threat; after all it's the Frank Miller mean-old-guy Batman. But Batman looking for ways to fight Superman - for ways to actually kill him - should horrify us. Something must be going entirely wrong if these two are at each other's throat. In this film, however, I didn't feel any concern about it, it came only natural. I'm not sure this is a good thing. Or a bad thing. I don't know at all what to make of it; I just think it should have been handled differently. Perhaps showing Batman and Superman at first as a team working together and then Batman becoming suspicious of this near-godlike - illegal! - alien creature would have provided a better emotional grip on the story.

I'm not the biggest fan of the typical highlight of superhero movies, the colours and explosions and mayhem tend to bore me after a few minutes. Still, I know it's a condition sine qua non, can't get around it. This is what all the people queue up for in front of the theatre after all. But here the contrast was particularly crass for me, I found both heroes infinitely more intriguing in their 'private' lives than in their costumed ones. I would have given a lot for more scenes between Kent and Wayne. I didn't care a lot for Alfred here but it would have been definitely more interesting if Batman and Superman had been teaming up before already - and if Luthor had then planted the seeds of doubt on both their parts.

Luthor - phew, yes, I think he was okay, at times even the most entertaining part in the film. But did he have any motivation to act the way he did? He wants to frame Superman and ultimately kill him...but why the hell? This is another parallel to the X-Men film, we have a similar character in that, with similar aims. But there the plot explains cleverly that the actions of the X-Men to keep him from going on with his plans are the exact actions that make him only more dedicated. Luthor here exists in a vacuum in terms of cause-and-effect motivation. He just is the way he is because it's his nature to be the superbaddie. Here I would have wanted more interaction between him and Kent/Superman instead of the Wonder-Woman part.

Finally, the finale. It's surely no surprise that this will be revised in some way. But such a long film with hardly any moments of fun in it... Was that a good idea to let this end on such a low note, with nary a glimpse of hope?* I can't help thinking a few different frames at the end of this would have changed much of the previous running time for the better.


*
Spoiler


#349 SecretAgentFan

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Posted 13 September 2016 - 12:26 PM

Very well articulated review, with precise arguments - something most professional reviewers neglect these days, thank you!



#350 Dustin

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Posted 13 September 2016 - 01:25 PM

Just off the top of my hat, didn't structure it a lot. Oh - and forgot about the rating. Let's say 3.75 out of 5. I've seen a lot worse films.

#351 DaveBond21

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Posted 31 October 2016 - 12:35 AM

The Inbetweeners Movie 1 and 2 (2011 & 2014)

 

Good fun. Kind of like a British version of the American Pie movies. Interesting to see how Australia is portrayed in the second one, as I live there.



#352 S K Y F A L L

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Posted 31 October 2016 - 06:50 PM

Volcano (1997), Dante's Peak (1997), Boat Trip (2002) 

 

Watched these this week. I think Dante's Peak is the better volcano films. As unpopular as Boat Trip is, it does have a cult following and probably because Roger Moore is in it.



#353 DaveBond21

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Posted 04 November 2016 - 05:48 AM

Paranormal Activity

 

It started off poorly but got better. Great sound effects.

 

After watching it, I thought it might be a bit spooky turning off the lights and trying to go to sleep but I fell straight to sleep!

 

___________________________________________________________



#354 SecretAgentFan

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Posted 10 November 2016 - 10:51 AM

WHIPLASH

 

Have to eat crow again.  The first time I tried this film I really could not get into it.  Bad mistake, I apologize.

 

Having seen it again now, concentrated and in the mood for it, I actually loved it.  A terrifically made film about ambition and its many trappings.  Very good.



#355 MISALA1994

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Posted 07 December 2016 - 03:11 PM

The Revenant (2015)

I was impressed, it was beautifully photographed, and well acted - in particular Tom Hardy.

Good action scenes, a bit over the top in places, but well worth sitting through.

I watched it on a flight from Singapore to Sydney.

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Don't forget Leonardo, well deserved Oscar (finally) for him.

#356 DaveBond21

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Posted 08 December 2016 - 12:54 AM

Gremlins (1984)

 

A Christmas movie of course. Dark humour and action.



#357 x007AceOfSpades

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Posted 08 December 2016 - 06:28 AM

Batman v Superman - Ultimate Edition is a much better film than the theatrical cut.

That's all.



#358 DaveBond21

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Posted 08 December 2016 - 11:06 PM

Hot Fuzz (2007)

 

Always good fun, and great to see Timothy Dalton as a villain!

 

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#359 SecretAgentFan

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Posted 14 December 2016 - 01:51 PM

In the last week I had the chance to watch quite a few movies...

 

INDEPENDENCE DAY - RESURGENCE

 

Widely panned and underperforming, this sequel actually delivers exactly what one expects from it.  I enjoyed this well-made rehash of the original for what it is: another Sci-fi b-movie that does not take itself too seriously and tells its story efficiently.

 

 

THE LEGEND OF TARZAN

 

The critics weren´t impressed, the box office was okay to good - and I dreaded watching this.  "Tarzan" is one of my childhood heroes, I always liked the black and white series and movies, was turned off by the later big screen adaptations because they either were too serious or too one-dimensional.  This new film, to my absolute surprise, was a total delight.  Wonderfully written, acted, directed, shot and edited, it gets the balance just right, taking the hero seriously and yet being aware that this is not Shakespeare or doom-and-gloom, while even setting up a story about the terror of colonialism.  And it also - SHOCK - gives Christoph Waltz a villain role in which he can shine and deliver a precise portrait of a ruthless opportunist who still considers himself perfectly acceptable.  In addition to that the film manages to reboot the character, telling the origins of Tarzan with short, carefully inserted flashbacks as memories of the characters during the whole film.  

 

Extremely well done and directed by David Yates who, IMHO, would make a perfect choice for a Bond film.

 

 

GHOSTBUSTERS (2016)

 

I wanted to like it.  But within the first ten minutes it already becomes clear that Paul Feig who can deliver great comedies was at odds with this material completely.  Despite featuring great performers the film´s jokes fall flat immediately.  Even the cameos by the original Ghostbusters are strangely unfunny.  The whole film is trying so hard you can see how everybody involved strains itself to do... great work - but that´s exactly what the original never did.  Reitman´s film just went where it wanted, had the actors just roll with the concept and be themselves.  Feig´s remake however wants to pay tribute to the original AND do his own brand of comedy, resulting in a mashup that is painful to watch because it is the equivalent of someone trying to tell a joke, thinking he is extremely witty and funny, but stretching it out to a punch line that does not come.  

 

One of the biggest disappointments in blockbuster history.

 

 

Which brings me to - oh, wait - no, that´s not at all the right way to introduce the next one...

 

 

ROGUE ONE

 

I´ve always been a STAR WARS fan.  Did I always need to see a film about the rebels stealing the plans for the Death Star?  No.  I don´t think that every subplot has to be blown up to be its own big story.  But this is the film that does it.  And it does so with a visual finesse that is breathtaking.  It also is absolutely entertaining, delivering its story efficiently and with lots of clever dialogue, especially in the villain department.

 

Of course, it is filled with references and in-jokes, so the fans will chuckle in almost every scene, thinking: oh, they included this one, too?

 

But...

 

While this one is a stand-alone which can not get a sequel, thankfully, and the tone is rougher than in the previous films, ROGUE ONE - at least in this finished version - is not really so different from the others at all.  In fact, for my taste, it is like a fan film, a collection of all the ideas that came before, giving it a structure that is at least as much like A NEW HOPE as THE FORCE AWAKENS was.  The difference: THE FORCE AWAKENS was way more fun and had much more interesting characters.  In that department ROGUE ONE resorts to very thinly drawn stereotypes which tick of certain boxes.  Felicity Jones´ heroine is, for my taste, a typical Disney cartoon, given the "I love you, papa"-syndrome as the main motivator.  And her fellow rebels also basically just have one character trait.  

 

Yes, this is pulp fiction as well, and I did not expect a character drama.  But I wanted this film to be really different in style.  And it never managed this, not even in the action setpieces.  While these are relentless and powerful, they again are basically slight variations on everything in A NEW HOPE.  Even the structure of the whole film is very similar.

 

I won´t spoil the surprises - but let me say this: CGI still cannot evoke absolutely believable human beings.  While hair, skin and wrinkles can be rendered astonishingly well, movements still appear to be weird, too much like cartoon figures.  

 

I wonder what the first cut of ROGUE ONE - before the reshoots - was like.  But it will never become available, of course, since the STAR WARS saga now is a commodity controlled by a mega corporation who wants to protect the "brand", delivering what the audience wants: more of the same, only a tiny bit different.

 

But there´s one thing I absolutely love about ROGUE ONE: the ending.  And not the... uh, final ending - but the ending of the story for the new characters.  This is something I had not expected at all.  And maybe that´s what one has to cherish.  If Disney is okay with that ending and audiences still love it, well, maybe future films can open up and be much more different after all.  In that regard, ROGUE ONE might score a real victory even if the price right now is high.



#360 sharpshooter

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Posted 17 December 2016 - 02:35 AM

I saw Rogue One. I think it's a good film, but I simply prefer some of the other films in the franchise. I'd give it a 7.5/10.