Related to the issue of cliffhangers is the issue of story arcs. One of my major disappointments with the Craig era has been, or at least appears, that the producers did not work with some writers develop a story arc for the three films. CR was Bond begins, and I think it would have behooved them to work out how they were going to develop the character over three films - and better still, figure out how a story develops over three films (even if the last one is not a direct sequel to the first two). If in that story arc there is room for a cliff hanger, then that would be very interesting but putting in a cliff hanger without any real idea of how to resolve it is, IMHO, a mistake too many movies/TV shows make. If your going to have cliff hangers, It is important to ensure that the payoff is substantive and not cheap.
The biggest complaint I have with the Bond producers is that too often they have not developed a compelling story and that to me is the key part of creating a great film. Often, I think it's due to the fact they have not alloted enough time to develop a story. I have heard others on this forum, who are more knowledgeable than me, say that some of the initial treatments of Wade and Purvis have sometimes been quite good (I have never seen them so I can't really comment). But after Goldeneye, I found the rest of the Brosnan films (or at least most of each film) to be a little too much of a paint by numbers type of plot (conversally I thought Brosnan got better in his portrayal Bond). I always assumed the script quality was due to the writers and time constraints but perhaps its also due to some bad choices by the directors and/or producers.
When I saw CR, I thought great we are back to great stories and while I am not as down on QoS as some are, clearly Craig's comments of doing rewrites on the fly are concerning. I think CR benefited because it had a great Fleming story to start with and lots of time seems to have been developing it (that's my assumption but correct me if I am wrong). If we are truly back to a movie every 2 years then someone should be working away on the story (or a minimum, developing in a serious way options for story plots) for the next film now. To me, if more time and effort were put into the story, the movies would stand a better chance of being more consistent. And if stories were developed and thought it out, it would allow devices like cliff hangers to be used - perhaps to great effect. My 2 cents....
Edited by Pushkin, 21 February 2012 - 07:53 PM.