Posted 11 January 2010 - 12:55 AM
I enjoyed this little ditty, Harry.
It reads really well and I thought you got right under the skin of James Bond of the late sixties. I want to make that distinction, because, for all the references you make in your contemporary novels, your modern 007 is exactly that: modern.
I fully understand the fun of Fan Fiction, but I often have to stretch my imagination a little when I read “continuation” passages in novels. (Indeed I struggle with the same problem when I read the official continuation novels of Gardner and Benson.) One of your previous reviewers mentioned that horrible word “timeline” and IMO I never considered TLD to be an adventure that sits after TMWTGG, but the way you utilised the Trigger Affair in this story makes you 100% forgiven. However generally in your work you disguise the continuation sequences very well; but here it was a little more obvious and sits uneasily with the rest of your cannon.
That gripe aside I had a lovely time reading and reflecting on Ian Fleming’s writing style, which I thought you captured brilliantly. There was a real echo of the later novels. In fact you dutifully “lifted” sections from OHMSS, YOLT, QOS, TLD and TB – not sure about the latter, it’s the paragraph you wrote about the telephones, might be in FRWL, I’m not sure. Normally I would de-cry this sort of thing, but it actually suited the story really well, lending an authentic Fleming slant to your prose. You touched on a similar vein in TMBYD, so I know this quality is well within your capabilities.
I also liked the way you drew the reader into the story in a traditional manner; Bond reflects on his life (a la GF, TB, FAVTAK, YOLT, OHMSS) and there is one simple interview with M, not your usual 3 or 4 scenes in the Ops Room interspersed over the course of the novel. The revelation from Tanaka was also presented well. I was disappointed the story ends where it does. What happens to the heroin?
Two minor points of order: you wouldn’t win the lottery in the sixties, you’d win the pools; and Kissy Suzuki was at pains to keep Tanaka in the dark about Bond’s survival. She also never knew Bond’s real name and always called him Taro-San, Taro Todoroki (although it might be an approximate translation, I’m not very hot at Japanese!) I guess Tanaka and Henderson must have been very keen to speak with Kissy once they heard Bond was back in action. Poor girl!
Thanks for a very fine short story, Harry.