Well I went ahead and saw the movie. Brutal, cruel film. I changed my mind about not seeing it after putting myself in a position of talking about it so much. I've posted a long review of it on the ajb site. You can read it here:
http://www.ajb007.co...c=17883&cpage=3And I wouldn't change a thing I said already on this thread, except that I now give greater weight to Xen's point about the female Satan. I discuss that in my review on the ajb site.
Some thoughts: Go see LIFE OF BRIAN and LAST TEMPTATION OF CHRIST! Still love them both!
Sensualist, you are entirely wrong to dismiss the criticisms people make re inaccuracy against the film since it is Gibson's frequently stated position that the Holy Spirit worked thru him in making the film, and that it is absolute revealed truth, that it is a literal depiction of the Gospels. That is the entire point of these criticisms: it is *Gibson* making these claims of literal, revealed truth. It is therefore perfectly legitimate to challenge him on it. His claim is complete nonsense and I realized the extent of that when I finally saw the film. It is totally legitimate to discuss and judge an artist on what he says he intends to show with his work. It is public knowledge from Gibson's own mouth several times over that he is a literalist, a fundamentalist, and that this film is a literal depiction of the Gospels, which is manifestly not true.
That said, the film is compelling, powerful, technically beautiful. I esp. appreciated the first ten minutes. Caviezel is a rather opaque actor, I thought, Christ is reduced to a bloody carcass, and you could see that Gibson would've loved to have played Jesus himself. While I do not view the film as anti-semitic, I can see quite well why some Jews have taken offense in Gibson's dramatic choices (by elevating the Jewish priest Caiaphas and the Jewish raving mob to far more importance than they are given in the Gospels). And Satan is seen moving comfortably among the Jewish mob crying out for Christ's death.
Anyway, I agree with Time's Richard Corliss: Gibson has invented a new subgenre, the religious splatter film. Horror fans will love it. And I will never again tolerate any Christian right-winger whining about the graphic violence in Hollywood films. I have no more tolerance for the moralists who go on about KILL BILL and yet have no problem indulging in an invented and over-extended depiction of the torture of Jesus Christ.
I liken Gibson and his film to the following: DW Griffith/Birth of a Nation and Leni Riefenstahl/Triumph of the Will. All three are effective, talented manipulators and makers of propaganda films. The Passion is a just a religious propaganda film, an excellent, challenging film in its own right, as were the the films of Griffith and Riefenstahl.
I also liken Gibson to the Jimmy Swaggarts, Jim Bakkers and the medieval church officials who became so rich on religion. He's another Father Joe. (there's your Bond reference). The makers of those Hollywood religious films like KING OF KINGS or THE TEN COMMANDMENTS made no pretense of religious piety or devotion. They just wanted to provide entertainment and make money from it. There's no hypocrisy there. There is, however, loads of moral and religious hypocrisy from a man who publicly for years professes deep religious piety, a deep commitment to Jesus Christ, a moral rejection of modern society's ills, who condemns the sinfulness of today's Christians and sits in judgment over their lack of faith, while making millions off of the bloody carcass of Jesus Christ, even licensing merchandising from it. It is the same as a politician who publicly professes anti-capitalist beliefs and constantly rails about the plight of the poor while making millions off of that same system and not even donating much of it to charity. Like most fundamentalist converts who wear their beliefs on their sleeve, Gibson is a hypocrite and his religious devotion is an empty, self-serving farce.