Time gap between QOS and SF?
#1
Posted 22 November 2011 - 09:05 PM
Fast forward to the set of Skyfall, and James Bond is looking rather more 'seasoned', walking around with GREY stubble and a noticeably higher hairline. They seem to deliberately want Bond to look older in this one. In the past, we've had Bond actors make liberal use of rugs and hair dye, etc, but obviously there's none of that going on here. So what's the angle here? Having now explored the Early Bond, do EON now want to move on to the Late Bond? Are we to assume that Craig's Bond will have experienced everything from Dr.No to DAD in the intervening years? Is DC just in disguise to look older in these early scenes?
#2
Posted 22 November 2011 - 09:09 PM
Edited by Mharkin, 22 November 2011 - 09:12 PM.
#3
Posted 22 November 2011 - 09:14 PM
#4
Posted 22 November 2011 - 09:29 PM
Maybe that's how they'll honour the 50th anniversary - a more seasoned Bond discussing the missions we've skipped over as he pulls Honey's knife, etc, from his desk drawer....
LOL
That will be the scene where I take a fist full of popcorn and throw it at the screen.
No more references to the past - after all the real past is now the cinematic future that will never be.
#5
Posted 22 November 2011 - 09:45 PM
Maybe that's how they'll honour the 50th anniversary - a more seasoned Bond discussing the missions we've skipped over as he pulls Honey's knife, etc, from his desk drawer....
LOL
That will be the scene where I take a fist full of popcorn and throw it at the screen.
No more references to the past - after all the real past is now the cinematic future that will never be.
Imagine the screen time that would be used up (not to mention the size of the drawer) if he pulled out something from every movie, beginning with Honey's knife and ending with Jinx's knife. Aside from hardcore fans. nobody would know what the hell was going on.
#6
Posted 22 November 2011 - 09:51 PM
Hopefully this will include an instrumental main theme from each movie, blended together into one massive track entitled, 'Forward to Time Past'
Edited by Mharkin, 22 November 2011 - 09:54 PM.
#7
Posted 22 November 2011 - 09:53 PM
#8
Posted 22 November 2011 - 10:10 PM
Maybe that's how they'll honour the 50th anniversary - a more seasoned Bond discussing the missions we've skipped over as he pulls Honey's knife, etc, from his desk drawer....
LOL
That will be the scene where I take a fist full of popcorn and throw it at the screen.
No more references to the past - after all the real past is now the cinematic future that will never be.
Imagine the screen time that would be used up (not to mention the size of the drawer) if he pulled out something from every movie, beginning with Honey's knife and ending with Jinx's knife. Aside from hardcore fans. nobody would know what the hell was going on.
Yep, I want a ten minute scene where Bond takes all of the following out of his drawer (its a big drawer); Deep breath : Honey's knife, Grant's watch/garotte, the shoe homing device, underwater camera, ninja star, wedding ring, shark gun, solex agitator, set of metal teeth, wrist dart gun, Dove pin, yo-yo buzzsaw, Q's surveillance robodog, a sack of opium, Felix's lighter, a belt with a piton, cellphone with remote control car touchpad, half a piece of plutonium, a glass-shattering ring, a poker chip, and a Q badge. That won't feel like an awkward scene at all!
#9
Posted 22 November 2011 - 10:15 PM
#10
Posted 22 November 2011 - 10:17 PM
No more references to the past - after all the real past is now the cinematic future that will never be.
Maybe not references to the first 20 films, but what about acknowledging Craig's previous two - like the the title sequences of GOLDFINGER and ON HER MAJESTY'S SERVICE?
#11
Posted 22 November 2011 - 10:28 PM
#12
Posted 22 November 2011 - 10:36 PM
Eg:
GOLDFINGER
The skull with the gold coin eyes morphs into Goldfinger. We pull back to see him and Odd Job standing over Bond, who's strapped to the table with the buzz saw inching between his legs.
MOONRAKER
The flames of the Moonraker cover turn into the actual fire from the booster engines as we see the rocket launch.
FROM RUSSIA WITH LOVE
Bond fires his gun at Kleeb, but a long stemmed rose comes out and wraps itself around Bond.
Etc.
#13
Posted 22 November 2011 - 10:36 PM
I do like the idea of fast forwarding a few years deliberately making him look older.
Perhaps it will be something like the new Batman film, supposed to take place, not immediately after, but 8 years down the road.
Again, yes I do think he's seasoned, I just don't know how much or how long it will take afterward. Somehow he's done good learning the ropes and was decided to be kept at MI6 for it to go this far in.
#14
Posted 22 November 2011 - 10:39 PM
#15
Posted 22 November 2011 - 10:56 PM
hmmm...interesting angle!
I do like the idea of fast forwarding a few years deliberately making him look older.
Perhaps it will be something like the new Batman film, supposed to take place, not immediately after, but 8 years down the road.
Erm...yes that's exactly what I was trying to hint at without mentioning Batman for people who don't want that spoiled.
#16
Posted 22 November 2011 - 11:00 PM
Make the time jump the credit sequence, with stylized animated scenes of the Bond "we all know and love" completing the missions "we all know and love", mixed with the covers from the Fleming first editions.
Eg:
GOLDFINGER
The skull with the gold coin eyes morphs into Goldfinger. We pull back to see him and Odd Job standing over Bond, who's strapped to the table with the buzz saw inching between his legs.
MOONRAKER
The flames of the Moonraker cover turn into the actual fire from the booster engines as we see the rocket launch.
FROM RUSSIA WITH LOVE
Bond fires his gun at Kleeb, but a long stemmed rose comes out and wraps itself around Bond.
Etc.
Bond fan heaven if done in good taste
#17
Posted 22 November 2011 - 11:26 PM
Make the time jump the credit sequence, with stylized animated scenes of the Bond "we all know and love" completing the missions "we all know and love", mixed with the covers from the Fleming first editions.
Eg:
GOLDFINGER
The skull with the gold coin eyes morphs into Goldfinger. We pull back to see him and Odd Job standing over Bond, who's strapped to the table with the buzz saw inching between his legs.
MOONRAKER
The flames of the Moonraker cover turn into the actual fire from the booster engines as we see the rocket launch.
FROM RUSSIA WITH LOVE
Bond fires his gun at Kleeb, but a long stemmed rose comes out and wraps itself around Bond.
Etc.
This is an amazing idea!
#18
Posted 23 November 2011 - 01:08 AM
As for the other franchise that's getting a flashforward 8 years ahead, I hope it doesn't ruin the film at all.
#19
Posted 23 November 2011 - 02:14 AM
I like the idea of things from previous stories making an appearance. Maybe we can finally see Bond's office and it's got stuff on the walls, etc from past missions. Maybe a life preserver on the wall that says "Disco Volante," the golden gun in pieces on the table (like he was field stripping it, A framed picture of Bond (DC) and Quarell. You can work in lots of memorabilia on the walls, we all who have offices can see how they reflect us.
#20
Posted 23 November 2011 - 02:25 AM
Edited by univex, 23 November 2011 - 02:34 AM.
#21
Posted 23 November 2011 - 02:39 AM
Although I will say if Skyfall were to be Craig's last film (and I certainly hope not) a timeskip somehow seems more appropriate.
Okay now this would just be friggin awesome.
#22
Posted 23 November 2011 - 02:46 AM
#23
Posted 23 November 2011 - 04:03 AM
#24
Posted 23 November 2011 - 04:30 AM
Sounds like the beginning of X-MEN ORIGINS, with Hugh Jackman and Liev Schriber running around in various wars.Make the time jump the credit sequence, with stylized animated scenes of the Bond "we all know and love" completing the missions "we all know and love", mixed with the covers from the Fleming first editions.
And to be perfectly honest, it also sounds kind of tacky. Like fan-service on crack. And I doubt anyone but the fans will actually understand any of it. Everyone else will probably just think that it's a bad trip on acid.
#25
Posted 23 November 2011 - 06:06 AM
Naw, it does not make sense to jump ahead in time now... unless they want to reboot again next time. Which I would not approve of.
I think they will use the "natural" time that has passed between QOS and SF. And Craig just looks a bit more craggy now.
Having said that, I wouldn´t mind a pre-title sequence which would be depicting a mission from the past years in which we did not get a movie - not connected to the rest of the film.
#26
Posted 23 November 2011 - 06:11 AM
And to think that it was only six years ago that Bond was re-booted to be younger (remember the Haggis interview with Bond is 28 in CR?)...
Naw, it does not make sense to jump ahead in time now... unless they want to reboot again next time. Which I would not approve of.
I think they will use the "natural" time that has passed between QOS and SF. And Craig just looks a bit more craggy now.
Having said that, I wouldn´t mind a pre-title sequence which would be depicting a mission from the past years in which we did not get a movie - not connected to the rest of the film.
Kind of like the start of Goldfinger where Bond blow up a drug lab which did not have any relationship with the rest of the movie. I would love to see this but probabl wont but maybe a brief mention would be ok too
#27
Posted 23 November 2011 - 07:29 AM
Make the time jump the credit sequence, with stylized animated scenes of the Bond "we all know and love" completing the missions "we all know and love", mixed with the covers from the Fleming first editions.
Eg:
GOLDFINGER
The skull with the gold coin eyes morphs into Goldfinger. We pull back to see him and Odd Job standing over Bond, who's strapped to the table with the buzz saw inching between his legs.
MOONRAKER
The flames of the Moonraker cover turn into the actual fire from the booster engines as we see the rocket launch.
FROM RUSSIA WITH LOVE
Bond fires his gun at Kleeb, but a long stemmed rose comes out and wraps itself around Bond.
Etc.
I do like that.
Everyone else will probably just think that it's a bad trip on acid.
Yes, Octopussy's titles are fundamentally not this. Not this at all. Nor A View to a Kill's. Nor [insert name of film... here].
#28
Posted 23 November 2011 - 07:40 AM
#29
Posted 23 November 2011 - 07:46 AM
The difference is that freemo's proposal has half a dozen elements that are only linked by their connection to the original editions of Fleming's book covers - which is not something that modern audiences are necessarily going to understand. Most of the other title sequences are usually worked around one core element; in QUANTUM OF SOLACE, it's sand; in THE WORLD IS NOT ENOUGH, it's oil; in GOLDENEYE, it's Soviet icons; in CASINO ROYALE, it's playing cards, and so on and so forth.
Either one capitulates to the "modern" audience (or capitulates to one's perception of them), or one does not.
#30
Posted 23 November 2011 - 07:57 AM