he wants to be a villain we'll see if he gets his wishOh, Mark Strong is going to be a Bond villain? WOW. He's excellent.
Morgan, Purvis & Wade to Work on Bond 23!
#481
Posted 13 May 2010 - 11:32 PM
#482
Posted 14 May 2010 - 11:16 PM
he wants to be a villain we'll see if he gets his wishOh, Mark Strong is going to be a Bond villain? WOW. He's excellent.
Doubtful. If he's been rumored this early on in the process, judging from similar rumors in the past, he won't get the job.
#483
Posted 14 May 2010 - 11:49 PM
Your probably right.he wants to be a villain we'll see if he gets his wishOh, Mark Strong is going to be a Bond villain? WOW. He's excellent.
Doubtful. If he's been rumored this early on in the process, judging from similar rumors in the past, he won't get the job.
It bothers me we may not get a substantial bond 23 info till 2012
#484
Posted 19 October 2010 - 10:36 PM
#485
Posted 19 October 2010 - 11:17 PM
is it possible that purvis and wade will take morgan's outline and devlop it is this where the patrick marber story came from?I hate to be lazy, not going through all the posts, but I'm strapped for time. I read an interview today that Peter Morgan gave on Coming Soon (for his new movie Hereafter )that he clearly indicated that he only was in the process of completing an outline for Bond 23 when the plug was pulled. So there is not even a first draft or beginning of a draft that he completed- and he is now off doing a film on Freddie Mercury and will not do Bond. Is this news - or has this been shared elsewhere in nauseating detail? If so - I apologize.
I mean the way Craig Wilson etc are talking it sounds like a first draft is done perhaps morgan was only asked to do an outline?
#486
Posted 20 October 2010 - 02:01 AM
No - no writer would write off someone else's half-finished plot outline.is it possible that purvis and wade will take morgan's outline and devlop it is this where the patrick marber story came from?
#487
Posted 20 October 2010 - 02:50 AM
No - no writer would write off someone else's half-finished plot outline.
is it possible that purvis and wade will take morgan's outline and devlop it is this where the patrick marber story came from?
are you being serious or sarcastic?
#488
Posted 20 October 2010 - 06:10 AM
Serious. When a writer writes a plot outline, he (or she) has a certain direction he (or she) wants to go in. An incomplete story has no direction. For another write to pick that up and take it means that the story wil not fulfil its original vision. And that's a bad thing, because the original writer will not get a credit for his (or her) work, but their ideas will be put onto the screen. If Morgan has not finished his outline, it is unlikely that he will have submitted anything to EON. Outlines go for pages at a time, but there's no sense in submitting anything in any format but a complete one. Morgan will likely have spoken with EON about the general plot, but they won't have any of his work.are you being serious or sarcastic?
I know what you're angling for, by the way. You're hoping that Morgan submitted work to EON and that Purvis and Wade will be able to take that incomplete treatment and work off it because it means BOND 23 will happen sooner. Well, don't hold your breath - no writer in his (or her) right mind would submit incomplete work, especially so early in the script development process.
#489
Posted 20 October 2010 - 09:55 AM
Writers come in and take the seeds of earlier drafts/treatments/outlines all the time - especially on a bigger scale project like a Bond. There are lot of fingerprints on the script by the time the cameras stop rolling.
I would suggest that work done on something like a Bond script is also moulded and shaped by the producers too so there is some clear line of intent regardless of which writers come on-board along the way.
The script will be beyond a "first draft". And remember - there are often quite a few "first drafts" on a project. One writers first stab will not always be the same as the project's first draft. Phrases like "first" and "second" draft are about contractual punctuation points. And a writer will go off and tinker on three or four drafts before he/she presents it as their official one.
I will not even say how many drafts I have done on a feature script before it becomes the official first draft.
#490
Posted 20 October 2010 - 12:44 PM
I will not even say how many drafts I have done on a feature script before it becomes the official first draft.
Would you submit, or expect others to submit, a draft that wasn't a complete narrative, i.e. didnt have a beginning, middle and/or end? (which is kinda how I read Tighpant's comment)
#491
Posted 20 October 2010 - 12:44 PM
I will not even say how many drafts I have done on a feature script before it becomes the official first draft.
As you've so rightly said in the past, Zorin, it ain't about writing so much as re-writing. Which is something that was very much brought home to me over the past few months as I've laboured on my own first screenplay (a spec effort - no one's commissioned me, unfortunately). I initially assumed it was pretty much perfect in its first incarnation, but, still, one lives and learns.
I do wonder, though, just how honest a spec screenwriter needs to be in declaring the number of drafts his work has gone through. If one submits a script to a professional reader that's marked as a third draft, the reader may immediately think "Oh, well, it's only draft number three - it must still be pretty raw and can't be ready yet." OTOH, if one submits a script that one calls, say, "draft seventeen", the reader may think "God, sixteen attempts and he still can't get it right - this writer is obviously a dolt or some kind of tiresome and troublesome perfectionist whom we should avoid getting involved with because he'll spend all his time agonising over minute details."
I wonder whether there's a "magic" draft number, as it were, for slapping on a spec script before one sends it out.
#492
Posted 20 October 2010 - 01:01 PM
As ever, what is being reported is not as up to date / wholly realistic as what may be happening behind the Eon quotes and closed doors.
#493
Posted 20 October 2010 - 01:30 PM
#494
Posted 20 October 2010 - 02:11 PM
#495
Posted 20 October 2010 - 02:24 PM
#496
Posted 20 October 2010 - 02:45 PM
#497
Posted 20 October 2010 - 03:58 PM
#498
Posted 20 October 2010 - 04:07 PM
#499
Posted 21 October 2010 - 10:56 PM
Mendes using another writer to polish was expected- but did we know that Morgan's version was out?
#500
Posted 22 October 2010 - 03:42 PM
oh it's news however it's bad news lolNobody ever answered my question - was this news that Morgan didn't finish an outline - much less a first draft of a script - and was now officially off Bond 23?
Mendes using another writer to polish was expected- but did we know that Morgan's version was out?
#501
Posted 23 October 2010 - 08:01 PM
Nobody ever answered my question - was this news that Morgan didn't finish an outline - much less a first draft of a script - and was now officially off Bond 23?
Mendes using another writer to polish was expected- but did we know that Morgan's version was out?
Morgan's disclosure was new.
Whether he submitted anything to Eon, we don't *know.* However, given that Eon paid Morgan for his time, you'd think they'd be entitled to whatever work he had done, incomplete or not.
#502
Posted 24 October 2010 - 08:15 AM
Nobody ever answered my question - was this news that Morgan didn't finish an outline - much less a first draft of a script - and was now officially off Bond 23?
Mendes using another writer to polish was expected- but did we know that Morgan's version was out?
Morgan's disclosure was new.
Whether he submitted anything to Eon, we don't *know.* However, given that Eon paid Morgan for his time, you'd think they'd be entitled to whatever work he had done, incomplete or not.
He would have submitted materials. The process normally runs like this- ideas are discussed re: the story - once a story (broad as it may be) is settled on, then the writer can do a broad out-line, normally just 3-5 pages. If all parties- i.e. producers etc. like the general direction, the writer can then move to writing a full treatment, which usually runs for 25-30 pages (but can be longer). The treatment can often go through several drafts (and even be aborted and re-started from scratch) before everyone is satisfied, and based on the final, approved treatment, the writer can start the actual screenplay.
It sounds like Morgan was at out-line stage, or perhaps just getting into the full treatment, when the brakes were put on.
So Eon probably have a broad story-line already worked out; but it appears like there's a lot of work ahead.
#503
Posted 24 October 2010 - 02:49 PM
My take:
Purvis & Wade have written an outline.
Mendes wanted to sign on as a director. Morgan was brought in as a writer (and Haggis replacement).
Morgan was supposed to start fresh but had to stop due to the MGM mess.
Patrick Marber was considered by Mendes and EON as a possible replacement down the line.
Mendes remains to be the top candidate for direction BOND 23.
There is no script yet, only two outlines (P&W, Morgan).
#504
Posted 24 October 2010 - 05:18 PM
1) Morgan in December 2009 said Bond 23 would have a "shocking" story. At the time, we know now from Morgan himself, he'd been off the project for two months.
2) The Los Angeles Times, on one of its entertainment blogs, did report in August that the script for Bond 23 wasn't far along and that, along with the MGM financial situation, would affect the timing of Bond 23.
3) This gem from Moviehole in July: "Peter Morgan’s script was supposed to be top-notch." Apparently not, given there wasn't an actual Peter Morgan script, just an outline.
#505
Posted 24 October 2010 - 05:23 PM
Also, correct me if I am wrong, but I thought the news came that Morgan was off the project BEFORE the news came that EON had put Bond 23 on hold.
#506
Posted 24 October 2010 - 07:07 PM
They probably would've been through a good few drafts by now. A film like this never stops production.
#507
Posted 24 October 2010 - 08:05 PM
Tell that to Will Davies and Will Osborne.A film like this never stops production.
#508
Posted 24 October 2010 - 08:13 PM
#509
Posted 24 October 2010 - 08:16 PM
#510
Posted 25 October 2010 - 02:17 AM
I do believe Purvis and Wade have moved on in bond 23 and either have a draft or 2 under there belt.

