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The Wrestler


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#1 danslittlefinger

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Posted 08 September 2008 - 12:54 AM

http://news.bbc.co.u...ent/7600873.stm

Mickey Rourke's new film wins the "Golden Lion" award at Venice.


A new movie starring Mickey Rourke as a professional wrestler has received a rapturous response at the Venice Film Festival - and won its prestigious Golden Lion award.

Rourke's performance is already being tipped for awards recognition
Actor, hellraiser and one-time professional boxer, Mickey Rourke has taken plenty of punches over the last 15 years.

But a film in which he plays an ageing wrestler could put the '80s heart-throb back on his feet.

In The Wrestler, the 51-year-old plays Randy "The Ram" Robinson, a washed-up fighter who is told another bout in the ring is likely to kill him.

Screening in competition at this year's festival, it is directed by Darren Aronofsky of Requiem for a Dream fame.

According to Rourke, the filmmaker didn't pull any punches. "He was brutally honest," he tells BBC News.

"He sat there and said, 'You're a great actor but you messed up your career and no one wants to hire you.'

"'I have a film I want to do with you. But you have to listen to me, you must never disrespect me, you can't go out every night - and I can't pay you either.'"

Rourke got off to a promising start in acting in the 1980s with films like Diner, Angel Heart and the infamous Nine-and-a-Half Weeks.

Posted Image
The actor at the festival with co-star Evan Rachel Wood and a dog, Rocky.

But he failed to live up to his potential and became better known for his off-camera activities. In the 1990s he briefly returned to his original career of boxing.

"I didn't mind what Darren said about screwing up my career, because I did do that," says Rourke. "I didn't know how to get it together for a long time."

A chance to return to the limelight came and went when Rourke turned down a part in Pulp Fiction.

In 2005, though, he gained rave reviews for his supporting role in dark comic-book saga Sin City.

The Wrestler, he says, is the next step on the comeback trail. "I'm thrilled about this movie. To me, it's a blessing.

"I've been out of work for 15 years and I truly believe this movie will turn things around."

His role as a scarred, pumped-up fighter with long blond tresses and a capacity for self-destruction has impressed the critics at Venice.

I realised Darren needed me to revisit some dark places where I didn't want to go.

According to Variety, it is "a galvanising, humorous, deeply moving portrait that instantly takes its place among the great, iconic screen performances."

Rourke says his boxing background was no help for the intensive three months of training he had to do for the gruelling wrestling scenes.

"I didn't have a lot of respect for wrestling," he reveals. "I thought it was just entertainment.

"Then I found out these guys take 10 years to learn how to land on the floor without hurting themselves.

"I just landed like a brick. My neck went, my back went and I spent more time in the doctor's office than I ever did in six years of boxing."

Even more painful was the realisation he would have to delve into his own past in order to bring "The Ram" to life.

The Wrestler sees Rourke playing a fighter who has seen better days
"What frightened me was I realised Darren needed me to revisit some dark places where I didn't want to go," he explains.

"I didn't want to think about my ex-wife, or my family. But I knew he would want his pound of flesh and there was no way I could skirt round it."

The actor even admits relief when the film was temporarily cancelled. Now, though, he acknowledges he has been given a second chance.

"I didn't realise it would take so long for me to patch things up," he says. "But it's not about raising hell and thumping my chest with me now.

"I don't have another 15 years to sit on the bench. Hey, I have splinters in my :( from sitting on the bench for so long."

The Wrestler will be released in the UK in 2009.

Edited by danslittlefinger, 08 September 2008 - 01:05 AM.


#2 Safari Suit

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Posted 08 September 2008 - 08:19 AM

The only thing that puts me off is Aronofsky.

#3 dodge

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Posted 08 September 2008 - 02:30 PM

Is there any reason to print the entire article out as well as the link...?

Anyway, here's hoping the Mickster does get a comeback with this one.

#4 danslittlefinger

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Posted 08 September 2008 - 02:42 PM

Is there any reason to print the entire article out as well as the link...?

Anyway, here's hoping the Mickster does get a comeback with this one.



Yes, some people cant open links very well and some people like to open the links to read actual article. I know I do. Covering all bases and just trying to be sporting old chap. :(

Edited by danslittlefinger, 08 September 2008 - 02:54 PM.


#5 dodge

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Posted 11 September 2008 - 03:51 AM

Go, Mick! This could be your first $100 million baby.

Mickey Rourke is back in his rightful place once again.. the lead! In "The Wrestler", he
takes on the persona of retired 1980s-era star professional wrestler yearning for the
feeling he once knew while in his prime. The film tells the tale of former larger-than-life
wrestler, 'Randy "The Ram" Robinson', fighting his way back up the independent
wrestling circuit to chase away old ghosts which continue to haunt him. Robinson is
driven to settle a score and unfinished business in the dangerous squared ring of
glory.

Years have passed since the heyday of “The Ram.“ The splendor, fame, fortune and
applause have all faded away. Only the man behind the façade remains. Randy
Robinson’s personal life is clouded with hard luck, personal demons, and the troubles
of his past and present. Not all his battles are contained in the ring. Subsequent to
being evicted from his trailer, he finds himself lost, despondent and living in a van. The
relationship between Randy and ‘Stephanie’ (Evan Rachel Wood), his disgruntled,
estranged 22 year-old daughter and recovering alcoholic daughter, is damaged and
broken.

Trying to build a new life, he takes a job at a deli, moves in with aging stripper ‘Cassidy’
(Marisa Tomei) and attempts to develop a relationship with her and her son. ‘Cassidy’,
also known by real name ‘Pam’ has great difficulty becoming physically and
romantically involved after hours. Although battling issues of her own, she
encourages Robinson to reconnect and bond with his daughter.

After a heart attack in the midst of a hardcore match, on his successful and impressive
come-back trail, the wrestling legend is firmly warned by a physician to make drastic
changes. If Robinson wants to continue to live much longer, he must abandon
smoking, cocaine and wrestling. But when the prospect of a grudge rematch in an
ultimate showdown with his former arch nemesis, ‘The Ayatollah’, (Ernest 'The Cat'
Miller) presents itself, Randy is far too tempted to refuse. He accepts the challenge.
The aging former wrestler returns to the ring for one final shot glory even if it means
risking his life..


source: http://www.mickeyrou...com/TheWrestler



Another fascinating story, imo:
Mickey Rourke parallels his life in `The Wrestler'

David Germain
THE ASSOCIATED PRESS


Mickey Rourke's character in "The Wrestler" describes himself as a broken-down slab of meat, a man who's alone and deserves to be.

It's a striking echo of how Rourke discusses his real life, the way he squandered his early potential with bad-boy behaviour that left him largely unemployable in Hollywood, save for roles as heavies that have been his main screen work the last two decades.

The story of a comeback attempt by a former wrestling golden boy fallen on hard times, "The Wrestler" parallels Rourke's own return to the sort of critical acclaim he once earned with such films as ``Diner," "Rumble Fish" and "Barfly."

"I ruined that myself," Rourke said in an interview at the Toronto International Film Festival, where "The Wrestler" screened.

"I wasn't ready at that time. There were some broken pieces I didn't know how to fix that made me behave a certain way. I wasn't knowledgeable enough for many, many years to understand or want to accept the fact that the movie business was political, and that it's a business. You know, coming out of the Actors Studio, I thought it was just about acting, and I knew I could do that. And I knew I could do that better than most people.

"That's what I carried around, and I was very wrong. Very wrong, very immature, very uninformed, very uneducated about that. I wish I knew differently, because I put myself and a lot of other people through a lot of hell that I regret."

In 1994, Rourke was accused of spousal abuse against his wife at the time, actress Carre Otis. Charges later were dropped after prosecutors were unable to get Otis to testify.

An amateur boxer in the 1970s, Rourke went pro in the early 1990s, a time when his movie career had dried up.

In the years since, Rourke has had occasional success in supporting roles, notably his turn as a colossus of a man on a vengeful rampage in "Sin City."

"The Wrestler" marks the first time in ages anyone has entrusted Rourke with a lead role, let alone a challenging, sympathetic one. Director Darren Aronofsky fought to cast Rourke, whom potential financial backers did not want in the film.

Aronofsky only got his way by paring the film down to a US$6 million budget, small change by Hollywood standards.

The payoff already has been big. "The Wrestler" won top honours at the Venice Film Festival last weekend and was picked up for U.S. distribution at Toronto this week by Fox Searchlight, which plans to release it in December, the heart of Academy Awards season.

Rourke, who turns 52 Sept. 16, is getting solid Oscar buzz for ``The Wrestler."

"There's an incredibly honest performance in the film, and the fact that people are reacting is not surprising to me," said Aronofsky, whose previous films include "Pi" and "Requiem for a Dream." "We all knew how great and talented he was. He just hasn't had the opportunity to show the world for a while.

"I'm just honoured literally to be the guy who was lucky enough to get Mickey at the place and time in his life when he was ready to open up once again to the world."

"The Wrestler" stars Rourke as Randy "The Ram" Robinson, a giant in the ring who played Madison Square Garden 20 years earlier but now scrapes by on matches in high school gyms and community centres. A rematch of his most-famous bout offers a chance to reclaim former glory.

Meanwhile, he makes fumbling efforts to patch things up with his estranged daughter (Evan Rachel Wood) and romance a reluctant stripper (Marisa Tomei), while trying to keep his deteriorating body in form with steroids and tanning salons.

Doing twice-a-day weightlifting sessions and eating six meals daily for six months, Rourke packed on 40 pounds of muscle for the role.

His mental regimen has been a marathon by comparison: 13 years seeing a therapist, which he had resisted for a long time.

"I didn't think anything was wrong with me. I thought it was everybody else," Rourke said.

"And there was a lot wrong with me, but it had to do with old stuff from my childhood that I had a lot of shame about. I'm a very proud man. Because I didn't want to feel shame, it was easier to manifest that into anger and a hardness, and then it eventually got too hard, and I realized that when I lost everything.

"I mean, everything. Not just my movie career. Then you're alone," said Rourke, adding that he remains in therapy. "I still have to work on it every day, because the little guy with the hatchet still lives inside of me, and he's sleeping now. I don't want him to ever wake up again."

#6 dodge

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Posted 11 September 2008 - 04:09 AM

And to think:

According to Ain't It Cool News, Nick Cage was originally considered for Mick's part.

#7 dinovelvet

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Posted 11 September 2008 - 09:23 AM

So apart from wrestling instead of boxing, how is this fillum any different from Rocky Balboa?

#8 Safari Suit

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Posted 11 September 2008 - 10:16 AM

Probably about 1,300 additional editing cuts.

#9 Turn

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Posted 12 September 2008 - 01:40 AM

It's about time Mickey Rourke is getting his comeback. The guy was my favorite actor in the '80s and early '90s, he just defined cool back then and never really got his due. He was one of those guys who rejected the big-money projects for things he wanted to do, which wasn't common back then.

Rather than selling out, he did things like boxing and the roles dried up and he ended up doing Dennis Rodman action films and other B movie projects. But he did it his own way.

I'm surprised Tarantino didn't try to get Rourke for one of his projects as he seems to fit the profile, although he did get attention for Sin City.

It's good to have you back, Mickey.

#10 Loomis

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Posted 12 September 2008 - 12:28 PM

So apart from wrestling instead of boxing, how is this fillum any different from Rocky Balboa?


Good question. It does sound a decent flick, though. Hazarding a guess, I'd say that THE WRESTLER differs from ROCKY BALBOA in being a darker and more "adult" piece of work, featuring a less obviously sympathetic protagonist.

I'm surprised Tarantino didn't try to get Rourke for one of his projects as he seems to fit the profile, although he did get attention for Sin City.


Tarantino allegedly offered Rourke both the Bruce Willis role in PULP FICTION and the Kurt Russell role in DEATH PROOF.

#11 dodge

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Posted 12 September 2008 - 04:27 PM

So apart from wrestling instead of boxing, how is this fillum any different from Rocky Balboa?


Good question. It does sound a decent flick, though. Hazarding a guess, I'd say that THE WRESTLER differs from ROCKY BALBOA in being a darker and more "adult" piece of work, featuring a less obviously sympathetic protagonist.

I'm surprised Tarantino didn't try to get Rourke for one of his projects as he seems to fit the profile, although he did get attention for Sin City.


Tarantino allegedly offered Rourke both the Bruce Willis role in PULP FICTION and the Kurt Russell role in DEATH PROOF.


Fascinating news, Loomis. Thank you. And I'd say you're right on the money in your take on the difference between TW and Rocky. I hope they avoid any Rocky-style training montages. Otherwise, I see no need to fear excessive deja vu. What could make the story work for me is this: a battle for redemption, with truly mortal stakes, played out in a business almost universally panned as fake.

#12 dodge

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Posted 13 September 2008 - 05:08 PM

Anyone know of a link for a trailer for this film? I've hunted high and low, the best I could find being a few secs of wrestling clippage mixed in with interviews.

#13 Loomis

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Posted 13 September 2008 - 08:31 PM


Tarantino allegedly offered Rourke both the Bruce Willis role in PULP FICTION and the Kurt Russell role in DEATH PROOF.


Fascinating news, Loomis. Thank you. And I'd say you're right on the money in your take on the difference between TW and Rocky.


Well, funnily enough, Tarantino is said to have also offered both of those roles to.... Sylvester Stallone. And he also allegedly wanted Sly for the role played by De Niro in JACKIE BROWN.

Rourke and Stallone are both in GET CARTER (which is a better flick than you might imagine). Appropriately, they have a punchup.

I too have unsuccessfully sought a trailer for THE WRESTLER. Info gratefully received.

#14 Cruiserweight

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Posted 13 September 2008 - 08:57 PM

They filmed this at some shows from my favorite wrestling promotion ROH.

#15 dodge

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Posted 14 September 2008 - 02:37 PM

Here's what interests me, based on the only available footage I've seen: Rourke gets the Dodgeometer going in only a couple of seconds, without having uttered a word. Good as he is--even great, now and then--Stallone could not have done the same:

Mick's getting the snot kicked out of him in the ring. The emotions that race frantically across his face will simply break your heart: pain, of course, a lot of it...plus shock, shame, guilt, remorse and more confusion than he's able to process: how the hell did his life come to this?

I know there's a world of difference between a great scene and a great film. But I'm feelin' realllll good about this one!

#16 dodge

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Posted 15 September 2008 - 02:29 PM

I know, I know: I'm becoming the sole poster here, so apologies to all. But, good golly, when I get exciiiiiiiited, watch out.

Maybe someone can shed some light on this quote from today's McPaper, from "Rourke wrestles with success":

"He was able to do most of his stunts, save for one involving glass. 'The hardest films I ever made were 9-1/2 Weeks, Year of the Dragon and Angel Heart. You could put all those into one and they weren't half as tough as this (The Wrestler)'."

Well, bless me, but I'm stumped here...What could have been so hard about 9-1/2 Weeks?

ALSO: ALERT: from the same page, notice, or warning, that Jean-Claude Van Damme's own
festival film--JCVD--is bound for the USA. Supposedly a hostage film set in Belgium. "His sharply edged humorous role calls for him to stand outside his persona as the Muscles from Brussels and wax tragic about the traps of celebrity." Anybody heard anything? Can this possibly be any good?


#17 dodge

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Posted 17 September 2008 - 03:10 PM

I lied--I'm back again with more about this film...and why we need to see it...and give this man, this Mickey Rourke, the break he's fought so hard for.

Listen:

Reviewed By: Erin Cullin
Rating: 10/10

Of all of the films that have appeared at the Toronto International Film Festival, no film has been more anticipated by critics then Darren Aronofsky's film, "The Wrestler". After winning the Golden Lion at Venice, curiosity was peaked about whether it really was this year's "Million Dollar Baby".

Based upon a screenplay by Robert Siegel, "The Wrestler" tells the story of Randy "The Ram" Robinson (Mickey Rourke), an aging wrestler who has long since passed the peak of his career. When a heart attack forces him into an early retirement, he must forge a new life for himself. Broke and alone, he struggles to reclaim the pieces of a life that he had forsaken to pursue his career in the ring. The film also stars Marisa Tomei and Evan Rachel Wood.

It is always difficult to approach a film that has received glowing accolades without having slightly inflated expectations. I had made viewing it a priority during the Film Festival (as, apparently did the nearly 600 other press and industry people who attended the screening with me). Although I hoped not to be disappointed, all of the ingredients for failure were present.

At the risk of inflating the expectations of others, I must say that "The Wrestler" is the best film that I have seen this year. Unless another "No Country for Old Men" is released between now and the end of the year, I am going to make an early prediction and say that this film is going to be a serious contender in all major categories at the Oscars. It is a stunning tour de force and a magnificent piece of filmmaking.

The success of "The Wrestler" is surprising, given the eclectic group of people involved in creating it. It is only the second screenplay by writer Robert Siegel to make it to film. His first, "The Onion", was filmed in late 2003, was never released to theaters and was only recently released to DVD. In "The Wrestler", Siegel has created a poignant character study that explores the entire spectrum of emotions. It is an award-caliber piece of writing that will change the trajectory of Siegel's career.

Darren Aronofsky, the film's director, comes to this project with several critically acclaimed but commercially modest projects, including "Requiem for a Dream" (which earned Ellen Burstyn an Oscar nomination) and "The Fountain" (which starred his wife, Rachel Weisz alongside Hugh Jackman). With this track record, Aronofsky was able to secure a relatively small budget of $7,000,000.00 to bring "The Wrestler" to the silver screen.

Using a fine guiding hand, Aronofsky succeeds in creating a film that has the gritty realism of the original "Rocky", and the emotional impact of "Million Dollar Baby". At times, the scenes unfolding onscreen are difficult to watch - this is a testament to Aronofsky's ability as a director to plunge the audience into the gritty underbelly of the lead character's journey.

In the end, however, it is the superb acting performance by Mickey Rourke that provides the icing for this well-constructed cinematic cake. After watching Rourke's performance, it is unimaginable that to me Nicolas Cage was originally tapped for the lead role in this film. Only an actor like Rourke, who himself has suffered more than his share of kicks from the boot of life, would have had the experience and the appearance to step into this role. In Randy, Rourke creates a character who is, all at once, likeable and frustrating. By the end of this film, I was emotionally invested in this character, and truly curious to see how his journey was going to end.

Rourke delivers the finest performance of his career (and that is saying a lot), and I am going to go out on a limb and say that he will earn the best actor Oscar this year (unless Heath Ledger is nominated in this category instead of the supporting category). I simply cannot fathom how any other performance is going to compete. Randy "The Ram" Robinson is a character that will be recorded in the annals of film history.

Rourke is not alone in delivering an award-caliber performance. In her role as Cassidy, a stripper who develops a relationship with Randy, Marissa Tomei also offers a clear reminder of the caliber of acting that earned her two trips to the Oscars. Evan Rachel Wood, who fills the supporting role of Randy's daughter Stephanie, guides the audience through one of the film's most emotional moments.

"The Wrestler" is one of those rare films that transcends the silver screen. For a brief moment in time, Darren Aronofsky gives his audience the opportunity to step into the world of his film's gritty lead characters. It is neither an easy nor a comfortable journey, but it is one that is well worth taking.


source: http://www.empiremov...21215/review/01

#18 DLibrasnow

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Posted 17 September 2008 - 03:33 PM

The only thing that puts me off Rourke is his support for the Irish Republican Army:

"The film, which also stars Jim Sturgess as McGartland and Sir Ben Kingsley as his British handler, is not the first to arouse controversy over the activities of the IRA. The actor Mickey Rourke, who sports an IRA tattoo, received approbation for allegedly claiming he donated part of his fee for the 1989 film Francesco to the terrorist group, though the charge was never proved."

http://www.independe...ira-927097.html

Also, I remember press reports that some MPs in the British government wanted to bar him from entering the United Kingdom after he made comments in support of the IRA in the 1980s.

#19 dodge

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Posted 17 September 2008 - 03:40 PM

The only thing that puts me off Rourke is his support for the Irish Republican Army:

"The film, which also stars Jim Sturgess as McGartland and Sir Ben Kingsley as his British handler, is not the first to arouse controversy over the activities of the IRA. The actor Mickey Rourke, who sports an IRA tattoo, received approbation for allegedly claiming he donated part of his fee for the 1989 film Francesco to the terrorist group, though the charge was never proved."

http://www.independe...ira-927097.html

Also, I remember press reports that some MPs in the British government wanted to bar him from entering the United Kingdom after he made comments in support of the IRA in the 1980s.


The charge was never proved...And from the 1980's? I don't say Yea or Nay, without any evidence. But: Rourke's past behavior was objectionable on most scores, as he himself admits. He's been through hell, about a dozen years of therapy--and his fall from grace was epic. He's paid his dues. Why not at least see the film and judge him as an actor?

#20 DLibrasnow

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Posted 17 September 2008 - 03:57 PM

Given Rourke's past remarks that the killing of British people by the IRA was justifiable I have no problem believing that he donated money to the IRA.

#21 danslittlefinger

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Posted 17 September 2008 - 06:41 PM

http://www.newsweek.com/id/158591

Another article.... :)


If I remember correctly, at the end of "A Prayer for the Dying"..the character crucified himself....do I believe it was for past sins (he needed to obtain forgiveness) or do I need to revisit the film? :(

Edited by danslittlefinger, 17 September 2008 - 06:43 PM.


#22 dodge

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Posted 17 September 2008 - 09:48 PM

http://www.newsweek.com/id/158591

Another article.... :)


If I remember correctly, at the end of "A Prayer for the Dying"..the character crucified himself....do I believe it was for past sins (he needed to obtain forgiveness) or do I need to revisit the film? :(


I believe you're right. And I hope we'll remember Hanoi Jane if we're condemning actors or anyone for sins of 20-30 years ago.

#23 DLibrasnow

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Posted 17 September 2008 - 09:58 PM

http://www.newsweek.com/id/158591

Another article.... :)


If I remember correctly, at the end of "A Prayer for the Dying"..the character crucified himself....do I believe it was for past sins (he needed to obtain forgiveness) or do I need to revisit the film? :(


Interesting that you bring that movie up as that was the production that sparked a lot of controversy at the time. Rourke apparently wanted more pro-IRA rhetoric to be added to the script.

#24 dodge

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Posted 17 September 2008 - 11:57 PM

http://www.newsweek.com/id/158591

Another article.... :)


If I remember correctly, at the end of "A Prayer for the Dying"..the character crucified himself....do I believe it was for past sins (he needed to obtain forgiveness) or do I need to revisit the film? :(


Interesting that you bring that movie up as that was the production that sparked a lot of controversy at the time. Rourke apparently wanted more pro-IRA rhetoric to be added to the script.


Tell me something. Truthfully. Did you ever do anything, fifteen, twenty years, ago that you'd really rather forget? Why drag up the past like this? Is Rourke still supporting terrorists? I'm more concerned about the movies he makes and what he's doing with his life today.

[

#25 DLibrasnow

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Posted 18 September 2008 - 12:10 AM

Tell me something. Truthfully. Did you ever do anything, fifteen, twenty years, ago that you'd really rather forget? Why drag up the past like this? Is Rourke still supporting terrorists? I'm more concerned about the movies he makes and what he's doing with his life today.


Point taken. But Rourke has never apologized for his pro-IRA rhetoric, never apologized to the victims of IRA violence, never denied that he donated money to the IRA. Hell, he still has an IRA tattoo. He has shown no sign that his opinion towards the group has changed.

And the kicker is that according to the IMC report earlier this month, the Irish Republican Army no longer exists.

#26 Turn

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Posted 18 September 2008 - 02:07 AM

While we're at it, Rourke was also allegedly friends with the late mob boss John Gotti and even attended his trial. The guy courted a lot of controversy back in the day, now he's getting his comeback.

#27 dodge

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Posted 18 September 2008 - 02:24 AM

While we're at it, Rourke was also allegedly friends with the late mob boss John Gotti and even attended his trial The guy courted a lot of controversy back in the day, now he's getting his comeback.


Frank Sinatra was friends with far worse, so they say. Connery was a wifebeater, according to reports. Reporter Al Goldman is waiting for the next celebrity corpse to pick clean. And Dan Craig presents a respectable front--but he can't fool me for a minute, he's got skeletons in his own closet, as do we all. Friends, I make no apologies for Rourke's past. I say, many years have passed, he's paid and he's moved on. Who the devil are any of us to administer his comeback?! I haven't seen the abuse being raised anywhere but here. Why the gleeful trashing? The man's made what sounds like a marvelous film. And those love films will rejoice while those sliming will slime. P.S. Francois Villon was a terrible man. But thank God for the poems he wrested from the ruins of his life.

And the things said about Errol Flynn still defy repeating. Despite which, he blessed us with some groovy films.

I'm far more alarmed by Rourke's taste in poetry--if only I'd been there to steer him from the evil clutches of the boozy Charles Bukowski.

#28 dodge

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Posted 18 September 2008 - 03:32 AM

On the long road to The Wrestler...


Mickey Rourke passed on the following roles:

48 Hours....The Nick Nolte part
Beverly Hills Cop...believe it or not, the role of Axel Foley
Grindhouse...The Kurt Russell role
Pulp Fiction...the Bruce Willis role
Inglorious Bastards...the Michael Madsen role
Platoon...the Willem Dafoe role
Rain Man...the Tom Cruise role
The Untouchables...the Kevin Costner role
Silence of the Lambs...the Scott Glenn role

#29 Loomis

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Posted 18 September 2008 - 08:11 AM

On the long road to The Wrestler...
Silence of the Lambs...the Scott Glenn role


I wonder what he'd have been like as Lecter. Not bad, perhaps.

#30 dodge

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Posted 21 September 2008 - 02:28 PM

This piece is from Variety.

The Wrestler

Posted: Thurs., Sep. 4, 2008, 3:46pm PT



By TODD MCCARTHY
Talk about comebacks. After many years in the wilderness and being considered MIA professionally, Mickey Rourke, just like the washed-up character he plays, attempts a return to the big show in "The Wrestler." Not only does he pull it off, but Rourke creates a galvanizing, humorous, deeply moving portrait that instantly takes its place among the great, iconic screen performances. An elemental story simply and brilliantly told, Darren Aronofsky's fourth feature is a winner from every possible angle, although it will require deft handling by a smart distributor to overcome public preconceptions about Rourke, the subject matter and the nature of the film.
Co-produced by Wild Bunch in France, where Rourke has retained his most loyal following through thick and thin, this is nonetheless an American picture through and through, beginning with the way it strongly evokes the gritty working-class atmosphere of numerous '70s dramas. Spare but vital, and with the increasingly arty mannerisms of Aronofsky's previous work completely stripped away, the film has the clarity and simplicity of a great Hemingway short story -- there's nothing extraneous, the characters must face up to their limited options in life, and the dialogue in Robert Siegel's superior script is inflected with the poetry of the everyday.

All the same, for the first few minutes one could be excused for imagining the film was directed by Belgium's Dardenne brothers, as ace lenser Maryse Alberti's camera relentlessly follows around aging wrestler Randy "the Ram" Robinson (Rourke) from the back, concentrating on his long, dyed-blond hair and hulking body before fully revealing his mottled, puffy face. This guy is 20 years past his prime, but he's still in pretty good shape and aims to get back on top on the pro wrestling circuit.

Ram seems to have always been a big fan favorite -- he is one of their own, a fearless bruiser the white working stiffs can root for against the assorted freaks, ethnic interlopers and outright villains in this macho cartoon universe. A beguiling early scene that firmly sets the movie on its tracks shows an event's muscled participants, all warmly easygoing and chummy with one another, pairing up and discussing what moves they'll make in their matches. A similar later scene has one of the wrestlers offering Ram his choices from a laundry list of dubious-sounding pharmaceuticals.

Apart from the momentary camaraderie of his ringmates, however, Ram is alone in life. At the outset, he's also penniless, locked out of his dismal trailer home until he can pay up. He works occasionally, lugging cartons at a big-box store, and his tough-guy posture is adored by small kids, but he's got no friends and nothing to show for his strenuous efforts.

From time to time, he has a drink at a gentlemen's club, where he visits aging stripper Cassidy (Marisa Tomei), whose days of using her body for her livelihood are similarly numbered. After getting a load of some of Ram's battle scars, Cassidy, whose real name is Pam, tells him he ought to see "The Passion of the Christ." "They threw everything at him," she says, to which Ram guesses Jesus must have been a "tough dude." Ram must confront his mortality after the film's second wrestling match, a bout so gruesome and barbarous it will force some people to look away.

Assessing his options while recovering, Ram decides to gently step up his relationship with Pam, as well as to try to reconnect with his daughter, Stephanie (Evan Rachel Wood), whom he hasn't seen in years. Both women have good reasons not to allow such a damaged man into their intimate lives, but even their most tentative signals of openness give Ram reason to hope for a new chapter in his life. His encounters with them are sensitively written and acted with impressive insight and delicacy, and Ram has one monologue in which he lays his feelings bare to Stephanie at a deserted old Jersey boardwalk -- "I deserve to be alone," he admits -- that is so great, one wishes it were longer.

After a stint at a deli counter that is the source of more good character humor, Ram decides to unretire and fight in a 20th-anniversary rematch of one of his most legendary bouts, "Ram vs. Ayatollah." Despite the hoopla, the way it all plays out is as far from "Rocky Balboa" as one could get, resulting in a climax that is exhilarating, funny and moving.

Shot in rough-and-ready handheld style, pic atmospherically reeks of low-rent lodgings, clubs, American Legion halls, shops and makeshift dressing rooms on the Eastern seaboard in winter (it locationed in New Jersey and Philadelphia). Stylistically, it's agile, alert and most interested in what's going on in the characters' faces.

And that is a lot. Physically imposing at 57,(sic: Rourke is 52) with a face that bespeaks untold battering and alteration, Rourke is simply staggering as Ram. The camera is rarely off him, and one doesn't want it to be, so entirely does he express the full life of this man with his every word and gesture. Ram's life has been dominated by pain in all its forms, but he's also devoted it to the one thing he loves and excels at, so he asks for no sympathy; he may have regrets, but no complaints.