
AFI's 100 Years of Film Scores
#1
Posted 11 May 2005 - 06:56 PM
www.afi.com
http://www.afi.com/t...ars/scores.aspx
http://www.afi.com/D...f/scores250.pdf
#3
Posted 11 May 2005 - 07:27 PM

#4
Posted 11 May 2005 - 07:32 PM
I like the score, but dang!
Glad to see Bond in the list, though.
#5
Posted 11 May 2005 - 07:32 PM
It
#7
Posted 11 May 2005 - 07:38 PM
#8
Posted 11 May 2005 - 07:40 PM
#9
Posted 11 May 2005 - 07:56 PM
I'm betting Goldfinger makes it, but the rest will be pretty predictable with the usual smatterings of stuff you may not have heard as much.
I have to admit, though, I'm a sucker for watching these three-hour marathons. Even if it is just a bunch of famous faces gushing about the films.
#10
Posted 11 May 2005 - 08:23 PM
Plus with James Bond as being an integral part of cinema, they wanted one from a modern Bond flick as well. Truth be told, TND does feature the best score of the recent Bonds, it was Arnold's "primer" from which all of his subsequent scores are based.
#11
Posted 11 May 2005 - 08:23 PM
On Her Majesty’s Secret Serviceis Barry's best work. Not Goldfinger! Well, that's what I always thought.
On Her Majesty’s Secret Service and Moonraker for Barry's best.

#12
Posted 11 May 2005 - 08:31 PM
These AFI lists are among the most subjective things ever. Just take a look at some of the nominees and ask yourself why? I mean have you ever even heard of the film Anthony Adverse, much less the score? Captain From Castile? Green Dolphin Street? Louisiana Story? You get the picture.
I'm betting Goldfinger makes it, but the rest will be pretty predictable with the usual smatterings of stuff you may not have heard as much.
I have to admit, though, I'm a sucker for watching these three-hour marathons. Even if it is just a bunch of famous faces gushing about the films.
The soundtracks for Captain From Castile and Green Dolphin Street are unique and memorable musical scores. Green Dolphin Street has a theme that is very haunting. I highly recommend these films for viewing, keeping in mind the year they were made, the fact that they are black and white, and the production value.
On the otherhand, I was sadden too that OHMSS was not mentioned. Let alone my personal favorite You Only Live Twice. Live and Let Die was left off the list too. However, I am pleased that Goldfinger, Body Heat, Born Free, The Lion In Winter, Dances With Wolves, Out of Africa, and Somewhere In Time - all John Barry scores. Not to forget Bernard Herrmann's masterpiece North By Northwest.
I am also pointing out David Arnold's Tomorrow Never Dies score. I feel that this is the best of the contemporary Bond scores since The Living Daylights and certainly since OHMSS. Arnold must be very pleased that this score made the list so far. His Stargate score isn't even there, and I thought that was brilliant in its own way.
Anyway, congratulations to all film composers who made the list or not. Their work is memorable in so many ways. Without their contribution, movies would be dull.
#13
Posted 11 May 2005 - 08:33 PM
On Her Majesty’s Secret Serviceis Barry's best work. Not Goldfinger! Well, that's what I always thought.
On Her Majesty’s Secret Service and Moonraker for Barry's best.
I'm campaigning From Russia With Love.
#14
Posted 11 May 2005 - 08:36 PM
#15
Posted 12 May 2005 - 02:26 AM
Edited by Taro Todoroki, 13 May 2005 - 02:23 AM.
#16
Posted 12 May 2005 - 03:29 AM
TND was probably picked because the score is arguably the best non-Barry Bond score.
#17
Posted 12 May 2005 - 03:32 AM
Kind of a nice surprise to see Tomorrow Never Dies on there.
i agree... i like TND, although OHMSS should be on there also. hell, YOLT could be on there too.
#19
Posted 12 May 2005 - 06:35 PM
TND might be allright by some, but in no way can it represent the Bondseries it does not belong to the classics in the series.
It is good to see that Barry has done so well in the list.
True, but if you notice that the AFI selected the most memorable score (GF), the best of the non-John Barry scores (TND) and a non-Eon score (CR-67). A tough choice overall. Has anyone noticed that only two Frankenstein scores were selected (Bride of Frankenstein and Ghost of Frankenstein) There were seven films centered around this character during the Universal Classic Monster days. The music back than was very memorable but they still had to choose among seven films.
#20
Posted 12 May 2005 - 09:40 PM
#23
Posted 13 May 2005 - 02:31 AM

#24
Posted 13 May 2005 - 06:44 AM
TND is my favorite Brosnan film.
Other than the title song, I wasn't that impressed with the score.
I wasn't that impressed with the score either, and I think that AFI could have picked much better Bond films to have on this list, such as the scores for: On Her Majesty's Secret Service and The Living Daylights.
#26
Posted 13 May 2005 - 12:41 PM
I like your theory here and can add some. While many of us would agree that OHMSS was Barry at his pinnacle, the film suffers from being "the one with that other guy" and therefore not the showcase film Goldfinger is. It is the film that kicked off the spy trend, started a new trend of blockbuster film and set the mode for spy music as well as a smash title song.TND might be allright by some, but in no way can it represent the Bondseries it does not belong to the classics in the series.
It is good to see that Barry has done so well in the list.
True, but if you notice that the AFI selected the most memorable score (GF), the best of the non-John Barry scores (TND) and a non-Eon score (CR-67). A tough choice overall. Has anyone noticed that only two Frankenstein scores were selected (Bride of Frankenstein and Ghost of Frankenstein) There were seven films centered around this character during the Universal Classic Monster days. The music back than was very memorable but they still had to choose among seven films.
In looking over the list again, we are pretty lucky that there is more than one Bond score at all as many other series were represented by just one film. I thought The Empire Strikes Back should have been nominated, for instance. Considering it uses some themes heard in Star Wars, it was probably thrown out on that basis and probably why most subsequent Barry Bond scores were not considered.
#27
Posted 13 May 2005 - 03:05 PM
Nice, however, is the CR nomination. Perhaps finally getting some wide-spread respect.
"Tomorrow Never Dies? I love the movie, but it doesn't have a memorable score."
"No parts of it stuck out for you?"
Only like a sore thumb

#28
Posted 13 May 2005 - 03:09 PM