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Pick a sentence, any sentence...


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#1 Hitch

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Posted 13 November 2004 - 05:27 PM

Here's a toughie. :) If you had to pick a sentence from the Fleming canon, one which to you summed up why you read his books, which would it be? It can be descriptive prose, dialogue, or narration.

Please remember to say which book your one sentence comes from.

"The blubbery arms of the soft life had Bond round the neck and they were slowly strangling him." FRWL

I like this not just for Fleming's usual punchy prose but also for its placing in the book. The reader has just read ten chapters about a plot to kill Bond, building up the tension to boiling point. Just when we need Bond to be at his most alert, we find him completely off-guard and the tension increases even further as we hope that somehow he'll wake up in time to the danger.

Very confident work from Fleming.

What's your pick?

#2 Loomis

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Posted 13 November 2004 - 06:01 PM

"James Bond, with two double bourbons inside him, sat in the final departure lounge of Miami Airport and thought about life and death." - "Goldfinger"

Says it all, dunnit? What a great way to open a book. :)

From "Chitty Chitty Bang Bang and The Works of Ian Fleming" by Colleen Mondor (http://www.eclectica...or_fleming.html):

"Watching Bond and reading Bond are always two very different things. While he is an icon, and has definitely taken on a life that transcends that of his creator, it is Fleming's words that make both Bond and the stories he inhabits so much more than the average thriller. Exotic places, good food, beautiful women and the darkness that lurks within the souls of all men fascinated Ian Fleming, and he knew how to write about them better than anyone. The opening line for Goldfinger is a perfect example: "James Bond, with two double bourbons inside him, sat in the final departure lounge of Miami Airport and thought about life and death.""

#3 Qwerty

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Posted 13 November 2004 - 09:12 PM

I think it's very hard to choose just one line or so, because there are so many good ones. I'll put this quote here, because it's an interesting way to look at it from the female point of view:

"A secret agent? I didn't care what he did. A number? I had already forgotten it. I knew exacty who he was and what he was. And everything, every smallest detail, would be written on my heart forever." -The Spy Who Loved Me

If you're looking for just one sentence, then I have bolded that.

#4 ComplimentsOfSharky

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Posted 14 November 2004 - 12:16 AM

Wow...There's so many....

But, I decided to reread Moonraker this weekend so here's a good one from there:

'And, he reflected, she might be a policewoman and an expert at jujitsu, but she also had a mole on her right breast.'

#5 freemo

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Posted 14 November 2004 - 02:30 AM

"Why the hell couldn't they stay at home and mind their pots and pans and stick to their frocks and gossip and leave men's work to the men"

#6 Jim

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Posted 14 November 2004 - 07:34 AM

Not fair, I was going to pick that one...

Still...

Bond saw luck as a woman, to be softly wooed or brutally ravaged, never pandered to or pursued

#7 Hitch

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Posted 15 November 2004 - 12:06 AM

Am I detecting a pattern here? :)

Do any of the female members of CBn want to add to this thread?

#8 superado

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Posted 15 November 2004 - 08:04 PM

Hello,

I am new to the board. I just read this last night:

"Then he slept, and with the warmth and humour of his eyes extinguished, his features relapsed into a taciturn mask, ironical, brutal, and cold."
-CR

For the moment, I like this sentence because it alludes to Bond's "default" character traits.

#9 Turn

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Posted 15 November 2004 - 08:48 PM

I have to look no further than the very first line of Casino Royale for my favorite - "The scent and smoke and sweat of a casino can be nauseating at 3 a.m." May be just a bit off there, but it sets an incredibly vivid picture. Hope Silverfin can top it. :)

#10 ComplimentsOfSharky

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Posted 15 November 2004 - 09:18 PM

I always thought that line was rather brilliant as well. I doubt Higson can get an edge over Fleming.

#11 Double-Oh-Zero

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Posted 17 November 2004 - 03:13 AM

Those who deserve to die...die the death they deserve.

Dunno. I just like it, for some inexplicable reason. Admittedly, though, haven't read much of Fleming in awhile.

#12 Donovan

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Posted 19 November 2004 - 03:18 AM

"She looked like the oldest and ugliest whore in the world."

FRWL, describing Rosa Klebb in a transparent neglige.

#13 Qwerty

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Posted 19 November 2004 - 03:46 AM

"She looked like the oldest and ugliest whore in the world."

FRWL, describing Rosa Klebb in a transparent neglige.

View Post


Such a great scene to show such a revolting villain.

#14 urhash

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Posted 26 November 2004 - 12:24 AM

"He touched her for the last time and then they turned away from each other and walked off into their different lives."

#15 KMHPaladin

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Posted 30 November 2004 - 05:23 AM

I don't know about my absolute favorite, but definitely a descriptive and sometimes appropriate sentence. From the opening of Thunderball,

'It was one of those days when it seemed to James Bond that all life, as someone put it, was nothing but a heap of six to four against.'

#16 Qwerty

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Posted 09 November 2007 - 05:54 AM

Bumping this one back up. Let's see some other Fleming gems. :D

#17 Bryce (003)

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Posted 09 November 2007 - 06:28 AM

"He touched her for the last time and then they turned away from each other and walked off into their different lives."


The last line of Moonraker.

#18 MHazard

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Posted 09 November 2007 - 04:37 PM

"Yes, I said was, the bitch is dead"

CR, last line (I'm working from memory here)

#19 Joyce Carrington

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Posted 13 November 2007 - 03:33 PM

Do any of the female members of CBn want to add to this thread?


I'd like to - but I have practically all the Fleming novels in Dutch (the English versions will have to wait until I have money). And let me tell you, Fleming in Dutch? Not that pretty.

#20 Scrambled Eggs

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Posted 13 November 2007 - 11:24 PM

"Most marriages don't add two people together. They subtract one from the other."

Diamonds are Forever

Do any of the female members of CBn want to add to this thread?


I'd like to - but I have practically all the Fleming novels in Dutch (the English versions will have to wait until I have money). And let me tell you, Fleming in Dutch? Not that pretty.


They don't cost much at all on ebay. Unless you want brand new copies I suppose. But if that's the case I think we should have a whip around for you.

#21 darkpath

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Posted 13 November 2007 - 11:27 PM

"He touched her for the last time and then they turned away from each other and walked off into their different lives."


The last line of Moonraker.

Excellent choice! :D

I really must locate my Bond novels....

#22 Major Tallon

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Posted 14 November 2007 - 01:47 AM

Casino Royale

As the rubber was flayed from his off-side wheels and the rims for an instant tore up the tarmac, the heavy car whirled across the road in a tearing dry skid, slammed the left bank with a crash that knocked Bond out of the driving seat on to the floor, and then, facing back up the road, it reared slowly up, its front wheels spinning and its great headlights searching the sky.

You are about to awake when you dream that you are dreaming.

LALD

The thudding rhythm and the sour-sweet smell rocked them as they pushed through the heavy curtains inside the swing door.

How can one explain to someone who hasn't lived close to the secret heart of the tropics, at the mercy of their anger and stealth and poison; who hasn't experienced the mystery of the drums, seen the quick working of magic and the mortal dread it inspires.

Moonraker

There might be cheats or possible cheats among them, men who beat their wives, men with perverse instincts, greedy men, cowardly men, lying men; but the elegance of the room invested each one with a kind of aristocracy.

DAF

He thought of the lovely face cradled on the open hand below him, innocent and defenceless in sleep, the scorn gone from the level grey eyes, and the ironical droop from the corners of the passionate mouth, and Bond knew that he was very near to being in love with her.

He listened, gazing at the circle of slowly swaying curtains, trying to forget that he was clinging like a fly half-way down the side of the Queen Elizabeth, trying not to listen to the sea far below him, trying to still his own heavy breathing and the hammering of his heart.

FRWL

She banged the door shut behind her and ran wildly off down the corridor with her hands over her ears against the pursuing scream that never came.

"Those whom the Gods wish to destroy, they first make bored."

Bond pitched forward on to the floor and lay sprawled under the funereal violet light.

Doctor No

The sixty-eight tons deadweight of the Super Constellation hurtled high above the green and brown chequerboard of Cuba and, with only another hundred miles to go, started its slow declining flight toward Jamaica.

The bizarre, gliding figure looked like a giant venomous worm wrapped in grey tin-foil, and Bond would not have been surprised to see the rest of it trailing slimily along the carpet behind.

He thought of the screaming lungs stuffing with the filthy dust, the body bending and then falling under the weight, the last impotent kick of the heels, the last flash of thought -- rage, horror, defeat? -- and then the silence of the stinking tomb.

Goldfinger

I am a poet in deeds -- not often in words.

Slowly the red dawn broke over the endless plain of black grass that gradually turned to the famous Kentucky blue as the sun ironed out the shadows.

I'll give you one last aphorism for your book, Goldfinger: "Never go a bear of England."

FYEO

"I propose to call you Donatienne, or possibly Solange, because these are names that suit my mood and the evening."

"Never send a man where you can send a bullet."

Thunderball

When Bond came round again, he was lying face downward on his bed and his whole body was bathed in exquisite sensation.

Then she gave a small sigh, pulled the pillow to the edge of the bed so that it was just above him, laid her head down so that she could see him whenever she wanted to, and closed her eyes.

TSWLM

The narrowed watchful eyes gave his good looks the dangerous, almost cruel quality that had frightened me when I had first set eyes on him, but now that I knew how he could smile, I thought his face only exciting, in a way that no man's face had ever excited me before.

OHMSS

It was one of those Septembers when it seemed that the summer would never end.

If there was one thing that set James Bond really moving in life, with the exception of gun-play, it was being passed at speed by a pretty girl; and it was his experience that girls who drove competitively like that were always pretty -- and exciting.

The three-quarter moon burned down with an almost dazzling fire and the snow crystals scintillated back at it like a carpet of diamond dust.

YOLT

Bond let go with hands and feet and plummeted down towards peace, towards the rippling feathers of some childhood dream of softness and escape from pain.

TMWTGG

But James Bond twisted like a dying animal on the ground and the iron in his hand cracked viciously again and again -- five times -- and then fell out of his hand onto the black earth as his gun hand went to the right side of his belly and stayed there, clutching at the terrible pain.

For James Bond, the same view would always pall.

Finally, at the risk of violating the one-sentence concept of this thread, permit me to offer a short couple of sentences from DAF.

And the eyes of the man whose Blood Group had been F spoke to him and said, "Mister. Nothing is forever. Only death is permanent. Nothing is forever except what you did to me."

#23 Qwerty

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Posted 14 November 2007 - 04:25 AM

"He touched her for the last time and then they turned away from each other and walked off into their different lives."


The last line of Moonraker.


Definitely a memorable ending. :D

#24 clinkeroo

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Posted 14 November 2007 - 07:33 AM

DAF

"I want it all, James. Everything you've ever done to a woman. Now."

This line has stuck in my head since I was in the fifth grade. Made me feel "funny" when I was nine...and still does thirty-one years later.

#25 Bryce (003)

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Posted 14 November 2007 - 08:15 AM

One of my other favorites and just classic:

Thunderball - Chapter 14 - "Sour Martini's"

The martini's arrived. Leiter took one look at them and told the waiter to send over the barman. When the barman came, looking resentful, Leiter said, "My friend, I asked for a martini, not a soused olive." He picked the olive out of the glass with the cocktail stick. The glass, which had been three-quarters full, was now half full. Leiter said mildly, "This was being done to me while the only drink you knew was milk. I'd learned the basic economics of your business by the time you'd graduated to Coca-Cola. One bottle of Gordon's gin contains sixteen true measures - double measures, that is, the only ones I drink. Cut the gin with three ounces of water and that makes it up to twenty-two. Have a jigger glass with a big steal in the bottom and a bottle of these fat olives and you've got around twenty-eight measures. Bottle of gin here costs only two dollars retail, let's say around a dollar sixty wholesale. You charge eighty cents for a martini, a dollar sixty for two. Same price as a whole bottle of gin. And with your twenty-eight measures to the bottle, you've still got twenty-six left. That's a clear profit on one bottle of gin of around twenty-one dollars. Give you a dollar for the olives and the drop of vermouth and you've still got twenty dollars in your pocket. Now, my friend, that's too much profit, and if I could be bothered to take this martini to the management and then to the Tourist Board, you'd be in trouble. Be a good chap and mix us two large dry martinis without olives and some slices of lemon peel separate. Okay? Right, then we're friends again.


God bless Felix. I once witnessed 004 do the same in Amsterdam with some chap trying to pass off some blended scotch on us. It wasn't nearly as long winded, but came across about the same.

Classic Fleming.

#26 007Bond

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Posted 14 November 2007 - 09:03 AM

From the novel "A view to a kill" :

"She was tall and, althought her figure was hidden by a light raincoat, the way she moved and the way she held herself promised that it would be beautiful.
The face had the gaiety and bravado that went with her driving, but now there was impatience in the compressed lips and the eyes fretted as she pushed diagonally through the moving crowd on the pavement.
Bond watched her narrowly as she reached the edge of the tables and came up the aisle. Of course it was hopeless. She was coming to meet someone -her lover.She was the sort of woman who always belongs to somebody else. She was late for him.That's why she was in such a hurry. What damnable luck - right down to the long blonde hair under the rakish beret ! And she was looking straight at him.
She was smiling...!"

How many times have I experienced such a scene without having the chance to (be) Bond ! :D

Edited by 007Bond, 14 November 2007 - 09:04 AM.


#27 Mr. Du Pont

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Posted 18 November 2007 - 12:08 AM

I can't possibly choose a single sentence, so I will give you the last two from my favorite passage. It's the very end of the chapter 'Belly Strippers,' etc. in MOONRAKER. Bond had been driving in London before his showdown at Blades with Sir Hugo and was taken aback when he saw neon letters flashing across the sky. When he pulled over to check it out, he realized it was simply a neon Shell oil sign proclaiming "Summer Shell Is Here":

"When he had first seen the sign, half-hidden by the building, great crimson letters across the evening sky had flashed a different message.
They had said: 'HELL IS HERE...HELL IS HERE...HELL IS HERE.'"


#28 Banco

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Posted 20 January 2008 - 09:19 PM

Not my favorite passage, but a provocative one, nonetheless:

In Casino Royale, upon realizing that Vesper had been fooled by the fake note from Mathis, and thereupon kidnapped...

"This was just what he had been afraid of. These blithering women who thought they could do a man's work. Why the hell couldn't they stay at home and mind their pots and pans and stick to their frocks and gossip and leave men's work to the men." (Casino Royale, ch. 15)

Edited by Banco, 20 January 2008 - 09:43 PM.


#29 MicroGlobeOne

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Posted 20 January 2008 - 10:05 PM

This is a great thread. Of course, as others have noted, it's terribly difficult to choose only a single sentence. As far as Fleming's narratives are concerned, there are so many classic passages to choose from!

Here's one of my personal favorite passages, from what is probably my favorite of Ian Fleming's short stories, "Quantum of Solace." In a book that offers more than its share of violence, 007 reflects on what Fleming refers to as "the book of real violence"...

"Bond laughed. Suddenly the violent dramatics of his own life seemed very hollow. The affair of the Castro rebels and the burned-out yachts was the stuff of an adventure-strip in a cheap newspaper. He had sat next to a dull woman at a dull dinner party and a chance remark had opened for him the book of real violence--of the comedie humaine where human passions are raw and real, where Fate plays a more authentic game than any Secret Service conspiracy ever devised by governments." --Ian Fleming, "Quantum of Solace"


Edited by MicroGlobeOne, 20 January 2008 - 10:08 PM.


#30 Chaz

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Posted 30 January 2008 - 03:15 AM

I love the first sentence in Casino Royale , its very classic and its hard to come up with a classy line like that.