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Creating Klebb


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#1 spynovelfan

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Posted 09 April 2010 - 08:25 AM

Creating Klebb

Rosa Klebb was one of James Bond's deadliest enemies, and one of Ian Fleming’s most memorable characters. Discover the real-life secret agents who inspired her creation


In his 1957 novel From Russia With Love, Ian Fleming created one of the most loathsome villains in the thriller genre, the ‘toad-like’ Soviet counter-intelligence officer Major Rosa Klebb. An ogress with poison-tipped daggers concealed in her shoes, this ‘dreadful chunk of a woman’ was memorably played in the film adaptation by Lotte Lenya. But the character was in fact a composite of three real Soviet agents, filtered through Fleming’s prodigious imagination.

Major Tamara Nicolayeva Ivanova was one of Russian intelligence's 'few female high officials' and 'an over-worked nervous spinster', according to Soviet Spy Net by E.H. Cookridge. Cookridge was a pseudonym for former British agent Edward Spiro, and this book, published in Britain in 1955, is a highly coloured account of the activities of Russian intelligence agencies around the world – Fleming used it as the background source for several novels. Cookridge claimed that Ivanova was an instructor of Nicolai Khokhlov, the Soviet agent who defected to the Americans in Germany in 1954, claiming he had been sent to assassinate an anti-Communist activist in Frankfurt. The Americans wasted no time in showing the world press the would-be assassin’s equipment, which included a gold cigarette case that concealed an electrically operated gun capable of firing cyanide-tipped bullets. In Fleming’s From Russia, With Love, the fearsome assassin Red Grant tells his masters at SMERSH that they gave Khokhlov's mission to the wrong man: 'I wouldn’t have gone over to the Yanks.'

Fleming was also inspired by Emma Wolff, an apparently hideous NKVD agent based in Vienna who had dyed red hair. Fleming had been told about her by Rachel Terry, who wrote thrillers under the name Sarah Gainham and who was married to Fleming’s friend and colleague Anthony Terry.

The third inspiration for the character was more unusual. In Fleming’s novel, Klebb is a member of the deadly Smersh. This Soviet organization was real, although Fleming sensationalized many of its working methods and responsibilities. He had first written about it in his debut novel, Casino Royale, published in 1953, but his interest was reignited by the case of the Russian cipher expert Vladimir Petrov, who defected to Australia in 1954. Discussing the case in his Sunday Times column Atticus, Fleming brought in his knowledge of Smersh agents – or Beria's 'messengers of death' as he called them – and also mentioned a mysterious 'Madame Rybkin', who he thought might be the most powerful woman in espionage; according to Fleming's biographer John Pearson, this sowed the seed of Klebb.

Colonel Zoya Rybkina, operating under the alias 'Madam Yartseva', was the head of the German section of the NKVD (the predecessor of the KGB) throughout the Second World War. She was responsible for the selection, organization and training of Soviet sabotage and reconnaissance groups, selecting radio operators, translators, skydivers, and skiers for her agents.

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She also did her own spying. In May 1941, she attended a reception in Moscow for the German ambassador Werner von Schulenburg. While waltzing with von Schulenburg, Rybkina, 'an elegant figure in a velvet dress', noticed that a neighbouring room in the embassy had had paintings removed from the walls. Coupled with a glimpse of some suitcases and overheard remarks from the surrounding German diplomats', she realized that the Nazis were intending to invade the Soviet Union. On June 17 1941, five days before Operation Barbarossa began, she delivered a report to Stalin to warn him. But Uncle Joe did not believe her, thinking he was being fed disinformation.

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After the war, Rybkina's career took a surprising turn: under the name Zoya Voskresenskaya, she became famous throughout the Soviet Union as a children's writer, penning a series of best-selling stories following the adventures of Lenin as a boy, two of which were made into successful films. Between 1962 and 1980, over 21 million copies of her books were in print. Another wartime intelligence officer who became a children’s author, of course, was Ian Fleming, who wrote Chitty Chitty Bang Bang.

Rybkina died in Moscow in 1992. It seems unlikely that she ever learned that she was the inspiration for one of Bond’s most fearsome villains - or that Fleming ever knew about the second career of the real Rosa Klebb.

#2 Revelator

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Posted 09 April 2010 - 07:43 PM

Thank you for yet another article that is as informative and useful as it is entertaining--it provides a glimpse into Fleming's magpie technique with his sources. Are you planning on publishing this anywhere?

I couldn't help laughing about Madame Rybkina's second career of writing "best-selling stories following the adventures of Lenin as a boy." Surely the ultimate in Communist kitsch! We can only imagine what sort of children's books Rosa Klebb would writte...on second thought let's not.

Incidentally, Rosa's fate seems to be a bit of a mystery. We last see her being carted off by Mathis, and then in the next book M hurriedly says, "Oh, she died." Anyone have any guesses about what actually happened to her? I got the feeling that M was lying, but one wonders what the Secret Service would have done with her after it was finished with its interrogations--send her back to Russia in a prisoner exchange? Perhaps she ended up in the gulag, sustained only by thin gruel and the occasional piece of reading material...like Madame Rybkina's books.

Edited by Revelator, 09 April 2010 - 07:47 PM.


#3 Trident

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Posted 09 April 2010 - 07:47 PM

Another fine piece, Jeremy! Particularly liked the parallels of both Rybkina and Fleming becoming writers. What a most peculiar second career for Rybkina to become a childrens author; wonder if she would ever have considered to dabble into the crime/espionage genre?

#4 Trident

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Posted 09 April 2010 - 08:02 PM

Incidentally, Rosa's fate seems to be a bit of a mystery. We last see her being carted off by Mathis, and then in the next book M hurriedly says, "Oh, she died." Anyone have any guesses about what actually happened to her? I got the feeling that M was lying, but one wonders what the Secret Service would have done with her after it was finished with its interrogations--send her back to Russia in a prisoner exchange? Perhaps she ended up in the gulag, sustained only by thin gruel and the occasional piece of reading material...like Madame Rybkina's books.



Phew, good question, I never really thought about Rosa's fate. Actually, not an easy question, if one considers. Getting information from her would have been particularly difficult. Torture would have been out of the question, our blissful present state of happy water games wasn't reached yet, and the very idea would have been disgusting, to say the least. Perhaps a truth drug? But then again, perhaps she had a cyanide capsule hidden on her body and preferred to leave the building?

#5 spynovelfan

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Posted 09 April 2010 - 08:17 PM

Thank you for yet another article that is as informative and useful as it is entertaining--it provides a glimpse into Fleming's magpie technique with his sources. Are you planning on publishing this anywhere?


Thanks very much - delighted you enjoyed it! I've no plans to seek publication for it, unless a certain Bond website is interested in running it. B)

I couldn't help laughing about Madame Rybkina's second career of writing "best-selling stories following the adventures of Lenin as a boy." Surely the ultimate in Communist kitsch! We can only imagine what sort of children's books Rosa Klebb would writte...on second thought let's not.


Isn't it bizarre?

Incidentally, Rosa's fate seems to be a bit of a mystery. We last see her being carted off by Mathis, and then in the next book M hurriedly says, "Oh, she died." Anyone have any guesses about what actually happened to her? I got the feeling that M was lying, but one wonders what the Secret Service would have done with her after it was finished with its interrogations--send her back to Russia in a prisoner exchange? Perhaps she ended up in the gulag, sustained only by thin gruel and the occasional piece of reading material...like Madame Rybkina's books.


I like that last option. I guess the real (dull) answer is that Fleming couldn't be bothered to pursue it or, perhaps more likely, thought it would bog down readers who hadn't read FRWL (he was conscious, I think, of that problem as early as Live and Let Die). But I'd like to think they did torture her for a very long time: perhaps M did so himself, in his own private dungeon beneath Blades, pouring bottles of The Infuriator down her throat as she screamed for mercy until finally gurgling her last whisper of death... Grim enough? :tdown:

#6 Trident

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Posted 09 April 2010 - 08:56 PM

They could have had Rosa brought to The Park for some electric brain dry cleaning and then sent her back to Russia, with a Walther PPK and an urgent wish to see General Grubozaboyschikov? Might explain why the Russians seven years later were so very not cricket when sending Bond back home...

#7 Major Tallon

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Posted 09 April 2010 - 11:09 PM

Thank you for yet another article that is as informative and useful as it is entertaining--it provides a glimpse into Fleming's magpie technique with his sources. Are you planning on publishing this anywhere?

I couldn't help laughing about Madame Rybkina's second career of writing "best-selling stories following the adventures of Lenin as a boy." Surely the ultimate in Communist kitsch! We can only imagine what sort of children's books Rosa Klebb would writte...on second thought let's not.

Incidentally, Rosa's fate seems to be a bit of a mystery. We last see her being carted off by Mathis, and then in the next book M hurriedly says, "Oh, she died." Anyone have any guesses about what actually happened to her? I got the feeling that M was lying, but one wonders what the Secret Service would have done with her after it was finished with its interrogations--send her back to Russia in a prisoner exchange? Perhaps she ended up in the gulag, sustained only by thin gruel and the occasional piece of reading material...like Madame Rybkina's books.

Yes, indeed, spynovelfan, thank you for another contribution to Bond scholarship.

The answer to the question regarding Klebb's fate is set out in Fleming's manuscript for FRWL in the Lilly Library in Indiana. First, though, I'll mention that Fleming orginally gave Klebb "Biola" as a first name, not changing it to "Rosa" until he wrote the final chapter, which is most notable for containing the original "happy ending" for FRWL.
Here's the answer to the question regarding Klebb's fate, from Fleming's manuscript:

"The two men bundled the now snoring woman into the basket and shut down the lid and Rosa Klebb, reduced like some exorcised spectre to a packet of dirty linen was humped off on the beginning of the journey to the inquisition in the course of which, by M's personal orders, the traditionally humane methods of the Service were for once and drastically set aside."

Fleming provided no further details of how "she died."

Bond then tells Mathis he's taking a girl on a train trip, bringing us to the manuscript's final line: "And the girl? Well, apart from being the most beautiful woman in Paris, she also happens to be the most beautiful woman in SMERSH."

Edited by Major Tallon, 09 April 2010 - 11:10 PM.


#8 00Twelve

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Posted 10 April 2010 - 03:05 AM

Thanks very much, SNF, for this glimpse into the origins of Klebb. Delightful read as always. And thank you also, Major, for that manuscript snippet. Fantastic to know what Fleming wanted to say about her demise. Think this might be the next one I revisit.

#9 Mr. Blofeld

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Posted 10 April 2010 - 06:54 AM

I couldn't help laughing about Madame Rybkina's second career of writing "best-selling stories following the adventures of Lenin as a boy." Surely the ultimate in Communist kitsch!

I think this would give Rybkina a run for her money: B)

As an afternote, I'm glad Fleming changed the ending; having Bond surviving death again (at least, within FRWL's pages), after probably the most dangerous mission he had yet gone on, would've been too much.

For every Final Problem, however, there must be an Adventure of the Empty House, and Bond soon returned from his creator-imposed hiatus; thankfully, though, with none of the flaws Conan Doyle embued Holmes after bringing him back to life.

#10 spynovelfan

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Posted 10 April 2010 - 09:34 AM

Thank you for yet another article that is as informative and useful as it is entertaining--it provides a glimpse into Fleming's magpie technique with his sources. Are you planning on publishing this anywhere?

I couldn't help laughing about Madame Rybkina's second career of writing "best-selling stories following the adventures of Lenin as a boy." Surely the ultimate in Communist kitsch! We can only imagine what sort of children's books Rosa Klebb would writte...on second thought let's not.

Incidentally, Rosa's fate seems to be a bit of a mystery. We last see her being carted off by Mathis, and then in the next book M hurriedly says, "Oh, she died." Anyone have any guesses about what actually happened to her? I got the feeling that M was lying, but one wonders what the Secret Service would have done with her after it was finished with its interrogations--send her back to Russia in a prisoner exchange? Perhaps she ended up in the gulag, sustained only by thin gruel and the occasional piece of reading material...like Madame Rybkina's books.

Yes, indeed, spynovelfan, thank you for another contribution to Bond scholarship.

The answer to the question regarding Klebb's fate is set out in Fleming's manuscript for FRWL in the Lilly Library in Indiana. First, though, I'll mention that Fleming orginally gave Klebb "Biola" as a first name, not changing it to "Rosa" until he wrote the final chapter, which is most notable for containing the original "happy ending" for FRWL.
Here's the answer to the question regarding Klebb's fate, from Fleming's manuscript:

"The two men bundled the now snoring woman into the basket and shut down the lid and Rosa Klebb, reduced like some exorcised spectre to a packet of dirty linen was humped off on the beginning of the journey to the inquisition in the course of which, by M's personal orders, the traditionally humane methods of the Service were for once and drastically set aside."

Fleming provided no further details of how "she died."

Bond then tells Mathis he's taking a girl on a train trip, bringing us to the manuscript's final line: "And the girl? Well, apart from being the most beautiful woman in Paris, she also happens to be the most beautiful woman in SMERSH."


Wonderful- thank you! I've never read about this before - has it been revealed in any Bond-related books or magazines?

#11 Major Tallon

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Posted 10 April 2010 - 11:44 AM

Thank you for yet another article that is as informative and useful as it is entertaining--it provides a glimpse into Fleming's magpie technique with his sources. Are you planning on publishing this anywhere?

I couldn't help laughing about Madame Rybkina's second career of writing "best-selling stories following the adventures of Lenin as a boy." Surely the ultimate in Communist kitsch! We can only imagine what sort of children's books Rosa Klebb would writte...on second thought let's not.

Incidentally, Rosa's fate seems to be a bit of a mystery. We last see her being carted off by Mathis, and then in the next book M hurriedly says, "Oh, she died." Anyone have any guesses about what actually happened to her? I got the feeling that M was lying, but one wonders what the Secret Service would have done with her after it was finished with its interrogations--send her back to Russia in a prisoner exchange? Perhaps she ended up in the gulag, sustained only by thin gruel and the occasional piece of reading material...like Madame Rybkina's books.

Yes, indeed, spynovelfan, thank you for another contribution to Bond scholarship.

The answer to the question regarding Klebb's fate is set out in Fleming's manuscript for FRWL in the Lilly Library in Indiana. First, though, I'll mention that Fleming orginally gave Klebb "Biola" as a first name, not changing it to "Rosa" until he wrote the final chapter, which is most notable for containing the original "happy ending" for FRWL.
Here's the answer to the question regarding Klebb's fate, from Fleming's manuscript:

"The two men bundled the now snoring woman into the basket and shut down the lid and Rosa Klebb, reduced like some exorcised spectre to a packet of dirty linen was humped off on the beginning of the journey to the inquisition in the course of which, by M's personal orders, the traditionally humane methods of the Service were for once and drastically set aside."

Fleming provided no further details of how "she died."

Bond then tells Mathis he's taking a girl on a train trip, bringing us to the manuscript's final line: "And the girl? Well, apart from being the most beautiful woman in Paris, she also happens to be the most beautiful woman in SMERSH."


Wonderful- thank you! I've never read about this before - has it been revealed in any Bond-related books or magazines?

I can't recall the source, though I believe it's been mentioned somewhere that Bond, in the original manuscript, survived Klebb's attack. I'm fairly certain, however, that the details have never been published. I've been a bit surprised by that, because, while Fleming revised his original drafts a lot, this is the most radical manuscript alteration of any novel in the canon. It rather strengthens the argument, I think, that Fleming was seriously toying with the idea of killing Bond off.

#12 DAN LIGHTER

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Posted 10 April 2010 - 03:21 PM

I would have held this one back to be published SNF. Your mighty kind to share it!

#13 spynovelfan

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Posted 10 April 2010 - 06:33 PM

Glad you liked it, DAN LIGHTER!


Wonderful- thank you! I've never read about this before - has it been revealed in any Bond-related books or magazines?

I can't recall the source, though I believe it's been mentioned somewhere that Bond, in the original manuscript, survived Klebb's attack. I'm fairly certain, however, that the details have never been published. I've been a bit surprised by that, because, while Fleming revised his original drafts a lot, this is the most radical manuscript alteration of any novel in the canon. It rather strengthens the argument, I think, that Fleming was seriously toying with the idea of killing Bond off.


Indeed. Very interesting, and thanks for sharing it here with us. It seems that the internet can sometimes be a place where new information about Ian Fleming and James Bond is revealed. B)

#14 Major Tallon

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Posted 10 April 2010 - 08:40 PM

I've found the prior published reference to the outcome of Klebb's battle with Bond. In John Griswold's Annotations and Chronologies, his "Note 2" on Chapter 28 reads, "In the manuscript archived at the Lilly Library, Bond was not kicked by Rosa." I don't believe that the actual text has previously been published anywhere.

#15 spynovelfan

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Posted 13 April 2010 - 10:59 AM

I've found the prior published reference to the outcome of Klebb's battle with Bond. In John Griswold's Annotations and Chronologies, his "Note 2" on Chapter 28 reads, "In the manuscript archived at the Lilly Library, Bond was not kicked by Rosa." I don't believe that the actual text has previously been published anywhere.



Unfortunately, this thread might end up being the only place these details are ever revealed, and more fans won't get to know of this rather interesting little tidbit. I suspect the same applies for my own tiny discovery above: Henry Chancellor revealed that Tamara Ivanova was a possible inspiration for Fleming in James Bond: The Man and his World in 2005; Andrew Lycett mentioned Emma Wolff in his 1995 biography of Ian Fleming; and John Pearson discussed how 'Madame Rybkin' 'became Klebb' in his Fleming biography in 1966. But I don't think anyone has ever previously figured out who 'Madame Rybkin' was. It's a tiny thing, of course, but I think it's quite fun that she became one of the Soviet Union's best-selling children's writers. If I were on the staff of a major national newspaper, I suspect I'd be able to publish the first post in this thread with little difficulty. As I'm not, I haven't tried because it is just not a big enough thing to hook their fancy.

For your tidbit, 'How Ian Fleming intended for Rosa Klebb to suffer' would make an easy story for many newspapers, but if you aren't already working for one it would probably be too hard to publish, at least under your own byline. If you called a national newspaper and explained it well enough, though, they might do it. I doubt any books will publish this, at least any time soon - Chancellor's book was only five years ago, and it might be a while before that sort of thing is done again.

All of which is why the internet can be a great place for discussion. Occasionally, hidden in all the static, there's an intriguing nugget of new information that may never be found anywhere else.

It's not all bad. B)

#16 Major Tallon

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Posted 14 April 2010 - 01:55 AM

Indeed it isn't. I've quite a little collection of your posts on the world of James Bond. They make a lovely monograph, and your current article is a welcome addition.

Several years ago, the Ian Fleming Foundation's magazine Goldeneye published a detailed comparison of the manuscript of Live and Let Die to the published novel. Alas, no further articles were forthcoming, so I decided to do some research of my own. Over the course of several visits, I made notes on all eleven of the manuscripts in their collection. There's unquestionably at least an article in what I found, but I don't have time to write it. (And, without meaning to tease, I'm not a journalist.) Maybe some day.

#17 00Twelve

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Posted 14 April 2010 - 03:43 AM

Well I, for one, would give a leg or two to get to read about those differences, Major. B)

#18 spynovelfan

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Posted 14 April 2010 - 06:05 AM

Well I, for one, would give a leg or two to get to read about those differences, Major. B)


Seconded. Would make a wonderful article.

#19 Trident

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Posted 14 April 2010 - 07:43 AM

Please, do try to find the time for this article, Major Tallon. It would be an extremely welcome work, and I am sure many fellows will be interested! I had absolutely zero idea Fleming considered being so definite about Klebb's fate. Fascinating.

#20 dlb007

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Posted 03 May 2010 - 02:52 AM

Great article! It really is interesting seeing where Fleming found his inspiration. It'd be great to see an article like this (regarding a character or event) from every Bond novel . . . though no pressure B)

#21 Guy Haines

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Posted 05 May 2010 - 09:56 PM

Anyone read this article from today's "Daily Telegraph"?
http://www.telegraph...-to-thrill.html

Rosa Klebb gets one or two mentions in it.