Purvis & Wade: What exactly are they doing for 'Bond 22'?
#1
Posted 19 September 2007 - 11:02 PM
#2
Posted 19 September 2007 - 11:06 PM
#3
Posted 19 September 2007 - 11:07 PM
What's their job for Bond 22? Paul Haggis seems to be the only writer yet we know Neal Purvis and Robert Wade are working on the film. Did they come up with the story so that Haggis can write the script? He seems to be doing way more than just a polish for this one. I'm confused.
I'm going to guess that they came up with the basic story, and a treatment for the film, perhaps writing a skeleton, bare bones first draft. But its clear that Haggis is doing a complete rewrite of whatever they came up with, from page one. He is absolutely the main writer for Bond 22.
#4
Posted 19 September 2007 - 11:24 PM
I'm going to guess that they came up with the basic story, and a treatment for the film, perhaps writing a skeleton, bare bones first draft. But its clear that Haggis is doing a complete rewrite of whatever they came up with, from page one. He is absolutely the main writer for Bond 22.
Yeah, I think everyone gets the feeling that Purvis & Wade have not done quite as good a job as they did on CR, and Haggis is rewriting a lot of stuff. However, P&W do come up with the plot and I think some of the action or chase scenes too.
#5
Posted 19 September 2007 - 11:29 PM
I think it'll be rewritten a lot more than the last film was, though. Campbell probably worked with Purvis and Wade on the Casino Royale script, so he would have had some influence there to begin with.
Whereas Forster signed up after their script had already been completed. So he's going to want to bring his own ideas to the table.
#6
Posted 20 September 2007 - 01:52 AM
Yeah, I think everyone gets the feeling that Purvis & Wade have not done quite as good a job as they did on CR,
Well Purvis and Wade got a lot of help from Ian Fleming when writing Casino Royale.
Remember, Purvis and Wade are the team that gave us Die Another Day.
#7
Posted 20 September 2007 - 01:56 AM
Purvis and Wade were hired to write a first draft script of Bond 22 before Casino Royale commenced principal photography. They submitted their first draft at the top of this year and then went on to work on Barbarella. Subsequently, Paul Haggis was hired to work on the script. I guess in the reporting of the Haggis stories, neither he nor the interviewer wants to muddy the headline waters by invoking P&W. I believe that Haggis is rewriting P&W, but more substantially this time, unlike the polish of Casino Royale.
Sounds about right to me. It seems like all we've heard about the Casino Royale script lately has come from Haggis over the course of several weeks (and with him not even halfway through, it definitely looks like we can expect alot of his input in this one).
Not that I'm complaining.
#8
Posted 20 September 2007 - 03:54 AM
As for how long this thing is, could there be a possibility it's going to be longer (or just as long) as Casino Royale?
#9
Posted 20 September 2007 - 08:54 AM
#10
Posted 20 September 2007 - 09:08 AM
I wouldn't overestimate the help they got from Fleming. Casino Royale is a good book but you cant film it from page to page and expect to get a good film. We are not talking about anything close to OHMSS here.Yeah, I think everyone gets the feeling that Purvis & Wade have not done quite as good a job as they did on CR,
Well Purvis and Wade got a lot of help from Ian Fleming when writing Casino Royale.
Remember, Purvis and Wade are the team that gave us Die Another Day.
#11
Posted 20 September 2007 - 01:11 PM
To be honest, as much as I love the poker game, my favorite part of CR was all the original material.Well Purvis and Wade got a lot of help from Ian Fleming when writing Casino Royale.
Remember, Purvis and Wade are the team that gave us Die Another Day.
And what sunk DAD was bad writing and bad CGI. Haggis prevents the former while the new direction prevents the latter. Plus, no offense to Brosnan, but we also have Daniel Craig on board.
I think P&W aren't necessarily bad at ideas. They're just like George Lucas in that they should leave the fleshing out to other people.
#12
Posted 20 September 2007 - 05:32 PM
Yeah, I think everyone gets the feeling that Purvis & Wade have not done quite as good a job as they did on CR,
Well Purvis and Wade got a lot of help from Ian Fleming when writing Casino Royale.
Remember, Purvis and Wade are the team that gave us Die Another Day.
Here we go again, the P&W bashing continues...
Okay, let
#13
Posted 20 September 2007 - 05:54 PM
I think it's possible we won't see their names on the final credits. Or maybe just a "story by" credit.
#14
Posted 20 September 2007 - 06:26 PM
I wonder too. And the wondering doesnI'm wondering if maybe P&W only wrote a treatment?
I think it's possible we won't see their names on the final credits. Or maybe just a "story by" credit.
#15
Posted 20 September 2007 - 06:34 PM
I think it's possible we won't see their names on the final credits. Or maybe just a "story by" credit.[/quote]
I wonder too. And the wondering doesn
#16
Posted 20 September 2007 - 06:34 PM
#17
Posted 20 September 2007 - 06:41 PM
Once this fine question gets answered, I hope you don't mind if I stick it in the Showbiz Q & A thread I opened yesterday.Apologies, but in lay terms, what exactly is a treatment?
Just to keep things nice and tidy, y'know?
#18
Posted 20 September 2007 - 06:48 PM
Well Purvis and Wade got a lot of help from Ian Fleming when writing Casino Royale.
Remember, Purvis and Wade are the team that gave us Die Another Day.
Then they did both a good and bad job. One can praise them for a strong first half of the film. And one can criticize them for the inferior second half.
#19
Posted 20 September 2007 - 06:50 PM
Once this fine question gets answered, I hope you don't mind if I stick it in the Showbiz Q & A thread I opened yesterday.Apologies, but in lay terms, what exactly is a treatment?
Not at all, I don't copyright my postings
#20
Posted 20 September 2007 - 06:57 PM
A treatment is anywhere from a 10 to 50 page prose outline of the story. Unlike a script, it doesn't (shouldn't) include dialog, slug lines, stage direction, etc.Once this fine question gets answered, I hope you don't mind if I stick it in the Showbiz Q & A thread I opened yesterday.Apologies, but in lay terms, what exactly is a treatment?
Not at all, I don't copyright my postings
#21
Posted 20 September 2007 - 07:03 PM