Guy Hamilton's second unit? (or lack of...)
#1
Posted 15 September 2007 - 05:54 PM
Can someone please tell me why DIAMONDS ARE FOREVER, LIVE AND LET DIE and MAN WITH THE GOLDEN GUN all lacked a second unit? I know Peter Hunt had graduated to full out director by this point, but John Glen did the amazing Tobogan sequence from OHMSS, Anthony Squire the stock car chase from the same movie- why couldn't these guys have been rehired? It pains me to think that Squire particularly went on to do CONDORMAN, which has far greater "Bondian" stunt action than any of these three Hamilton movies. He ws perfect for these movies. What a wasted opportunity.
How come veteran Hollywood cameraman Harold Wellman receives a second unit cinematography credit for DAF when there is no credited second unit director?
Is this all explained on the DVD?
I hope someone can please enlighten me on the facts.
Many thanks
PS judging by what is on display in these three Hamilton Bonds that I mentioned, it's painfully obvious to see how much influence Peter Hunt had on GOLDFINGER as second unit director/editor.
#2
Posted 18 September 2007 - 09:44 PM
#3
Posted 18 September 2007 - 10:04 PM
#4
Posted 18 September 2007 - 10:15 PM
He wasn't happy with some of Hunt's Ft Knox aerial footage and re-shot it.
He and Hunt did not get along.
He essentially edited in the camera - he didn't give as much leeway for Hunt to work his magic the way Terence Young did.
He claimed at one point (I think it's in one of the documentaries, maybe on the banned Criterion one) that one of the Goldfinger reels went to the premiere entirely unedited - which was a ridiculous claim and more a dig at Hunt than anything else.
Interesting question though - and you are right - just because someone is an AD doesn't mean they have anything to do with the 2nd unit.
#5
Posted 19 September 2007 - 02:41 PM
BTW- Guy Hamilton started his career as an assistant director, so I would have imagined he'd taken a liking to Derek Cracknell, particularly as they worked so much together from BATTLE OF BRITAIN onwards- plus Cracknell I think even directed some aerial work on BATTLE OF BRITAIN, maybe even uncredited. Overseeing Hamilton's second unit seems pretty natural, especially given the second unit work Cracknell did on films like KRULL later on.
Royal Dalton (who is your alias, btw?
I don't know who Cracknell was married to, but as you probably know his daughter is the lead singer of ST ETIENNE.
#6
Posted 20 September 2007 - 01:36 AM
Sometimes it seems like a completely different director did LALD.

--DaveBond21--
Ah, Mr Bond, perhaps you would like to make love to my mistress before I have you killed? Muhhahhh....ha ha ha ha.......
#7
Posted 20 September 2007 - 01:49 AM
I've read some of the money for Connery's salary meant the special effects budget was slashed for DAF. They also cut back from the widescreen 2:35 to 1:85 aspect ratio on LALD and TMWTGG, so maybe they thought things needed to be a little less spectacular with the smaller scale.
#8
Posted 20 September 2007 - 12:53 PM
tim partridge, on 19 September 2007 - 15:41, said:
My name scarcely matters. John Scarcely-Matters.
tim partridge, on 19 September 2007 - 15:41, said:
His wife was someone quite famous. But I've forgotten who she was now.
#9
Posted 21 September 2007 - 04:07 AM
I just posted about the aspect ratios. Interesting. Shot Flat I guess?
I am a big fan of these Guy Hamilton movies. I thought the action was decent in them. Is it seen as not as intense in terms of fight action as Goldfinger?
I do feel that the lack of Ken Adam on Live And Let Die and TMWTGG also add a bit to them not seeming as BIG film wise as Diamonds and Spy!
Why was Ken Adam not involved on LALD and TMWTGG? He was missed!

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