As I said in a previous post, I got it on Saturday. Check it out in your local comic store, it' s out.
The forward is by Caroline Bliss. The article at the beginning is about the US comics appearances of Bond. Reasonably informative, if you 're interested in the topic.
Minor spoilers in the reviews below.
First story, Xanadu Connection. Bond has to go to Turkestan (supposedly Asian country, with a border to USSR) to help an archaeologist (and British agent) to return to England. Against him is Khubla Khan, a folk dancer and hero, who wants the area to be independent under his rule. Bond takes the archaeologist's wife with him to help him in his mission, and uses a vehicle called Super Sapper, that can go below ground, using laser technology.
Not a great story. Horak is good as always, but the plot is nothing special, the action is nothing we haven't seen before, the text is not interesting and the villain is too picturesque. The setting reminds me of a Modesty Blaise strip, when Modesty went to resque a scientist friend of hers in Lapland. The villain's plan can also be found in Corto Maltese (of course the Maltese book being significantly better from all points of view...)
Second story, Shark Bait. Story in three acts. First, an exciting scuba action scene. Well drawn, well directed. Really suspenceful. Second act, screwball romance. Bond tries to make the beautiful Russian agent he has captured to go on his side (guess if he succeeds...). Third act, another sea action scene. Hardly as exciting as the first one, but reasonably good. Bond has to retreat a supercomputer from the tummy of a great white shark before the Soviets do. Or maybe after them...
Good story, long enough (which is always a problem), reasonably interesting characterisation. Still, there are a few things that happen way too easily, like the turning of the Soviet agent, or the eagerness of the Soviets to fall in all the traps Bond sets for them. Still, a lot better than average.
Third story, Doomcrack. The main reason to buy the volume, especially if you 're getting bored of repetition. What makes Doomcrack different is the artist, Harry North, of MAD fame. His style is different to Horak, and, even though i wouldn't say he 's better, it's always nice to have variety. He uses his Mort Drucker-ish half-caricature style, which i 'm not sure if it serves the plot, which is serious. I mean, when you see all the characters drawn as caricatures, you expect the plot to be non-serious too, which is not the case. Interestingly enough, Bond looks a bit like Connery with Moore's hairstyle, and the rest of the regulars (M, Q) are depicted as the actors portraying them in the films.
The story is good. Even though the McGuffin Bond looks for is nothing really original (a new-technology weapon of mass destruction using sound-waves (Tintin: the Calculus affair, anyone?))the twists and turns in this one are really interesting; probably the best in the Jim Lawrence period, so far. Bond's speculations are not far fetched, and the plot has a real spy-story feel, whereas the payment of the ransom (demanded by the villains) is a bit Thunderballesque. Unfortunately, the ending is a bit of a let down, with the reappearance of SPECTRE, and an unimaginative climax.
In all a far more interesting read than previous volumes.
Edited by pgram, 11 December 2007 - 04:44 PM.