Best and Worst Bond directors...
#1
Posted 05 February 2002 - 03:34 AM
best
Terence Young
worst
Guy Hamilton
thoughts?
#2
Posted 05 February 2002 - 05:12 AM
As for worst director, I can't actually pick one. I can't say that "this or that movie stank because of the director" because there wasn't one.
Hamilton did an exellent job with Goldfinger, which is recognised as the template for the continuing sucess of the series, so I can't knock him for DAF, LALD and TMWTGG.
Afterall, he did re-introduce Bond in the mold of Roger Moore, arguably the most sucessful incarnation of Bond.
#3
Posted 06 February 2002 - 09:06 PM
On the second place: Michael Apted
#4
Posted 05 February 2002 - 03:56 AM
As for the worst, I'm not sure, I think your being a bit rough by naming Guy, I know his three films in the 70's aren't always regarded highly, but I thought he did okay.
#5
Posted 05 February 2002 - 07:39 AM
Worst (least favorite): Apted
Young being best, however, owes a lot to:
-Brocolli & Saltzman
-Connery
-Ken Adam's sets (gotta love 'em!)
-Peter Hunt's Editing
-Barry's themesong
Apted being worst owes to:
-boring action secuences
-a boring screen play
-poor female acting ("It's beginning to look a lot like Christmas..." hint-hint)
#6
Posted 05 February 2002 - 09:04 PM
Worst Director: The chap who did Octopussy, A View To A Kill, and Licence To Kill
Funny, that they are both John Glen.
#7
Posted 05 February 2002 - 09:24 PM
How can you say who the best and worst directors are?
Each Bond film has a crew list of about 1000 people. How can you possibly analyse parts of the film and credit them to a director? I don't think that's possible. You could look at one element and say that's great, but it could be a result of a camera mans suggestion and not the director.
#8
Posted 06 February 2002 - 03:19 AM
I know what you mean, Blue Eyes, but surely it's the director's final decision to include the cameraman's suggestion or not.Blue Eyes (05 Feb, 2002 09:24 p.m.):
Each Bond film has a crew list of about 1000 people. How can you possibly analyse parts of the film and credit them to a director? I don't think that's possible. You could look at one element and say that's great, but it could be a result of a camera mans suggestion and not the director.
It's probably the director's choice in choosing that particular cameraman in the first place.
In my opinion, it's the director that assumes most of the responsibility of what actually gets on film, good or bad.
I guess that's why the Best Director award at the oscars is the second most important after Best Picture.
#9
Posted 05 February 2002 - 11:47 PM
And what about GF, DAF, LALD and TMWTGG! They are both VERY light-hearted. They all have VERY bizarre elements. More bizarre than other Bond movies than for instance FYEO. You can think of 'the Gold painted girl', 'the two homosexuals' (for THAT time, a true taboe), 'Coffins used in very bizarre ways', 'a wax statue of 007'. Al these elements were ideas of Guy
#10
Posted 05 February 2002 - 08:51 PM
Guy Hamilton: I liked him ;-) Not as much as Lewis Gilbert, but he introduced the typical 007 humour, which I liked very much. Maybe he made Roger Moore the most humoristic 007? The most bizarre elements of James Bond are in Guy Hamilton's Bond movies. CONCLUSION: A Bond director
Lewis Gilbert: He did the MOST excellent job if you ask me. I liked his tough on the Bond movies! Especially his extravagnt, larger than life style for the Bond movies. I especially like 'Moonraker'. But that's my opinion. His Bond movies are very good watchable and smoothly to follow. I say his movies are just perfect. CONCLUSION: THE true Bond director!!!
Peter Hunt: OHMSS was his true inroduction as leading director, and he should have done DAF. For instance the pre-titles of DAF should have been done by him, because only then you could have seen Sean Connery calling Tracy's name. Also his work on the previous Bond movies is excellent. CONCLUSION: A true Bond director
John Glenn: He MADE the Bond of the eighties. While all the other director's had their own 'trademark', John Glenn combined every aspect of a Bond movie very good. 'His' Bond movies are very good to watch. But some of his Bond movies cannot be compared very good. For instance FYEO is very different from LTK and AVTAK. So he made every Bond movie an individual Bond movie (ahem...can you still follow me??). Maybe he heared the public (Bond fans) a bit more? CONCLUSION: A true Bond director!
Martin Campbell: He only did one, and still a very succesful one. The Bond of the nineties, and still all the elements, combined with very good action scenes, which are made smoothly. There are also believable to watch AND they are not too long. CONCLUSION: If he had done more Bond movies, perhaps he would become a true Bond director. Don't ask me, why the producers did not hire him for GoldenEye??
Roger Spottiswoode: He can direct great action movies. But the actions are too long and are becoming a bit dready after the end. He should have made the end a bit more longer. CONCLUSION: Very good director for the (in my eyes) already destroyed franchise Mission Impossible, or other action movies like Lethal Weapon. But for Bond? Mr. Spottiswoode? Did you ever looked at the running time of your movie? Compared with other Bond movies you could have made some 10, perhaps 15, more minutes to make it a better Bond movie.
Michael Apted: You can see that he only directed drama's and other 'emotional' movies like 'Nell'. Why?? You can see that contact between Apted and the action 'directors' was very bad. The action scenes and stunts doesn't fit to the emotional, more characterised scenes. Therefore.........not a very good director. A good Bond director can make a very 'smoothly to follow' Bond movie. CONCLUSION: On the dramatic side a good Bond director, but Bond is not only all dramatics. Maybe he should have talked a little bit more with the stunt coordinators.
Lee Tamahori: We shall see....... I hope he will be the next Lewis Gilbert ;-) ;-) ;-)
A tip for the Bond producers: Don't use a different Bond director for every Pierce Brosnan Bond movie! Why?? You should give a director a chance to do a second (or even more) Bond movie. Only then he could become a true Bond director (that also counts for Roger Spottiswoode and Michael Apted), and that's a positive element for the future of the Bond franchise. MAYBE I'M OVERREACTING, BUT MAYBE NOT.......
And...........what happened with John Glenn and Martin Campbell ???
#11
Posted 05 February 2002 - 07:54 AM
worst Roger Spottiswood
enough said
#12
Posted 05 February 2002 - 06:05 AM