What movie have you seen today?
#19441
Posted 17 January 2012 - 11:23 PM
Starts off as a perfectly decent thriller, then totally loses itself half way through.
2.5/5
#19442
Posted 17 January 2012 - 11:41 PM
Very true. The oven scene was one of the only scenes I thought was interesting. Got the same boxset recently too, since I am a huge fan of a lot of Hitchcock's films but also due to the fact that the version of Vertigo included in the boxset is the only way to get the film with the original mono track.
Torn Curtain
Right, I love Alfred Hitchcock and stuff, he makes some amazing movies, and he’s such a brilliant director. 'Psycho', 'The Birds' and 'North By Northwest' are 3 of my favourite films. So I was really excited when my mum got me the Hitchcock boxset for Christmas. So you know, just threw ‘Torn Curtain’ on, and I actually never thought Hitchcock was capable of making a bad film, but my god, this film is atrocious. I can watch old films. No problem at all, but this is one of the most boring things. Jesus christ.
It's just 2 hours of Julie Andrews looking distressed.
The film suffered a lot from Benny Herrmann's absence. In his own words:
"What TORN CURTAIN needed was music that didn't make these people into ludicrous TV characters, but into reality."
This is the prelude Herrmann wrote for the main titles that Hitch rejected, and bowed to studio pressure by going for someone more hip, and could sell a few records.
The murder:
#19443
Posted 18 January 2012 - 12:25 AM
One word..Meryl Streep. Ok, two words then. Probably helps if you were around in the 80s as the story technique was a bit off but overall I very much enjoyed. I know some will have problems with this movie from a political standpoint but as a standalone film I highly recommend. And Meryl (should have gone with that to begin with) is orrsum.
#19444
Posted 18 January 2012 - 02:34 AM
Still don't quite understand the animosity levelled at the one. Each member of the cast gives an outrageously game performance, elevating the story despite any narrative short comings that exist (and there are many). The action is well staged but poorly shot for the most part. That said, it's still easy to get the gist of what's going on. The extended cut has about 15 extra minutes and none of it feels wasted. The added material very much fleshes out the character and the plot in a way the time constraints on the theatrical addition didn't allow. This is pure fun. A wonderful popcorn flick and I recommend it to anyone looking for a mindless action flick on a rainy day.
#19445
Posted 18 January 2012 - 10:46 AM
I went today on impulse, and was pleasantly surprised. The story was a little average and some of the motivations of characters (particularly Rene) were a little murky, but the film addresses many of the flaws of the first. The dialogue, for one, is far easier to understand, and I enjoyed the way we get to see Holmes plot out his next move, particularly in fights (even if he is a little too good at predicting the outcome, though the film makes fun of this). It's still a little maddeningly reliant on exposition, with a few plot points - like the red diary and the twins (who I didn'r even notice until the film pointed them out) - held in reserve, as if the film doesn't want to give too much away for fear that the audience will work things out too quickly. And some of the slow-motion camera work feels very out-of-place for a film set in 1891.
3.5/5 (though I'm tempted to bump it up to a four)
#19446
Posted 19 January 2012 - 07:33 AM
What can I say...more mystery than the first movie...more action, most waston and Holmes working together...very fast pace and a interesting plot
4 1/2 /5
#19447
Posted 20 January 2012 - 05:17 AM
#19448
Posted 20 January 2012 - 08:03 PM
Shark, since you adore John Barry so much... you might like this:The film suffered a lot from Benny Herrmann's absence. In his own words:
"What TORN CURTAIN needed was music that didn't make these people into ludicrous TV characters, but into reality."
This is the murder:
#19449
Posted 20 January 2012 - 10:58 PM

Pretty good one! BTW, does anybody felt the same I felt when watching the MGM/Columbia logo?
#19450
Posted 21 January 2012 - 12:37 PM
A messy, ugly and largely joyless film that seems humourously oblivious to its own inanity. Lionsgate have added some vaguely "torture pørn"ish overtones to the Conan world (I guess they were looking for something to fill the void Saw has left), and some of the violence is more sadistic than exciting. That's not helped by an uninteresting hero. I know Robert E. Howard purists feel that Arnie was miscast as Conan, and I'm not a great fan of the Arnie film, but it can't be denied that his casting was a shot heard around the world, whereas Jason Momoa (whoever that is) makes no impression in the role.
This isn't all to say that there's absolutely no fun to be had; the story is borderline incomprehensible and totally failed to carry me through the film, but there are a handful of set pieces that show that this could have been a decent matinee romp in the hands of another director. Not an auteur mind you, just someone better than Marcus Nispel; even Chuck Russell would have sufficed. Still, in fairness I have to say this is Nispel's best film to date. This being the same Marcus Nispel who got fired from End of Days for attending a a meeting where he announced he was "not interested in working with you guys if you don't give me the same respect you would give a Coppola or a Kubrick”. Why have I seen every one of this idiot's films?
#19451
Posted 21 January 2012 - 12:48 PM
I can't stand Matthew McConaughey. And I don't really like legal films or shows. I probably wouldn't have even bothered with THE LINCOLN LAWYER if it weren't for the way I've been reading a lot of Michael Connelly of the late. But I'm glad I did, because I really quite enjoyed it. I still don't like McConaughey, but I was happy to see he was cast against type in this one, because he really pulled off the overly-cocky and morally-questionable defence lawyer.
4/5
#19452
Posted 21 January 2012 - 03:38 PM
The Lincoln Lawyer
I can't stand Matthew McConaughey.
And yet he speaks so highly of you.
#19453
Posted 22 January 2012 - 09:23 AM
That bastard.
#19454
Posted 22 January 2012 - 02:08 PM
#19456
Posted 28 January 2012 - 07:06 AM
#19457
Posted 29 January 2012 - 11:30 AM
It was a pretty average legal thriller with Morgan Freeman and Ashley Judd, right up until the last ten minutes when a story twist meant that nothing in the film made any sense:
0.5/5
#19458
Posted 29 January 2012 - 05:47 PM
This wasn't quite the film that I was expecting it to be. Based off the trailers I remember seeing for this a while back (although I'm perfectly willing ot accept that I may have remembered them incorrectly), I was expecting more of a pulse-pounding political thriller. That isn't quite what The Ides of March is, but it is still a top-notch political film.
Ryan Gosling is excellent as Stephen Meyers, the second-in-command of the presidential campaign of Mike Morris. Morris is played expertly by George Clooney, who infuses him with enough charisma and sleaziness to make him a believable politician, even though his character is desperate not to be the typical politician.
The Ides of March often moves fairly slowly, but what happens on screen is engaging throughout. Clooney, who also directs the film from a script he co-wrote, does a good job of navigating the twists and turns in the script as well as handling the numerous back-stabbings by the various characters with ease. The Ides of March is definitely a movie worth watching, if you're a fan of films that take a while to simmer to a boil rather than the typical pulse-pounding from beginning to end political thrillers.
4/5
Edited by tdalton, 29 January 2012 - 05:48 PM.
#19459
Posted 30 January 2012 - 02:16 PM
9 | 10 for all!
#19460
Posted 31 January 2012 - 09:35 AM
So, finally saw it. And... fun! The finale is a bit by the numbers - but the first two acts are a highly entertaining film. Sure, you could argue about this or that - but then again, you can argue about every movie (why did they do this? why didn´t they do that). Craig and Ford are very good, in fact, all major players were putting in respectable work. Why this film failed at the box office and TRANSFORMERS 3 packed them in... yeah, it´s not about the quality.
So, check it out if you want some mindless fun. Give it a chance.
#19461
Posted 05 February 2012 - 09:03 PM
Far better than I ever expected, a visceral and thoughtful viewing experience. The choppy editing largely works, for once (the key disaster set piece is genuinely traumatic), and there's a lot of provocative musing about life and death in the manor of The Thin Red Line. A real treat; an intelligent and gripping popcorn movie for adults.
#19462
Posted 06 February 2012 - 10:07 PM
Atrocious. Embarrasing. Boring. Annoying.
1/5
Edited by Mharkin, 06 February 2012 - 10:37 PM.
#19463
Posted 07 February 2012 - 11:26 AM
Well done, stylish thriller with a superb Ryan Gosling (but I like him in every movie so far). However, it is not the greatest film of the year (as it was hyped by many critics) but just an entertaining genre exercise. I also like Albert Brooks but the killer behind the nice smile is something any good actor can pull off in his sleep. So - sorry, Albert, but this was not better (or worse) than other stuff you already did.
All the outrage about this film being overlooked by the Academy seems to me pretty pointless. I would have been astonished had DRIVE been nominated. Simply because it is "just" a good film but not more.
#19464
Posted 08 February 2012 - 09:08 AM
Surprisingly effective story about a haunting. In some ways a modern rethinking of the classic "Poltergeist". No gore, just atmosphere and plenty of shocks made without CGI, just with live action, strategic staging and blocking. The finale is a bit ordinary and predictable - but still, I enjoyed it. News about this getting a sequel did not surprise me since the ending is kind of open.
#19465
Posted 08 February 2012 - 09:03 PM
Allow me to start out by saying this: I am a big Punisher fan, and I am not sure why. Its actually a very funny story as to why I watched it again today. I recently bought a copy of the Punisher game for the PS2 among a few other games for 3 bucks. So yesterday, my daughter wanted to play her dance game. I grabbed the remote and set up her Nintendo (TV is one of the kinds that you need the remote to get to video mode. Last night, I wanted to play one of the other games I bought, and could not find the remote to switch it back. So I watched The Punisher movie instead. Very good movie, IMO
#19466
Posted 09 February 2012 - 12:24 PM
Yes. I wanted to see this film again after some time has passed, having watched it four times before, enjoying it very much and knowing everything about it.
And, boy, is this film fast. It really has no fat at all. Lean, mean, getting down to business. Craig delivers a fantastic performance as Bond. I do miss the slower pace, however. But it definitely is a film of its time (as any Bond film is). So, still great. Still effective. And definitely a showcase for Craig being a fantastic Bond.
Spider-man 2
Although I always was more a Superman- and Batman-Fan as a child, I enjoyed Spidey, too. The first film was a let down for me, due to the cartoony villain. But this second film I´ve always liked a lot. Watching it again proved that, for me, it takes the character seriously and still has fun with it. This second film has a fantastic villain. And the emotional undercurrent of it all is what distinguishes the film. Visually, it´s pretty fantastic, too. The structure is a bit stop-and-go at times, but the film remains one of those rare sequels that are better than the original.
But I do like what the trailer of the re-boot has to offer. And while Tobey Maguire is effective, I believe Andrew Garland will be even better.
#19467
Posted 10 February 2012 - 05:25 PM
Pretty good. Very good, actually. I strongly recommend.
I wasn't that surprised, since I read the novel (and many others by Le Carré) and hence knew what to expect and how to encompass his world. Yet I was impressed by the cinematography.
The direction is wise, the actors are delivering impressive performances (noone overplays), the tone is right (quite faithful to the novel), the pace is slow yet enthraling, etc.
All in all, a very good spy movie. It's playing with the audience (flashbacks, multiple locations, etc.), everything being blurred and nothing being very straight.
But beware, I do mean "spy movie" (no shaky-Bourne-action, no John Woo gunfight, no Bond glamour extravaganza)!
#19468
Posted 11 February 2012 - 03:40 AM
Meh. Wasn't bad, wasn't great. Good time killer, though.
#19469
Posted 11 February 2012 - 11:57 AM
Honestly, better than I expected; I enjoyed it. Granted, Crowe is a bit of a problem; yes, the accent(s), but more the typical frowny-faced, self-important, far-too-serious-in-the-wrong-way performance typical of him, which is often a bit jarring, and none more so than here. But the film has more to offer. I don't think Scott intended this to be the "as historically accurate as possible" take it was alleged to be, or if he did it seriously does not come off. Nor is it really the Robin Begins film I was afraid of, until the last ten minutes or so when it suddenly seems to decide that it is. Whatever the film was intended to be, overall I found it to be a perfectly enjoyable bit of matinee fun. Remember, many critics found Prince of Thieves too dark and grounded back in its day too, something I suspect a "post-Nolan audience" would find hard to fathom.
#19470
Posted 12 February 2012 - 10:59 PM
Absolutely wonderful. Go see it.
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